The 17 Series 000-17 Auditorium Acoustic Guitar boasts a rich, warm sunburst or sharp black finish that will delight any player with its aesthetic beauty. Skillfully crafted from a solid Sitka spruce ... Click To Read More About This Product
The 17 Series 000-17 Auditorium Acoustic Guitar boasts a rich, warm sunburst or sharp black finish that will delight any player with its aesthetic beauty. Skillfully crafted from a solid Sitka spruce top and mahogany back and sides with grained ivoroid binding, a modified low oval neck with a Performing Artist taper, and a Guatemalan rosewood fingerboard and bridge, this guitar produces beautiful dynamic tones that will please the most discerning musician.
Body type: Auditorium/OOO
Top wood: Sitka Spruce
Back & sides: Mahogany
Bracing pattern: Scalloped X
Body finish: Satin
Orientation: Right handed
Neck shape: Modified Low Oval/High Performance Taper
Nut width: 1.75" (44.45mm)
Neck wood: Select Hardwood
Scale length: 24.9"
Number of frets: 20
Neck finish: Satin
Brand: Not applicable
Configuration: Not applicable
Preamp EQ: Not applicable
Feedback filter: Not applicable
Tuner: Not applicable
Headstock overlay: Ebony
Tuning machines: Golden Age Relic Nickel with cream knobs
Saddle & nut: Compensated Bone/Bone
Number of strings: 6-string
Special features: Limited edition
Case: Hardshell case
Country of origin: United States
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Pro Coverage gives you added warranty protection for your gear. Stepping in where the manufacturer's "normal wear and tear" coverage ends, our Pro Coverage program offers you upgraded coverage if your product ever fails Click To Read More About This Product.
Reviewed by 1 customer
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Comments about Martin 17 Series 000-17 Auditorium Acoustic Guitar:
This is a spit review-once the guitar was properly set up, it became everything Martin says it is. I love playing it, the sound is magnificent, and it responds equally well to standard and open tunings. The problem came with the initial delivery of the guitar-the action was horrifyingly high-it measured a full quarter inch high on the bottom E string at the 12th fret. It was virtually unplayable, so on top of the cost of the guitar, I had to shell out another fifty to make it playable. I have a great set up guy at my local GC, but he shouldn't have had to have done this. So Martin, hear this: great guitar, lousy set up. Plecked? I think not.
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