The ultimate preproduction assistant that allows you to easily and intuitively browse your camera, deck, or card reader, view clips, off-load the media for safe backup, view and edit metadata, batch c... Click To Read More About This Product
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The ultimate preproduction assistant that allows you to easily and intuitively browse your camera, deck, or card reader, view clips, off-load the media for safe backup, view and edit metadata, batch copy, batch transcode to a wide variety of pro formats, precisely perform first-pass color correction, and more.
The fast, simple, reliable path from camera to post
As media production becomes more complicated and turnaround times grow tighter, you need a tool that eases the workload on your editor and helps you meet project deadlines. With Catalyst Prepare, you can quickly access, organize, and prepare all of your project footage — even when you use a variety of popular cameras. Create a rough-cut storyboard along with quick initial color grade to jumpstart the editing and review process. Then render it out directly or export an EDL to other popular tools you use in your workflow.
Organize into libraries and bins
Catalyst Prepare is a key organizational and creative tool that allows you to arrange media into targeted, meaningful libraries and bins. Then launch the creative process with solid rough drafts. Locate the correct media, create subclips, and develop rough drafts on a storyboard in a dedicated tool designed specifically for these tasks.
View details, zoom to check focus, mark in/out points, adjust colors nondestructively, and create a storyboard to rough draft your vision. Edit mode enables you to zero in on the important parts of each clip. Create sub clips to easily access the best parts of each clip. Assemble, trim, and sequence a group of files into a Storyboard. Even apply color adjustments. Then render the Storyboard out in a variety of formats or export it as an EDL with media to send to Vegas Pro, Apple Final Cut Pro, AVID Media Composer, Adobe Premiere or Da Vinci Resolve. The edit mode also offers the ability to automatically detect and repair flash band problems created by flash photography.
Precise first-pass color correction
Work in the same high dynamic range and wide color gamut as professional cameras shooting in the S-Log or Sony RAW format. Set source, convert-to, and grade-in color spaces. Apply a look profile. Use the brightness, contrast, tone curves, color wheels, and color correction sliders to adjust color while viewing the waveform, vectorscope, and histogram displays. Transcode files that carry the new color adjustments or save the settings as standard ASC-CDL to apply later in the finishing session. The color grading tools also support the ACES color management system. Set your preview display to a before, after, split, or 2-up view to compare before-and-after adjustments.
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