Mackie TT24 Digital Live Mixing Console  

Item #: 
1274741969060123728
  • Write a Review

The Mackie TT24 Digital Live Mixer is a fully digital 24-bit/96kHz mid-sized console which gives engineers full automation and recall of levels, EQ, effects, routing and more. Unlike other affordable ... Read More

We're sorry—we no longer carry this item.

Find a similar product below or contact us for a recommendation of a great alternative.

Call: 866-498-7882 Email or Chat

Recommended Products
Overview

The Mackie TT24 Digital Live Mixer is a fully digital 24-bit/96kHz mid-sized console which gives engineers full automation and recall of levels, EQ, effects, routing and more. Unlike other affordable digital consoles designed primarily as recording desks, the TT24 mixer puts gobs of standard analog and digital I/O right on the rear panel. Not to mention, it's far easier to learn and use by the average live sound engineer.

Bustin' with analog i/o!

Affordable digital consoles have historically been developed as production mixers, with live features added as an afterthought. As such, they are notoriously limited in terms of mic channels and outputs. The TT24's rear panel, however, is bustin' with analog I/O: 24 mic/line channels, 8 line inputs, 2 CD/Tape inputs, Talkback Mic input, L/R & C (mono) Main outputs, 12 Auxiliary sends, and 8 Group/Matrix outputs. Of course, you can also expand the TT24 using optional I/O cards, and even link two consoles together for a mondo 48-fader/72-input/96-channel version.

DSP where you need it

The TT24 team spent a great deal of time figuring out a way to access and apply all of the TT24's onboard DSP power in a way that's practical, intuitive, and fast enough for live sound. All 24 mic inputs all have 4-band EQ, Comp/Limiter, and Gate available within two button presses; and the 8 line inputs have the 4-band EQ as well. So by installing a TT24, you can say goodbye to your bulky, expensive rack of outboard dynamics processors and equalizers forever.

Flex Groups: A TT Exclusive!

The TT24's Flex Groups consist of 8 groups individually configurable as mono, stereo or VCA-style groups with dedicated group faders. You can tailor these groups specifically for your application, whether its traditional analog-style Mono groups, Stereo groups on a single fader, or VCA groups--a feature not available on any console, digital or analog, at this price. Of course, the Flex Group faders are in addition to the 24 channel faders to avoid bank switching during normal operation.

Aux Mode: Instant monitor console!

Using Aux mode, the Mackie TT24 mixer can be turned into a full-featured professional monitor console with a single button press. (To make things easy, the Aux Mode is the only blue button on the console.) In Aux mode, the TT24 channel faders become Aux Send levels, while Group faders become Aux Send masters. This makes the TT24 a great front-of-house console or an ideal monitor mixing console depending on your application.

What is Matrix Plus?

This is where things get jiggy. The TT24's Matrix Plus is a type of digital patching not possible with analog consoles. Basically, it lets you patch any source into the Matrix, providing you with additional sub-mixes for cry rooms, green rooms, broadcast, recording and monitoring. So the next time you need to run another mix, it's not a problem .

TT Control Software

The TT24 ships with Mackie's powerful TT Control software, which can be used to control and monitor the console using a laptop or desktop PC. Once connected via a single USB cable, TT Control software provides a large, full-color view of the TT24's touchscreen. In addition to providing a larger view, the TT Control software's interface was designed with daylight usage in mind (i.e. black lines on white backgrounds or bright yellow text on black backgrounds). In default setting, the TT24 mixer's LCD screen is mirrored in the in the software, making it easy to keep your hands on the control surface with your eyes on the computer monitor. But the software can also be set up to operate independently of the console if a second engineer is working. Additionally, TT Control allows for convenient file saving and firmware upgrades via PC. 24-bit/96kHz digital mixing console purposely designed for live applications 99 snapshots instantly recall levels, dynamics processing, EQ, routing, mutes, etc.

Features
  • 24 mic/line inputs with 4-band Parametric EQ/Comp/Gate/Variable HPF standard
  • 8 Line inputs with 4-band Parametric EQ (stereo linkable)
  • Onboard 24 x 24 digital ADAT Optical I/O; 2 x 2 Stereo Digital I/O (SPDIF or AES) 2 Stereo Analog Inputs (RCA and 1/4")
  • Quick Mix section featuring 5-inch touchscreen LCD, 12 knobs and 8 buttons provide fast access to primary live mixing functions
  • 24 x 100mm motorized faders with full recall, as well as 4 x 100mm motorized Group Faders and a dedicated motorized Master Fader
  • 24 multi-function V-Pots with metering
  • 12 Aux sends with 6-band EQ, including dual Kill filters and Comp/Limiter (stereo linkable)
  • Left/Right/Center (Mono) outputs with 6-band EQ, including dual Kill filters and Comp/Limiter
  • TT Control software for operational monitoring and console control via desktop or laptop PC and single USB connection
  • Aux Mode for instant conversion into monitor console
  • 11 x 8 Matrix Plus allows patching any desired signal into the matrix
  • 99 user presets for Venues, Eqs, Dynamics, Channel Strips, and EFX
Specifications
  • Analog:

    Mic Preamp:
    Frequency response: +0, -2 dB, 10 Hz to 20 kHz (Mic In to Insert Out)
    Distortion: (THD + N) < 0.003% @ +20 dBu output, 20 Hz to 20 kHz
    (Mic In to Insert Out)

    Noise: 20 Hz to 20 kHz BW (150ohmssource impedance)
    Equivalent Input Noise (EIN): ”128 dBu
    Residual Noise: ”103 dBu (Mic In to Insert Out @ 0 dB gain)
    Common Mode Rejection Ratio (CMRR): >60 dB @ 1 kHz, gain @ maximum (Mic In to Insert Out)
    Rise Time: < 3 ms
    Slew Rate: 3.6 V/ms

    Input Gain Control Range:
    Mic In: 0 dB to +60 dB
    Line Inz: ”20 dB to +40 dB

    Phantom Power: 48 VDC

    Input Impedance:
    Mic Input: 2k ohms, balanced
    Line Input: 10K ohms
    Aux Returns, CD/Tape A and B: 10K ohms

    Maximum Input Level:
    Mic Input: +22 dBu
    Line Input: +22 dBu
    Aux Returns, CD/Tape A and B: +22 dBu

    Output Impedance:
    L/R/C-Mono, Group/Matrix Out: 150 ohms
    Aux Send, Monitor Out: 150 ohms
    CD/Tape A and B Out: 600 ohms

    Maximum Output Level:
    Insert Out: +22 dBu
    L/R/C-Mono, Group/Matrix Out: +26 dBu
    Aux Send, Monitor Out: +21 dBu
    CD/Tape A and B Out: +22 dBu
    Phones Out: 500 mW into 100 ohms

    System

    Frequency Response (Gain at unity):
    Mic Input to Main Output:
    +0, ”1 dB, 10 Hz to 20 kHz @ 44.1 kHz
    +0, ”2 dB, 10 Hz to 40 kHz @ 96 kHz
    +0, ”0.5 dB, 14 Hz to 27.5 kHz @ 96 kHz

    Distortion (THD + N):
    Mic Input to Main Output:
    < 0.02% @ +4 dBu input, 44.1 kHz, 10 Hz to 20 kHz
    < 0.03% @ +4 dBu input, 96 kHz, 10 Hz to 20 kHz

    AES Input with SRC to AES Output:
    < 0.0002% @ ”10 dBFS input, 44.1 kHz, 10 Hz to 22.05 kHz
    < 0.0006% @ ”10 dBFS input, 96 kHz, 10 Hz to 48 kHz

    Signal to Noise Ratio: ”78 dBu (ref. +4 dBu Mic In to Main Out)
    Dynamic Range: 101 dB (Mic In to Main Out)
    Maximum Voltage Gain: 96 dB (Mic In to Main Out)

    Crosstalk:
    Adjacent Inputs: ”110 dB @ 1 kHz
    Adjacent Main Outputs: ”95 dB @ 1 kHz
    Adjacent Aux Outputs: ”115 dB @ 1 kHz

    Digital

    Faders:
    Type: 100 mm motorized, movement sensitive
    Resolution: 128 steps
    Sampling Frequency: 44.1, 48, 88.2, 96 kHz (Internal and External)
    Digital Signal Processing: 32-bit floating point resolution
    Propagation Delay (Mic In to Main Out): < 3.8 ms @ 44.1 kHz
    < 1.7 ms @ 96 kHz

    Word Clock Input:
    Minimum Level: 0.4 V p-p
    Duty Cycle: 50%
    Impedance: 75 ohms

    External Word Clock Lock Range:
    44.1 kHz = 42.5 kHz ” 45.8 kHz
    48 kHz = 46.4 kHz ” 49.4 kHz
    88.2 kHz = 85.0 kHz ” 90.7 kHz
    96 kHz = 92.2 kHz ” 98.2 kHz

    Word Clock Output:
    Open Circuit Level: 5 V p-p
    Duty Cycle: 50%
    Impedance: 75 ohms

    AES Input (IEC-60958-3):
    Sample Rate with SRC: 32 kHz ” 96 kHz
    Sample Rate without SRC: System sample rate exactly
    Maximum Level: 0.4 V p-p
    Impedance: 110 ohms, transformer coupled

    AES Output (IEC-60958-3):
    Sample Rate: System rate or switchable half system rate
    Level into 110 ohms: 5 V p-p
    Impedance: 110 ohms, transformer coupled

    S/PDIF Input:
    Sample Rate: with SRC 32 kHz ” 96 kHz
    Sample Rate without SRC: System sample rate exactly
    Minimum Level: 0.4 V p-p
    Impedance: 75 ohms

    S/PDIF Output:
    Sample Rate: System rate or switchable half system rate
    Level into 75 ohms: 0.5 V p-p
    Impedance: 75 ohms, transformer coupled

    General:
    AC Power Requirements: 100”240 VAC, 50”60 Hz, auto-switching
    Fuse: 6 A/250 V
    Operating Temperature: 10oC”40oC (50oF”104oF)

    Physical Dimensions:
    Height: 10.4 in/265 mm
    Width: 42.6 in/1083 mm (including handles)
    Depth: 25.0 in/636 mm
    Weight: 71.0 lb/32.2 kg
  • Customer Reviews
Loading....
You are changing the Ship-To country.

Our product catalog varies by country due to manufacturer restrictions. If you change the Ship-To country, some or all of the items in your cart may not ship to the new destination.