M-Audio FastTrack Ultra USB 2.0 Audio Interface

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A quick and easy audio interface solution for on-the-go or at-home recording.

A next-generation mobile recording interface, the M-Audio Fast Track Ultra features high-speed USB 2.0 technology for advanced performance. This advanced interface delivers simultaneous 8x8 24-bit/96kHz audio via M-Audio's rock-solid low-latency drivers so you can record and route lots of audio. The MX Core DSP technology gives you flexible channel routing, monitor submixing, and effects processing to make handling all those audio signals straightforward and easy. 4 preamps with award-winning M-Audio Octane preamp circuitry give you premium sound.

Like FireWire, USB 2.0 delivers the high bandwidth necessary for professional 24-bit/96kHz audio resolution throughout the recording and monitoring process. The increased data speed lets you enjoy exceptional fidelity on all of your inputs and outputs simultaneously.

Speed Comparisons in Mbps Connection: Maximum Speed USB 1.1: 12Mbps USB 2.0: 480Mbps FireWire 400: 400Mbps

Built-in effects processing Tired of tracking vocals and instruments dry? Fast Track Ultra features MX Core DSP technology that gives you reverb and delay on the headphone outputs with separate sends for every channel. Adding effects is an easy way to inspire creativity and infuse a performance with new energy-without taxing your CPU resources.

Make the connection Fast Track Ultra provides a complete recording solution, with six channels of analog inputs and outputs plus 2-channel digital S/PDIF I/O. Unlike most USB interfaces, it features two dedicated inserts on the first two channels, giving you the ability to insert outboard processing before A/D conversion. Easy connection via a single USB 2.0 cable delivers both audio and MIDI communication with your computer. Compatibility with most major audio software, means seamless integration into any studio setup.

MX Core DSP technology for sophisticated channel routing The Fast Track Ultra makes it easy to create multiple monitor mixes when recording other musicians. The robust MX Core mixer employs an array of eight individual DSP cores to deliver near-zero latency and a matrix for sophisticated channel routing options-accessible via an intuitive control panel that utilizes a separate mixer for each pair of outputs. The mixer expands the total I/O to an impressive 16 x 8 configuration, allowing you to connect synths and outboard gear to any of the interface's hardware inputs, then mix them with the eight audio streams coming from your computer.

Professional Octane preamp technology The quality of your recordings is only as good as the initial signal. The Fast Track Ultra features four preamps with multi-award-winning M-Audio Octane technology, creating a premium front end that delivers amazing audio clarity. You get professional, low-noise, high-gain preamplification with enough channels for a variety of miking applications. Features include +48V phantom power for condenser mics, signal/peak LED indicator lights and a pull-out gain knob that activates a 20dB pad for recording at high volumes. See why world-class artists choose the M-Audio Octane preamp.

Dual headphone amp Whether you usually track vocals or an ensemble, you're likely to need multiple headphone mixes. Fast Track Ultra has two completely independent headphone outputs so you can take advantage of the DSP mixer's powerful routing options and create the right mix for your performers-complete with reverb and delay.

With our Guaranteed Lowest Price, you can be assured of complete satisfaction and the lowest available price, or your money back!

M-Audio FastTrack Ultra USB 2.0 Audio Interface Features:

  • 24-bit/96kHz professional audio on all I/O simultaneously
  • High-speed USB 2.0 interface
  • MX Core DSP technology
  • Digital effects processing with assignable parameters
  • Flexible channel routing options
  • Expands DSP mixing interface to 16 x 8
  • 4 preamps with award-winning M-Audio Octane technology
  • 4 XLR microphone inputs-including 2 XLR/TRS combo jacks for mic or instrument level inputs
  • 20dB pad on each preamp
  • Signal/peak LED indicator lights
  • Phantom power
  • 6 balanced line inputs
  • 6 balanced analog outputs
  • 2 analog inserts
  • S/PDIF digital I/O
  • Built-in 1 x 1 MIDI interface
  • 2 independent headphone outputs with individual volume controls
  • Full ASIO 2.0, WDM, MME, and Core Audio support
  • Compatible with most major audio production software*
  • USB bus power**

M-Audio FastTrack Ultra USB 2.0 Audio Interface Specifications:

  • Dimensions: 10" x 5.5" x 1.6" (25.5cm x 14cm x 4cm)
  • Weight: 1.9 lbs. (.86 kg)
  • Compatibility: WDM, Core Audio, ASIO 2.0, MME
  • Microsoft Windows Requirements: Windows XP (32-bit) with SP2 or higher, DirectX 9.0c or higher (included in XP), USB 2.0 port, Windows Vista (32-bit versions), 1.6GHz processor (CPU may be higher for laptops), and 512MB RAM (Windows Vista Home Premium, Business and Ultimate require 1 GB RAM)
  • Apple Macintosh Requirements: Mac OS X 10.3.9 or higher, USB 2.0 port, 512MB RAM, and 1GHz CPU-Please check your audio software for additional minimum system requirements.

    *Compatible with all ASIO- and Core Audio-based applications.
  • **USB bus power enables analog channels 1 and 2, S/PDIF I/O, and headphone output 1; included power supply required for full 8 x 8 operation.
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5 Star Rating

Sweet deal, Awesome piece of gear!

I don't understand what all the fuss is about. I've gone through many different operating systems and computers, and drivers and have not had ANY issues with this product. It works flawlessly on XP/XP SP1/2 and Vista. It has a couple very minor issues on Vista X64 but nothing that would break the work flow noticeably. I'll begin by saying that it has probably the best layout I have ever seen on a sound card. It is also the most powerful at the time for USB sound cards all together. It has 6 1/4 inch inputs on the back very well laid out, and 6 matching 1/4 inch outputs on the back aswell... this setup keeps wires nice and neat (unlike others where you gotta plug stuff in all over the place in all directions..... on the front you could either hook up four mics or two mics and two instruments.... what nice is that the first two inputs can either be xlr or 1/4 inch..... All four inputs have knobs right there on the front to control the preamps for each channel individually. Also on the front.... TWO, not one, TWO headphone outputs with individual volume controlls and LED's to indicate clipping and signal (that can be assigned to play different channels alltogether). And of course there is a volume control, right there on the front. What I should note is that there are four buttons to switch from the front inputs to the back ones. Some other nice features include an input and output for an insert effect (so you can hook up for example a compressor)... the only flaw with it (actually what' nice is that I called m-audio and they took a unit from their warehouse, set it up, and tinkered with it trying to figure it out).... but anyways the only flaw is that it cannot be inserted to any channels but channels 1/2..... Of course the thing has phantom power but if you choose to run with it off you can still use normal mics... What's also so nifty is that if you want to go somewhere with a lap top for example you can ditch the power supply alltogether and still have channels 1/2 for input and output powered by the USB bus. The latency on this card is great... I can't say it's as perfect as I want it to be (especially with Vista x64) but I can safely run a 128 sample buffer running under 10ms completely safely and if no input is needed and those are disabled a 4 ms delay is pretty safe and works great.... Another great thing is the software mixer, you can route just about anything into anything else, it simply makes this card have no limits as far as routing (except for that insert effect thing but I don't really use it anyways since I use the daw for that) The only serious issue is that after switching to Vista x64 I have not been able to get the "High Performance Mode" to work which affects the buffer a little bit. Other then that, solid 5/5... I've recommended this product to many people, all have bought it, all had no problems. The biggest issue with this card is people, people that can't install the damn driver. It's a little bit more of a pain in the butt then simply installing a CD but if you follow directions it will work. Would buy again but I'm more then happy with the one I got :)

Reviewed by AudioRuso on 4/30/2009 who plays Drum n Bass, Dubstep, other electronica.

36 people found this review helpful.
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5 Star Rating

Very flexible and versatile

I just purchased this bad bay and I couldn't believe what you get for such a low cost. I have used Tascam and an RME Fireface in the past and sold my Tascam 'cause I couldn't get it to work in a Vista 64 bit environment and sold my RME FF 'cause I am a moron. Anyway, the preamps are sufficent, not real real powerful, but they work good and....this unit works great in a 64 bit enviornment with a great virtual mixer.

Reviewed by Tony on 8/20/2009 who plays Rock.

2 people found this review helpful.
0 people found this review unhelpful.
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5 Star Rating

Best bang for your buck

All I have to say is WOW! I'm so glad I purchased the Fast Track Ultra. I was considering the Tascam 1641 due to its 8 XLR inputs but, the Fast Track beats it with software and the two headphone sends. I use Reaper as my DAW and it works flawlessly with the M-Audio device. In the short time I've had with it, I never had a drop, crack or pop in any of my recordings. Some very minor downsides: The headphone outs are not particularly loud. Turning the front knob all the way, AND cranking the software send - the volume never seemed to get passed acceptable. If you need more volume, you'll probably need to re-amp it. With the font 4 inputs, although they have very low noise, the top end of the gain can be touchy causing some minute moves in order to alleviate clipping. So, the top end is pretty sensitive. The software mixer, although very handy, can become confusing when trying to monitor inputs and the recording. So not only do you have to worry about your DAW you have to be concerned with the m-audio interface. But once you get the flow of things, it's slick. If you have a good laptop, you have a portable studio. Very convenient. Overall I'm extremely excited about the possibilities. I love the interface and wouldn't change my mind or concider anything else. You can't beat the features for the price.

Reviewed by JP LeClair on 8/19/2009 who plays Blues, rock.

1 person found this review helpful.
0 people found this review unhelpful.
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5 Star Rating

A Life Saver

All I can say is that this is the best sound card for the price.This is better than most of the sound cards that cost twice as much. It has really good pre-amps 8 in 8 out so you can record the drums and the guitar and the bass live and just overdub anything else.

Reviewed by D.B. on 8/10/2009 who plays Rap,R&B,Blues,Jazz,Neo Soul.

2 people found this review helpful.
1 person found this review unhelpful.
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5 Star Rating

Decent DAW

I am running this on vista-64 and with Cubase. It works, but I have had several crashes and issues with latency. This is probably due to the fact that USB (even 2.0) is not ideal for streaming audio, since it depends on CPU heirarchy to allocate resources to the USB, which is generally bottom of the chain. I would suggest purchasing a recording device with firewire and using that instead to avoid these problems if you are planning using this for anything more serious than hobby work. The plus side is that m-audio makes great equipment, and the support people, in my opinion, are very helpful.

Reviewed by Tyler on 9/26/2009 who plays jazz, metal, blues.

1 person found this review helpful.
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