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Line 6 StageSource L3T Powered Speaker Black

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1329756295452
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By themselves, or in conjunction with the M20d mixer, Line 6's StageSource L3t powered speaker system offers great sound with the built-in intelligence to make your live gigs that much more exciting.<... Read More

Available 08-10-2016 You will not be charged until order ships. Email me when this is in stock.

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$99999.00
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By themselves, or in conjunction with the M20d mixer, Line 6's StageSource L3t powered speaker system offers great sound with the built-in intelligence to make your live gigs that much more exciting.

With 1400 watts of tri-amped power and multi-band feedback suppression built in, these compact, lightweight speakers interconnect using the L6 LINK protocol to easily scale from using a single speaker with the built-in multi-channel mixer with digital effects for intimate acoustic gigs to multiple speaker rigs with an external mixer to fill larger venues. And the Smart Speaker Modes can tell whether you're using it for a floor monitor, pole-mounted, or as part of your backline for acoustic or electric guitars and automatically sets itself appropriately. So it's easily expandable as your live sound needs grow.

Built road-tough, with professional suspension points and pull-backs, the L3t is also great for installations in churches, clubs, auditoriums and conference facilities. And because it's so easily expandable, with other L3t cabinets, the L3m or the L3s subwoofer, your investment in great sound is a sound investment.

Features
  • 1,400‐Watt,3‐way, tri‐amped speaker system
  • Smart Speaker Modes for great live sound in any live sound situation
  • Multi‐channel mixer with 3‐band EQ, Smart Effects, and acoustic guitar modeling
  • Multi‐band feedback suppression
  • On‐board accelerometer and pole‐mount sensors
  • Virtual Tilt‐back projects speaker's output upwards in backline mode
  • L6 LINK digital networking for multi‐speaker setups
  • Multi‐function design for true scalability
  • Dual‐braced tour‐grade plywood enclosure with M10 suspension points
  • Retractable handles for easy portability
Specifications
  • System Type: Dual 10", 3‐way, tri‐amplified loudspeaker system
  • Frequency Range (‐10 dB): 40 Hz to 19 kHz, (Reference/P.A. Speaker Mode, free‐field)
  • Frequency Response (±3 dB): 47 Hz to 18 kHz, (Reference/P.A. Speaker Mode, free‐field)
  • Maximum SPL Output: 132 dB peak @ 1 meter (unweighted, measured indoors with music program
  • material)
  • Coverage Pattern (‐6 dB): 100° horizontal x 50° vertical
  • Directivity Factor (Q): 8.7 (averaged 1 kHz to 16 kHz)
  • Directivity Index (DI): 9.4 dB (averaged 1 kHz to 16 kHz)
  • Crossover Frequencies: LF1 Low‐pass ‐ 250 Hz; LF2 to HF Crossover ‐ variable, 2.2 kHz to 7.0 kHz (Speaker Mode dependent)
  • Low Frequency Transducers: 2 x 10" extended range woofer, 2" diameter voice coil, 4Ω impedance
  • High Frequency Transducer: 1" exit compression driver, 1.4" diameter voice coil and diaphragm, 8Ω impedance
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  • Customer Reviews
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Review Snapshot

by PowerReviews
Line 6StageSource L3T Powered Speaker
 
5.0

(based on 3 reviews)

Ratings Distribution

  • 5 Stars

     

    (3)

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Reviewed by 3 customers

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5.0

A Great Flat Response System

By DickBanks

from Olathe, KS

Pros

  • Feedback Suppression
  • Great flat response
  • Great sound
  • L6 Link
  • Solid Construction

Cons

  • Expensive

Best Uses

  • Any Instrument
  • Gr-55
  • Home Studio
  • Live
  • M20d
  • Monitor

Comments about Line 6 StageSource L3T Powered Speaker:

I have owned and used 1 Line 6 L3T and also a Line 6 StageScape M20d mixer 7 months now. I am building up my PA as I can afford it. I bought the L3T and M20d at GC in Overland Park, KS.
I use the L3T by itself as a guitar amp, connected to my M20d and Roland GR-55, and sometimes just straight guitar to amp, all mainly for band rehearsal. Also, with my home recording studio, it is my sole monitor. At my current gig, I don't use it—I just play through the house system, so I have no live gigging experience with it (yet), but I find that if I tweak a sound through it, I get the same sound through the big house system. I also play a set of Roland TD-4KP drums through it at home (I'm a beginner on drums). My guitar work is acoustic (6 and 12 string synth) and electric (Strat, Tele, and ES-335 sounds). I own one guitar, a Fender/Roland GC-1 Strat, so all these "instruments" are from the GR-55. I have to say that this L3T is the perfect companion to the GR-55, especially in regards to the acoustic sounds I get.
The construction—this thing is built like a TANK, with a metal grill, hard corners, and a sturdy handle. If you bump along with it getting it to and from the gig, worry about your walls getting scraped up, but not this unit.
In any mode, this speaker is LOUD AND CLEAR. In the analog configuration (no M20d or L6 Link) there is occasionally a low volume "hiss" that sounds a little like an air conditioner blowing—not very loud, and I think it is coming from my computer being nearby, because I don't hear it in rehearsal where there is no computer. All this goes away if I connect it to the M20d via L6 Link—the speaker now acts as a digital speaker, with virtually NO background noise at all. Very nice. If you go this route, make sure you get the 110 Ohm XLR cable; the regular XLR cables for mics may not work for you.
And there is some confusion about upgrading firmware. Yes, you need an M20d to upgrade the L3T firmware, but the firmware doesn't affect the analog speaker sound at all—it just updates the L6 Link algorithm. So if you don't use the L6 Link, then you don't need any firmware upgrades.
The best test for these flat response powered speakers is to get the best headphones you can find, and compare the headphone sound to the speaker sound. Ideally they would be the same. The L3T comes the closest to any powered system I tried. The inputs are line inputs, I think this means you need to have some power on the input to get the full volume and tone range. Just plugging an unpowered mic will probably not get you the results you want, but I don't know, I'm not a sound guy—I always port my mics through the M20d, and they are plenty loud, but there is power there.
I had planned to buy the L3S next, but after playing the drums and GR-55 bass sounds through it, it hits the lows just fine for me—really shakes the walls, and nice and clear! I always have the feedback suppression on, and I never get feedback—we connect and pass mics right in front of it without worry—very nice. It has two input panels; one is for just straight PA, and the other is for instruments, and I just use the instrument side. Don't care much for the acoustic modeling—it sounds too "electric" for my tastes--but I have the GR-55 for that anyway. With the guitar and GR-55, I engage the -20dB pad and set the gain halfway, so I don't kill anybody—still very loud—I'm never up past 4 on my guitar volume. I set the EQ flat, and let the Roland handle the levels—the L3T is an excellent flat response system, so I would think it would be good for any instrument. With the other instruments in my band playing loud, this L3T cuts through all of them when I need to—no problem. Recently one of the other guitarists plugged in his Washburn N4 straight into it, messed around with the EQ, and got an amazing Marshall Stack sound—I had a hard time getting out of there, he wanted to play all night with it!
By the way, this thing is heavy (57 pounds) but it has a great handle, and is easy to carry. I guess it's lighter than many other systems with comparable power rating. I probably could have bought the L2T first—but I had no idea of the power of these things! There is a bag with wheels—pricey, but probably worth it.
In short—I highly recommend the L3T if you need a flat response amp, or you are building a PA—great sound, great investment, and you will have people asking—"Where is that sound coming from?"

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(1 of 1 customers found this review helpful)

 
5.0

Breathtaking!

By Michael Thorson

from Wisconsin

Comments about Line 6 StageSource L3T Powered Speaker:

I'm a musician, not a "sound guy", but I want to be able to have a very easy setup. I was using an el-cheapo Harbinger PA setup and decided it was time to get some real gear. I went with the whole smash and picked up the Line 6 StageScape mixer with these speakers. The L3ts sounded amazing and hooking it up to the mixer was very simple. I spent a lot of time just standing in front of of the two L3ts. These things are very versatile and have specific setups for PA, Playback, as a guitar amp, a monitor and I'm probably forgetting something. It also has a built in feedback suppressor / eliminator that works really well. Built like a tank but not too heavy. Rubber edges and ends. I was able to hear exactly what they sounded like way out in front of the speakers because I could use my iPad to control all aspects of the mixer. Buy this!

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(2 of 2 customers found this review helpful)

 
5.0

Flawless

By irene alberthal

from San Antonio TX

Comments about Line 6 StageSource L3T Powered Speaker:

I have had this speaker since it was released and it is amazing. My other speaker that we use in our practice space is a KW153 and it over powers the QSC in volume, clarity, and low end. Not to mention that its about half the size and weight of the QSC. I've even taken it on 2 tours and it held up extremely well, pretty durable piece of gear and the price is more than fair for the quality. The onboard FX are perfect for the acoustic player too. Not to mention that the speaker has a built in feedback eliminator and the ability to change the dynamic of the speaker's function to match whatever you're using it for. (I run all of our guitars and bass through it with Line 6 HD Pod Pros and the clarity is amazing) Having the option to use as a floor monitor is also a plus (We used it as our own monitor on tour... let's face it, most sound guys don't know what they're doing. I would highly advise getting this as a main speaker.

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