Line 6 POD XT Pro Guitar Multi Effects Processor  

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127474182090672566
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An advanced member of Line 6's POD family, the POD XT Pro guitar effects processor delivers 32 groundbreaking amp models built from the award-winning technology found in the Vetta amp. It's also loade... Read More

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Overview

An advanced member of Line 6's POD family, the POD XT Pro guitar effects processor delivers 32 groundbreaking amp models built from the award-winning technology found in the Vetta amp. It's also loaded with 22 cab and 4 mic models, 49 stompbox and studio effects, and 36 programmable channels. Extensive I/O includes XLR and 1/4" analog outs plus AES/EBU, S/PDIF, and USB digital I/O for ultra-deep computer-based patch editing. The programmable stereo effects loop opens up myriad possibilities for live performance. It provides the best solution for achieving great tone without having to crank an amplifier.

Features
  • 32 groundbreaking amp models built from the award-winning technology found in the Vetta amp
  • 22 cabinet models
  • 49 stompbox and studio effects
  • 64 channel memories
  • AES/EBU, S/PDIF, and USB digital I/O allows use with pro audio editing software and computer-based patch editing
  • Full MIDI support
  • Chromatic tuner
  • Amp Models based on*:
  • Line 6 Clean
  • Line 6 JTS-45
  • Line 6 Class A
  • Line 6 Mood
  • Line 6 Spinal Puppet
  • Line 6 Chemical X
  • Line 6 Insane
  • Line 6 Piezacoustic 2
  • Budda 2001 Twinmaster
  • Fender 1953 Deluxe
  • Fender 1958 Bassman
  • Fender 1961 Champ
  • Fender 1964 Deluxe Reverb
  • Fender 1965 Twin Reverb
  • Gretsch 1960 6156
  • Hiwatt 1973 Custom 100
  • Marshall 1966 JTM-45
  • Marshall 1968 Super Lead
  • Marshall 1968 Jump Channel
  • Marshall 1968 Variac Plexi
  • Marshall 1987 JCM 800
  • Marshall 1996 JMP-1
  • Matchless 1996 Chieftain
  • Matchless 1993 DC-30
  • Mesa Boogie 2001 Dual Rectifier
  • Mesa Boogie Mark IIc+
  • Roland Jazz Chorus 120
  • Soldano 1993 SLO-100
  • Supro 1960's S6616
  • Vox 1961 AC-15
  • Vox 1967 AC-30TB
  • Tube Preamp
  • Effects based on*:
  • Compressor
  • Noise Gate
  • Fuzz Face
  • Big Muff Pi
  • Tube Screamer
  • ProCo Rat
  • Octavia
  • CS-1 Comp/Sustainer
  • Dynacomp
  • Vetta Comp
  • Auto Swell
  • Mutron III
  • Line 6 Sine Chorus
  • CE-1 Chorus Ensemble
  • Line 6 Flanger
  • A/DA Flanger
  • MXR Phase 90
  • Opto Tremolo model from the 1965 Fender Deluxe Reverb
  • Bias Tremolo model from 1960 Vox AC-15
  • Leslie 145
  • Auto-pan
  • Boss DM-2
  • Deluxe Memory Man
  • EP-1 Tube Echoplex
  • Roland RE-101 Space Echo
  • Sweep Echo
  • Line 6 Digital Delay
  • Line 6 Stereo Delay
  • Ping Pong Delay
  • Reverse Delay
  • Fender Deluxe Spring Reverb
  • Fender Twin Spring Reverb
  • King Spring Reverb
  • Small Room Reverb
  • Tiled Room Reverb
  • Brite Room Reverb
  • Dark Hall Reverb
  • Medium Hall Reverb
  • Large Hall Reverb
  • Rich Chamber Reverb
  • Chamber Reverb
  • Cavernous Reverb
  • Slap Plate Reverb
  • Vintage Plate Reverb
  • Large Plate Reverb
  • Wah modeled after the Vox Wah
  • Volume (Pre- or Post-Amp Routing options)
  • Cab and Mic Models based on *
  • 6x9 Supro S6616
  • 1x8 1961 Fender Tweed Champ
  • 1x10 Gibson
  • 1x10 Gretsch 6156
  • 1x12 Line 6
  • 1x12 1953 Fender Tweed Deluxe
  • 1x12 1964 Fender Blackface Deluxe
  • 1x12 1960 Vox AC-15
  • 2x2 Fender Mini Twin
  • 2x12 Line 6
  • 2x12 1965 Fender Blackface Twin
  • 2x12 1995 Matchless Chieftain
  • 2x12 Roland JC-120
  • 2x12 1967 Vox AC-30
  • 4x10 Line 6
  • 4x10 1959 Fender Bassman
  • 4x12 Line 6
  • 4x12 1967 Marshall Basketweave with Greenbacks
  • 4x12 1968 Marshall Basketweave with Greenbacks
  • 4x12 1978 Marshall with stock 70s
  • 4x12 1996 Marshall with Vintage 30s
  • 4x12 Mesa Boogie
  • Shure SM-57
  • Shure SM-57 Off Axis
  • Sennheiser MD-421
  • Neumann U-67
  • Editing Tools:
  • Comp (Gate)
  • COMPRESSOR (Studio Compressor and Noise Gate)
  • Stomp
  • STOMPBOXES (Fuzz, Overdrive, Distortion, pedal Compressor, Auto-Swell, Auto-Wah)
  • Mod
  • MODULATION (Chorus, Flanger, Phaser, Tremolo, Rotary and Vibe effects)
  • Delay
  • DELAY (Analog, Tape, Multi-Head, Sweep Echo, Digital, Stereo, Ping-Pong, Reverse delays)
  • plus REVERB (Spring, Room, Hall, Chamber, Plate, Cavern)
  • I/O:
  • 24-bit A/D and D/A Converters
  • MIDI In, Out/Thru
  • RJ-45 Foot Controller Connector
  • USB Connector for Digital I/O
  • Headphone Output
  • Guitar Input
  • 24-bit/96k digital ins and outs (AES/EBU & S/PDIF)
  • TRS Line Input and Unprocessed Guitar Output
  • Stereo XLR Live/Studio Direct Ins/Outs (+4dBu/-10dBv)
  • Stereo 1/4 inch -10dBv outputs
  • Stereo Programmable Effects Loop (Series or Parallel)
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  • * Line 6, POD, and Vetta are trademarks of Line 6, Inc. All other product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6's sound model development.
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  • Customer Reviews
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Review Snapshot

by PowerReviews
 
2.3

(based on 3 reviews)

Ratings Distribution

  • 5 Stars

     

    (1)

  • 4 Stars

     

    (0)

  • 3 Stars

     

    (0)

  • 2 Stars

     

    (0)

  • 1 Stars

     

    (2)

Reviewed by 3 customers

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(1 of 1 customers found this review helpful)

 
1.0

The POD products are worthless

By JEROMY STEWART

from Mount Vernon, WA

I bought this unit several years ago and have been extremely unsatisfied with the usability, quality and general usefulness. I have also used the smaller, "non rackmount" unit, 2 other musicians that I know bought them and both are sitting around collecting dust. Mostly because no one wants to buy them Every time I use the output that is intended to go to my brand new VOX amp I get a humming sound that won't go away. Upon investigation and trying 100's of configurations it is definitely coming from the POD. If I could go back in time and have someone predict the future, I'd give them $100 for advising me not to buy this unit.

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(5 of 11 customers found this review helpful)

 
1.0

NO MATTER WHAT YOU TRY

By Bob

from USA

No matter what you try, how you set it, or what amp you use, it still sounds terrible at high volume stage levels. I was playing a show and my guitar sound, on stage, was incredible. I was playing through my Pod Pro, into a Mesa 50/50 tube amp, into a Mesa 4/12 cab with vintage 30s. I use wireless, so I decided to walk out a ways (about 15 feet), from the stage. What I heard was a terrible buzz saw trebly sound emitting from my guitar cab. It was so annoying that I was embarrassed. No matter what I tried, it seemed that all the tone quality went a way at loud volumes. This has been written about in several credible forums. I have since switched to a real tube pre-amp and my same mesa power amp. So before you buy this unit, make sure you never want to turn it up to a stage loud level.

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(13 of 15 customers found this review helpful)

 
5.0

Goundbreaking

By Guitarman

from Granite City IL

I recently bought this rack mount for my rig, i am running almost like a head and powering it with a crown power amp through a marshall jcm 900 cab. This thing is amazing it has the clarity and punch of a real amplifier the tones possibilities are endless. I play in a pretty heavy band and i get the heaviness with out the feedback. The pod rackmount can sound like just about any amp you want. If youre interested in this piece of equipment it is definitely worth it.

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