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Item # 620212 | Customer Ratings: Ratings ( 4 Based on 35 reviews)

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Line 6 Spider IV 150 150W 2x12 Guitar Combo Amp
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      Line 6 Spider IV 150 150W 2x12 Guitar Combo Amp (620212)
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Line 6's Spider IV 150 guitar amp redefines what is sonically possible from a modeling amplifier.

The 150W Line 6 Spider IV 150 Combo Amp accesses over 300 signature guitar tones. 50 world-famous bands and rock stars have dialed them in, including: Slipknot, 311, Meshuggah, Lacuna Coil, As I Lay Dying, Johnny Marr, the Donnas, Steve Stevens, Minus the Bear, producer/guitarist Pete Anderson, and many others. Who do you want to sound like today?

The Spider IV is equipped to rip scorching leads with high-gain tones hand-crafted by Slipknot. Also play arena-rock anthems with the classic snarling rhythm tones of Steve Stevens. Unleash the swirling, effect-laden rock tones dialed in by Minus the Bear. Play with Johnny Marr's bright, snappy rhythm tones—and even a well-known signature tremolo tone from his past is built into the Line 6 Spider IV.

This 150W Spider IV Combo will have you rocking with almost 200 dialed in song-based presets for access to legendary guitar tones from the vibey rockabilly slapback of the '50s to the mid-range mayhem of today. Get the tones of Master of Puppets, Back in Black, Whole Lotta Love, Daytripper, Toxicity, Purple Haze, Head Like a Hole, Smells Like Teen Spirit, Crazy Train and more.

All the Vintage and Modern Amp Tones You Want
Spinning the amp model knob on the front panel of Spider IV 150 is like browsing through a museum of the most revered guitar tones of all time. Vintage British beauties, modern American monsters and more, Spider IV 150 features the 16 celebrated amp tones that all guitarists want in their collections.

Play with sparkling clean tones based on a 1973 Hiwatt Custom 100, syrupy smooth drive tones based on a mix of a '65 Marshall JTM-45, a '58 Fender Bassman and a '63 Fender Vibroverb, British pop/rock tones based on a fawn Vox AC-30, high-gain onslaughts based on a Mesa/Boogie Dual Rectifier and a Diezel Herbert, the Class A crunch based on a Divided by 13 9/15, the classic Class A breakup based on an Orange AD-30, and more.

An Instant Collection of Essential FX
At your fingertips are 20 brilliant models of sought-after stompbox and studio effects. Discover the world-class Intelligent Pitch-shifter (a Line 6 first), the adjustable Auto-Wah and the on-board Looper: three cutting-edge effects that are mandatory for every pro player.

An inspiring guitar effect, the looper can also help you in other ways. Use it to audition your tone with your hands free. Play a riff, loop it, and dial in your tone while the riff is looping.

Quickly add gorgeous colors and textures to your tones with the easy-to-use Smart FX swish knobs. Your music will never be the same with the inspiring analog and digital delays, spacey tape and sweep echoes, tangy mods, lush spring and plate reverbs and more. Plus, Tap Tempo syncs all your time-based effects.

Use up to four effects simultaneously. Each one can be fully edited and customized with control over signal flow routing (pre amp or post amp).

Total Tone Flexibility
The easy-to-use front panel of Spider IV 150 makes it a snap to find a stage-ready tone. Quickly and easily add some grit with the Drive knob and some dimension (or dementia) with the wide variety of effects.

Need to shape your tone? Tweak the Bass, Mid and Treble knobs just like you would on a vintage amp. When you choose an amp model, the Spider IV 150 EQ section behaves just like the EQ section of the modeled amplifier. Spider IV 150 gives you a complete, organic and fully authentic representation of 16 vintage and modern amplifiers.

Spider IV 150 provides all the flexibility and conveniences that guitarists expect from a world-class Line 6 amplifier. Jam along to your favorite music with the CD/MP3 input and play all night with the great-sounding headphone output (that doubles as a high-quality direct-recording output). Plus, the built-in chromatic tuner is always at the ready to keep you sounding your best.

Power, Speakers and Construction
Every aspect of the brilliant Spider IV 150 tone, from its guitar input to its 12" Celestion Custom speakers, delivers exceptional definition, clarity and feel. Clean tones sparkle and sing, creamy overdrives respond to the intricacies of your picking, and searing brutal tones launch themselves from the speakers. The three-quarter closed-back cabinet provides a tight, snappy response reminiscent of bigger (and more expensive) boutique amplifiers.

Get FBV Foot Controller Connectivity
Get complete hands-free control of your Spider IV with the addition of an optional Line 6 FBV-series foot controller. Powerful and durable, FBV2, FBV Shortboard MKII and FBV Express MkII foot controllers can deliver everything from wah-wah and volume control to tap tempo, a chromatic tuner display and simple channel switching.

Line 6 Spider IV 150 150W 2x12 Guitar Combo Amp Features:

  • 150 watts (stereo)
    2x12" Celestion Custom speakers in a three-quarter closed-back cabinet for a tight, snappy response
    1/4-inch input; 1/4-inch headphone/direct output; two 1/4-inch speaker outputs; 1/8-inch CD/MP3 input; FBV jack; Built-in chromatic tuner
    Line 6 FBV foot controllers provide everything from wah-wah, volume and pitch-shift control to tap tempo, a chromatic tuner display and simple channel switching
    300+ hand-crafted artist-created presets dialed in by 50 world-famous bands and rock stars
    Almost 200 dialed in song-based presets giving you legendary tones from the 50s to today
    Jangly cleans, scorching distortions, effect-laden tones, and everything in between!
    16 evolved amp models redefine what is sonically possible from a modeling amplifier
    Get the cleanest clean tones, the most insane distortions and the hot and hard-to-find mid-range tones
    Tube-style characteristics and nuances of historic vintage and modern guitar amps
    64 user-created presets
    Revamped effects including world-class Intelligent Pitch-Shifter, built-in Looper and Auto-Wah
    20 Smart FX (4 at once) with deep editing including pre/post routing
    Bass, Mid and Treble knobs behave like the EQ controls of each modeled amplifier
    Drive knob, Channel volume, Master volume
    CD/MP3 input
    Built-in chromatic tuner
    Headphone output for all-night jamming
    High-quality direct-recording output
    Three-quarter closed-back cabinet for a tight, snappy response




Product Reviews
(Based on 35 reviews)
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Viewing Reviews 1 - 3 of 35 |
  • Don`t listen to the non sense

    As reviewed by James Brady on 3/16/2012

    All this talk about bugs within the amp, drums messing it up, good for jamming at home is amazing. This amp is great. I have been playing for over 20 years. I`ve used Fender Twins, and Supers, the older model Boogies, the newer Mesa amps, etc. This amp is absolutely perfect for anyone short of someone on tour with Shinedown or Miranda Lambert or Eric Clapton, get the point? The amp is built for versatility so any type music can be played while using it and it works perfectly. I play many genres of music with this amp including Blues, Country, Rock, Metal, Jazz, 80`s, 90`s, now, west coast, east coast, you name it. It is perfect. I get Stevie Ray Vaughn tone to the thick Albert King,...I get the country twang, I get grunge, metal in any shape, the rough rock, the smooth jazz, the ultra clean the nasty of nastys. Also simplifies things for a working musician by completely removing the need to carry around a bunch of pedals. Whats the point in using this amp if youre gonna plug in a dozen more effects?/ The amp already has more than anyone could use IF they know how to use it. Most thrashers and beginners like the amp because of the bells and whistles. They get it and crank it to the 9 with no idea of how to use it. You wanna hear this amp do what it can do then come to any of my shows. You wont know if the sound is coming from the Fender Twin, The Orange amp or the Line 6 and I`ll never tell ya. ...LOVE IT!

    2 of 2 people found this review helpful.
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  • A perfect Teaching/practicing/jamming Amp

    As reviewed by Mark Tripp on 1/30/2012

    Before buying, you must be forewarned: This amp is considered, by the community, to give sub-par performances in a live setting, due to it's computer chip-powered output being interfered with by drums. That being said, this amp is absolutely perfect for every other situation. I have used this amp for a little over 6 months at this point, and have not been disappointed once. Though it most certainly excels in a metal setting, with a bit of tweaking and good knowledge about what all of those crazy knobs on the amp do, you'll have a majestic clean sound in no time (as long as your using a guitar conducive for clean tones, of course. "Metal" guitars still probably wouldn't sound great clean, for example). During my times teaching, practicing, jamming, and writing with this amp, I have hit no points where I needed something that this amp didn't have. It's wide range of tones will please any student, while it's large library of effects will please even the quirkiest songwriter. This is truly a masterful amp when used correctly.

    2 of 2 people found this review helpful.
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  • Not a Reliable Amp

    As reviewed by Laura Clantz on 10/12/2011

    We bought this amplifier on July 28th, 2011 at the San Bernardino store. On October 10th I was using it on Insane red dot mode with tape echo and it kept cutting back to clean. I reset it, I unplugged it, I took off my pedal switch board and it still cut out to clean mode. I needed it for a big show at the fair. This amp didn't last as long as I had hoped. Prior to this amp I had a Line 6 Spider 3 75W that would overheat and turn itself off and on. Both did give me the sound that I want. But, I will never purchase another Line 6, based on these experiences. I think I would have been better off with a pedal board.

    1 of 1 people found this review helpful.
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