The tone solution for top producers and artists.
An advanced member of Line 6's POD family, the POD XT Pro guitar effects processor delivers 32 groundbreaking amp models built from the award-winning technology found in the Vetta amp. It's also loaded with 22 cab and 4 mic models, 49 stompbox and studio effects, and 36 programmable channels. Extensive I/O includes XLR and 1/4" analog outs plus AES/EBU, S/PDIF, and USB digital I/O for ultra-deep computer-based patch editing. The programmable stereo effects loop opens up myriad possibilities for live performance. It provides the best solution for achieving great tone without having to crank an amplifier.
With our
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Line 6 POD XT Pro Guitar Multi Effects Processor Features:
- 32 groundbreaking amp models built from the award-winning technology found in the Vetta amp
22 cabinet models
49 stompbox and studio effects
64 channel memories
AES/EBU, S/PDIF, and USB digital I/O allows use with pro audio editing software and computer-based patch editing
Full MIDI support
Chromatic tuner
Amp Models based on*:
Line 6 Clean
Line 6 JTS-45
Line 6 Class A
Line 6 Mood
Line 6 Spinal Puppet
Line 6 Chemical X
Line 6 Insane
Line 6 Piezacoustic 2
Budda 2001 Twinmaster
Fender 1953 Deluxe
Fender 1958 Bassman
Fender 1961 Champ
Fender 1964 Deluxe Reverb
Fender 1965 Twin Reverb
Gretsch 1960 6156
Hiwatt 1973 Custom 100
Marshall 1966 JTM-45
Marshall 1968 Super Lead
Marshall 1968 Jump Channel
Marshall 1968 Variac Plexi
Marshall 1987 JCM 800
Marshall 1996 JMP-1
Matchless 1996 Chieftain
Matchless 1993 DC-30
Mesa Boogie 2001 Dual Rectifier
Mesa Boogie Mark IIc+
Roland Jazz Chorus 120
Soldano 1993 SLO-100
Supro 1960's S6616
Vox 1961 AC-15
Vox 1967 AC-30TB
Tube Preamp
Effects based on*:
Compressor
Noise Gate
Fuzz Face
Big Muff Pi
Tube Screamer
ProCo Rat
Octavia
CS-1 Comp/Sustainer
Dynacomp
Vetta Comp
Auto Swell
Mutron III
Line 6 Sine Chorus
CE-1 Chorus Ensemble
Line 6 Flanger
A/DA Flanger
MXR Phase 90
Opto Tremolo model from the 1965 Fender Deluxe Reverb
Bias Tremolo model from 1960 Vox AC-15
Leslie 145
Auto-pan
Boss DM-2
Deluxe Memory Man
EP-1 Tube Echoplex
Roland RE-101 Space Echo
Sweep Echo
Line 6 Digital Delay
Line 6 Stereo Delay
Ping Pong Delay
Reverse Delay
Fender Deluxe Spring Reverb
Fender Twin Spring Reverb
King Spring Reverb
Small Room Reverb
Tiled Room Reverb
Brite Room Reverb
Dark Hall Reverb
Medium Hall Reverb
Large Hall Reverb
Rich Chamber Reverb
Chamber Reverb
Cavernous Reverb
Slap Plate Reverb
Vintage Plate Reverb
Large Plate Reverb
Wah modeled after the Vox Wah
Volume (Pre- or Post-Amp Routing options)
Cab and Mic Models based on *
6x9 Supro S6616
1x8 1961 Fender Tweed Champ
1x10 Gibson
1x10 Gretsch 6156
1x12 Line 6
1x12 1953 Fender Tweed Deluxe
1x12 1964 Fender Blackface Deluxe
1x12 1960 Vox AC-15
2x2 Fender Mini Twin
2x12 Line 6
2x12 1965 Fender Blackface Twin
2x12 1995 Matchless Chieftain
2x12 Roland JC-120
2x12 1967 Vox AC-30
4x10 Line 6
4x10 1959 Fender Bassman
4x12 Line 6
4x12 1967 Marshall Basketweave with Greenbacks
4x12 1968 Marshall Basketweave with Greenbacks
4x12 1978 Marshall with stock 70s
4x12 1996 Marshall with Vintage 30s
4x12 Mesa Boogie
Shure SM-57
Shure SM-57 Off Axis
Sennheiser MD-421
Neumann U-67
Editing Tools:
Comp (Gate)
COMPRESSOR (Studio Compressor and Noise Gate)
Stomp
STOMPBOXES (Fuzz, Overdrive, Distortion, pedal Compressor, Auto-Swell, Auto-Wah)
Mod
MODULATION (Chorus, Flanger, Phaser, Tremolo, Rotary and Vibe effects)
Delay
DELAY (Analog, Tape, Multi-Head, Sweep Echo, Digital, Stereo, Ping-Pong, Reverse delays)
plus REVERB (Spring, Room, Hall, Chamber, Plate, Cavern)
I/O:
24-bit A/D and D/A Converters
MIDI In, Out/Thru
RJ-45 Foot Controller Connector
USB Connector for Digital I/O
Headphone Output
Guitar Input
24-bit/96k digital ins and outs (AES/EBU & S/PDIF)
TRS Line Input and Unprocessed Guitar Output
Stereo XLR Live/Studio Direct Ins/Outs (+4dBu/-10dBv)
Stereo 1/4 inch -10dBv outputs
Stereo Programmable Effects Loop (Series or Parallel)
* Line 6, POD, and Vetta are trademarks of Line 6, Inc. All other product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6's sound model development.
(Based on 
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