Line 6 M13 Guitar Multi Effects Pedal

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Eric Johnson - Effects
Eric Johnson Interview - Final Segment

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Product Information


The soul of a pedal, the power of a rack.

The Line 6 M13 Stompbox Modeler has the soul of a multi effect pedal and the power of a rack. It boasts a complete collection of the immortal stompbox effects, stompbox simplicity, rock-solid construction, and much more.

A complete collection of immortal stompbox sounds

Teeming with over 100 immortal distortions, reverbs, delays, and more, the Line 6 M13 pedal offers instant access to an arsenal of history’s most celebrated stompbox sounds.

Get 19 celebrated analog and digital delays, 18 distinctive distortions from creamy to crazy, 12 reverbs from modern (particle verb) to vintage (spring reverb) to ancient (cave reverb), 26 vibey filters including wahs and pitch effects, 22 tangy mods including expressive trems and phasers, and 12 compressors and EQs that squash, gate and color.

The Line 6 pedal lets you use up to four models simultaneously, in any order and in any combination. It’s like having a gigantic pedal board (without all the tangled cords and overloaded power strips) stuffed into a convenient, easy-to-use package.

Included are all the models from best-selling Line 6 pedals and rack gear DL4 Delay Modeler, DM4 Distortion Modeler, FM4 Filter Modeler, MM4 Modulation Modeler, Verbzilla, Echo Pro and others.

Stompbox simple

The Line 6 M13 Stompbox Modeler is easy to use, just like a classic stompbox. Tweak your tones on the fly using the dedicated knobs. No menus, no saving, no hassles—just turn the knobs and you’re done. And your settings remain when you power down!

Four bright LCD screens show parameter names and values, and the built-in chromatic tuner.

Built-in looper

The 28-second looper is always at the ready with dedicated footswitches for Play/Stop, Undo/Redo, Rec/Overdub, Half Speed, Reverse, Play Once, and Pre/Post. You’re free to adjust your sounds while looping or overdubbing.

Up to 48 different pedal boards

Different arrangements of models, or pedal board “scenes,” can be created for each of your gigs—one for your metal band, one for your punk band, one for your Top 40 gig…you get the picture. No more tearing up Velcro just to swap one or two pedals. Create and save up to 48 scenes. (Scenes can be backed up to your computer via MIDI in/out.)

Ins and outs

M13 Stompbox Modeler plays well with others. Take advantage of the stereo FX loop and put your other effect pedals in front, behind or even in between M13 Stompbox Modeler’s models.

Prepared for any live or studio situation, Line 6 M13 guitar pedal features mono/stereo inputs and outputs (with True Analog bypass or DSP bypass), mono/stereo assignable FX sends and returns, MIDI input and output and two expression pedal inputs.

Total stompbox experience

Built tank-tough with all-metal construction, Line 6 M13 multi effects pedal is designed to survive on-stage abuse. From the chassis to the footswitches, it’ll withstand constant stomping.

M13 Stompbox Modeler’s treasured stompbox tones, built-in chromatic tuner, 28-second looper and bonehead simplicity will prove totally indispensable (not to mention highly addictive).

Check the Line 6 website for software updates that increase the power of your Line 6 M9 Stompbox Modeler!

With our Guaranteed Lowest Price, you can be assured of complete satisfaction and the lowest available price, or your money back!

Line 6 M13 Guitar Multi Effects Pedal Features:

  • Over 100 immortal stompbox FX
  • 19 delays, 18 distortions, 12 reverbs, 26 filters, 22 mods, 12 compressors and EQs; Universal tap tempo
  • Up to four FX at once in any order/combination
  • Models are from best-selling Line 6 pedals and rack gear
  • Simple design
  • Tweak tones on the fly without menus, saving or hassles
  • Built-in chromatic tuner
  • 28-second sound-on-sound looper
  • Dedicated footswitches for all looper controls
  • Mono/stereo inputs and outputs (with True Analog bypass or DSP bypass)
  • Mono/stereo FX sends and returns
  • Two expression pedal jacks
  • MIDI in/out
  • Tough, all-metal construction
  • Highly addictive
  • Create up to 48 “scenes”
  • No more tearing up Velcro just to swap one or two pedals
  • Back up scenes via MIDI in/out
  • Four bright LCD screens show parameter names and values
  • Dedicated knobs control each effect’s parameters
  • Easy to use: No menus, no saving, no hassles
  • Settings remain after power down

Line 6 M13 Guitar Multi Effects Pedal Specifications:

  • 19 Delays
  • Tube Echo
  • Tape Echo
  • Multi-Head
  • Sweep Echo
  • Analog Echo
  • Analog W/Mod
  • Lo Res Delay
  • Digital Delay
  • Digital W/Mod
  • Stereo Delays
  • Ping Pong
  • Reverse
  • Dynamic Delay
  • Auto Volume Echo
  • Echo Platter
  • 22 Modulations
  • Opto Tremolo
  • Bias Tremolo
  • Phaser
  • Dual Phaser
  • Panned Phaser
  • U-Vibe
  • Rotary Drum
  • Rotary Drum & Horn
  • Analog Flanger
  • Jet Flanger
  • Analog Chorus
  • Dimension
  • Tri Chorus
  • Pitch Vibrato
  • Ring Modulator
  • Panning
  • 18 Distortions
  • Tube Drive
  • Screamer
  • Overdrive
  • Classic Distortion
  • Heavy Distortion
  • Color Drive
  • Buzz Saw
  • Facial Fuzz
  • Jumbo Fuzz
  • Fuzz Pi
  • Jet Fuzz
  • Line 6 Drive
  • Line 6 Distortion
  • Sub Octave Fuzz
  • Octave Fuzz
  • Boost/Comp/EQ
  • Volume Pedal
  • 26 Filters
  • Tron Down
  • Tron Up
  • Seeker
  • Obi Wah
  • Voice Box
  • V-Tron
  • Throbber
  • Spin Cycle
  • Comet Trails
  • Slow Filter
  • Octisynth
  • Synth-O-Matic
  • Attack Synth
  • Synth String
  • Growler
  • Q Filter
  • 12 Compressors
  • Red Comp
  • Blue Comp
  • Blue Comp Treb
  • Vetta Comp
  • Vetta Juice
  • 12 Reverbs
  • '63 Spring
  • Spring
  • Plate
  • Room
  • Chamber
  • Hall
  • Ducking
  • Octo
  • Cave
  • Tile
  • Echo
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5 Star Rating

Incredible Line 6 Product!! Great with Tube Amps!!

The M13 is an outstanding piece of gear. I've never really loved Line 6's amp/cab modeling stuff. I had the HD147 and liked it for a couple years. But I could never get the tone I wanted. Then I bought a tube amp. A Crate Palomino V32. But lost all the versatility with effects. So then I bought the POD X3L. It had no depth and took all the character out of the amp. So I went the all pedal route. Boss DD-20, L6 Verbzilla, Seymour Duncan Twin Tube Classic overdrive pedal. Blackstar HT-Dual OD/Dist, etc. I was really happy!! Then I saw the M13. I was totally floored by how many different effects that were in there and the versatility of routing the "pedals" in order of one another. ITS SO VERSATILE!! The effect quality is right up there with their 4 button stomps (DL4, MM4, DM4, and FM4) after all it was designed to encompass all of those pedals into one package that has a footprint that is just a couple inches bigger than 2 of the 4 button stomps. The tone of my amp stays the same, and I have all of the delays, reverbs, mods that I could ever use!! You can still use any of your analog pedals (I still have my Blackstar) because there is an onboard effects loop and you can route your existing effects before, after, or anywhere in the middle of the M13. Its incredible!! I'm so happy I bought this pedal, and it was worth every single penny!! Try one out for yourself and you'll be pleasantly surprised with it!! If you don't like Line 6 gear because you're a tube junkie, forget all of what you thought you knew about Line 6 and try this pedal as soon as you can. I think Line 6 may have taken a new turn with their products and this is definitely an awesome new direction for the company. This pedal rocks!!!

Reviewed by Josh C. on 10/1/2008 who plays Rock, Indie, getting into Blues..

33 people found this review helpful.
2 people found this review unhelpful.
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5 Star Rating

M13 the only pedal board I'll need

I was running a line 6 x3 live in the front of my amp(egnater tourmaster 4212 which is one of the best sounding amps i have heard especially for that price). i was only using the overdrive and wah, then if i wanted delay i would have to re route the pod to the effects loop. i also had a rat distortion and a boss loop station pedal. so i decided to trade all of that for the m13. i can honestly say i couldn't be happier. i can now put a tube screamer and distortion in the front of the amp and my delays and mods in the effects loop with no hassle in one convenient pedal. all the effects and i mean all of them respond so good, like the pedals there modeled after to the warmth of the tubes. it is going to be hard for line 6 or any other company to out do this for this price as far as effects go. get this pedal.

Reviewed by Arthur on 11/6/2008 who plays metal, blues, rock.

11 people found this review helpful.
1 person found this review unhelpful.
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5 Star Rating

Line 6 M13: Superior Quality Product

Once the Line 6 M13 Stompbox Modeler came out, I knew it would only be a matter of time before I purchased one because I'm familiar with the individual modeling pedals it is created from. After 24 hours, 10 of those spent actually playing with this addictive pedal, I have found the following to be true. The sounds I got from this are the most lush and pristine I have ever heard. Ran into the stereo effects loop of a Crate 2x12 combo amp, with a separate 2x12 extension cabinet split and ran in stereo, the modulation, delay, reverb and filter effects seemed to jump out of the amp and make beautiful textures the like I have never heard from my amp's built-in effects. Also, the looper pedal is extremely easy to use and very flexible; within minutes of setting up the M13, I mastered recording, overdubbing, playing backwards, and reducing the speed of my loop. The applications this pedal serves are limitless, and it will be perfectly at home in any serious musician's rig. From the ease of use, quality of the sounds, and the extreme flexibility of this unit, the hardest thing you'll have to do is figure out who you want to give your old stompboxes to.

Reviewed by Misael Santos on 2/9/2009 who plays Progressive.

7 people found this review helpful.
1 person found this review unhelpful.
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5 Star Rating

Great sound

This is absolutely all im ever gonna need in regards to pedals. its amazing and has great sound quality.

Reviewed by RZ on 12/15/2008 who plays classic rock, rock.

7 people found this review helpful.
3 people found this review unhelpful.
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5 Star Rating

The Holy Grail of guitar processors

A perfect idea, flawlessly executed! This is the first multi effect I have ever played through in my 22yrs of playing guitar that I actually liked the distortion/overdrive/fuzz effects and they are awesome in this, the models are spot on, if you chose a model of a noisy vintage fuzz thats what it sounds like noise and all, thats how exact they are. Now I now some people won't like or appretiate the noise but if thats you there is a noise gate in there that will clean it right up. All the other effects are handled with the same precision and this is the easiest processor to use the manual is only 12 pages long with big pictures and minimal writing its that easy, and has features I haven't found anywhere else like the ability to run your distortions, filters, and compressors through the front of the AMP and your mods, delays, reverbs through the effects loop. they really thought of everything.

Reviewed by Dave Sampson on 8/15/2009 who plays rock, jazz, blues, reggae, ska, hip-hop, bluegrass, classical.

3 people found this review helpful.
0 people found this review unhelpful.
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