Lewitt's LCT 640 is designed to raise the bar in its class of reference-quality large-diaphragm condenser microphones. This Austrian-designed and engineered pro-mic delivers a smooth, unsurpassably ri... Click To Read More About This Product
Lewitt's LCT 640 is designed to raise the bar in its class of reference-quality large-diaphragm condenser microphones. This Austrian-designed and engineered pro-mic delivers a smooth, unsurpassably rich and exceptionally nuanced sound, and exhibits a remarkable set of qualities that enthuses even the most discerning users. The LCT 640 excels in a variety of demanding studio applications and stands for unrivaled performance in miking lead and background vocals, drums, percussion instruments, grand pianos, brass and woodwinds, classical music ensembles.
In addition to the standard omni-directional, cardioid and figure-8 polar patterns, the LCT 640 offers a wide-cardioid and super-cardioid characteristic. It offers a dynamic range of 135 dB and stands out for its extremely low self-noise of 10 dB. In combination with a 4-level high-pass filter and 4-level switchable pre-attenuation, the LCT 640 provides maximum versatility in all recording situations. Automatic attenuation, key-lock, clipping history, push buttons and a light-up user interface round off the features of this outstanding microphone.
Lead and background vocals
Ultra-thin 1-inch externally biased, gold-layered low-mass diaphragms combined with a dual triode tube ensures accurate transient response while providing smooth, warm and airy tube sound
Five consistent directional characteristics: cardioid, omnidirectional, figure-8, broad cardioid and supercardioid offer maximum flexibility
Superior dynamic range of 130 dB-A (Tube) and extremely low self-noise of 9 dB-A for ear-catching realism and distortion-free sonic depth
3-position switchable pre-attenuation pad (0 dB, 10 dB, and 20 dB) for handling extremely high sound pressure levels and 3-position high-pass filter
Illuminated user interface and jog dials for easy handling even in dark environments
Noiseless pushbuttons for quick and easy attenuation and HPF selection
Unique features like clipping history and automatic attenuation provide error-free studio recording and unparalleled ease of use
Solid die-cast metal body with a stylish, oversized tube inspection window specially coated for maximum protection against electromagnetic interference
Custom PSU 840 power supply unit with sturdy full-metal housing and brushed, anodized black aluminum front
Extra-large hexagonal ruthenium-galvanized steel mesh grille provides an open acoustic environment and prevents unwanted internal reflections
Corrosion-resistant gold-plated 3-pin XLR output connector
Comes in a black case; includes PSU 840 power supply unit, LCT 40 SHxx shock mount, LCT 40 Tr audio cable with gold-plated 11-pin XLR connectors and LCT 40 Wxx windscreen
Acoustical operating principle: pressure gradient transducer, externally polarized
Transducer ˜: 1"
Directional pattern: omni
Frequency range: 20 - 20.000 Hz
Sensitivity: 13 mV / Pa (-38 dBV), cardioid
10 mV / Pa (-40 dBV), omni
9 mV / Pa (-41 dBV), figure-8
Signal / noise ratio: 84 dB-A
Equivalent noise level: 10 dB-A, cardioid (IEC 61672-1)
12 dB-A, omni (IEC 61672-1)
13 dB-A, figure-8 (IEC 61672-1)
Dynamic range of mic. Amp: 135 dB-A
Max. SPL for 0,5 % THD: 145 dB, 0 dB pre-attenuation
151 dB, 6 dB pre-attenuation
157 dB, 12 dB pre-attenuation
163 dB, 18 dB pre-attenuation
Pre-attenuation pad 6 dB, 12 dB, 18 dB, switchable
Bass cut filter slope 12 dB / octave at 40 Hz
6 dB / octave at 150 Hz
6 dB / octave at 300 Hz
Rated impedance < 150 ohms
Rated load impedance > 1.000 ohms
Supply voltage 48 V + / - 4 V (IEC 61938)
Current consumption 5,5 mA (IEC 61938)
Connector gold plated 3-pin XLR
Dimensions: 6,22 x 2,04 x 1,42"
Net weight: 15,2 oz
Reviewed by 1 customer
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Comments about Lewitt Audio Microphones LCT 640 FET Large Diaphragm Condenser Microphone:
Let me start by saying I sing studio backing vocals for a living so I have several large diaphragm Mics to choose from. I found this mic in a pawn shop of all places and decided to buy it after I did some research. It's a very strange mic with all its features(too many to list) I set up a shoot out between a U47, a well made C12 clone and my trusty $300 Shure SM7. If you are working in a home studio that's a glorified spare bedroom and u have issues with noise from outside or in, this is the only mic you need. I thought it was off as I was setting them all up. I could hear the ambient noise that the fan was making from all the other Mics besides the SM7. Bottom line... The LCT 640 was very smooth and had great characteristics as far as sound but at the same time has a proximity effect like an SM7. Killer!! Find you one!
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