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Korg M3 88-Key Music Workstation Keyboard

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¢ Expressive, 88-keys with real weighted hammer action ¢ Second-generation KARMA functionality ¢ Closer integration engine based on the flagship OASYS ¢ Enhanced definition synthesis and multi-modelin... Click To Read More About This Product

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¢ Expressive, 88-keys with real weighted hammer action
¢ Second-generation KARMA functionality
¢ Closer integration engine based on the flagship OASYS
¢ Enhanced definition synthesis and multi-modeling technology

Korg redefines the workstation keyboard category by distilling the power of their flagship OASYS into the M3! The powerful EDS (Enhanced Definition Synthesis) sound generator is derived from the OASYS' HD-1 engine design, and it also has advanced second-generation KARMA functionality in addition to a multi-purpose control surface. This M3 music workstation/sampler is an 88-key model that uses Korg's authentic RH3: Real Weighted Hammer Action 3 keyboard with zone graded action response for great playing feel and expressive aftertouch response.

Adding innovations such as the new concept of virtualized hardware that allows tighter integration with DAW systems, Drum Tracks which provide a instant groove to play along with, and the Korg Komponent System concept that facilitates more flexible system construction, the M3 music workstation/sampler opens another exciting page in music making.

Enhanced Definition Synthesis”a new horizon of sound-making potential
The M3 keyboard features a newly developed EDS sound generating system based on a chip design developed in parallel with the HD-1 engine from the flagship OASYS. It takes full advantage of the M3's 256MB of PCM source material.

Using Korg's advanced voicing technology, the 1,028 multisamples, 1,606 drum samples, dual oscillators, four-level velocity switching/crossfading/layering, and stereo sampling allow for an enormous range of high-quality, detailed, and expressive sounds.

The filter section lets you simultaneously use two resonant filters for each oscillator and can be configured in series or parallel. Four filter types are provided: low-pass, high-pass, band-pass, and band-reject.

The amp section features a driver circuit that gives the sound a sense of edge and character, along with low boost to help shake the walls when needed. Integrated 3-band EQ allows tonal sculpting without needing to go to the effects section. Detailed envelope generators, abundant modulation routings, and the all-new AMS Mixers give you advanced processing possibilities for an intense level of sound shaping.

The effect section provides up to five insert effects, two master effects, and one total effect. In addition to great choruses, flangers, phasers, delays and reverbs, the 170 effect types include dynamic processing effects such as compressor and limiter, amp modeling and speaker simulation effects using Korg's proprietary REMS modeling technology, and evocative effects like the Grain Shifter and Talking Modulator.

Funky drummer
The M3 provides a Drum Track function that adds a groove to each sound you play. Combined with KARMA, Drum Tracks make a single program a complete sonic adventure sure to inspire. You can select from over 500 patterns and start them with a dedicated button, from a desired region of the keyboard, or by playing a velocity above a specified threshold. Drum Tracks are driven by MIDI data and stored in a pattern format so you can create your own patterns in sequencer mode by recording them or importing them from SMF data or other user's songs. You can also convert recorded KARMA data as MIDI events for further manipulation or import sampled loops.

Expanded Combination Mode
Combination Mode lets you assign multiple Programs freely as splits and layers across the keyboard, including velocity switching and cross-fading for complex and expressive sounds. The M3 allows for sixteen timbres at the same time, including a Drum Track, up to four KARMA Modules, multiple effects, and much more. Each timbre has dedicated 3-band EQ for getting the perfect mix, and a powerful Tone Adjust setup for detailed in-context sound shaping.

Great sounds
The M3's international voicing team delivers the goods: stunningly realistic imitative sounds, fat synth sounds, imaginative textures, evocative sound effects”it's all here. The M3 comes loaded with 512 Programs and room for a total of 1,664 user sounds (13 banks plus GM). All sound locations are fully editable (except GM banks), so you are always free to tweak a sound if needed. Adding in the EXB-RADIAS option delivers 128 powerful MMT synthesis sounds. There are 32 drum kits provided, and room for a total of 144. As for the 16-part Combinations, 384 come preloaded, with room for a total of 1,792 (14 banks). All sounds (Programs and Combinations) are divided by category and subcategory making it easy to find and organize your sounds.

Second Generation KARMA
The second generation KARMA functionality that first appeared on the OASYS is fully implemented in the M3. KARMA is the inspiring, realtime music generation system that can help you play everything from natural instrument gestures like intricate fingerpicking, strumming, and harp glissandos, to complex cascades of notes, dance riffs, gated, and chopping effects, plus improvising drum grooves.

In Program Mode, one KARMA Generated Effect (GE) can be used, in Combi and Sequencer modes, four KARMA Modules are available simultaneously. Eight sliders, eight switches, and eight scenes provide dedicated realtime control and the ability to store complete snapshots of your settings.

The Control Surface can access and manipulate each module individually on its own Module Layer. In addition to the four individual Module Layers, there is a Master Layer that can be mapped to parameters from any of the modules, even grouping them together.

Finally, KARMA provides a signature sonic effect called Wave-Sequencing that can change a sound's waveforms rhythmically in realtime, along with everything else KARMA is doing, allowing each note to access a different waveform as it is generated. The results can resemble traditional wave-sequencing, or enter completely uncharted realms of sound design.

Ultimate expressive power
The color LCD of the M3 not only provides a touchview GUI that ensures intuitive and easy operation, but it also operates as an X-Y Pad, allowing sound and effect parameters to be controlled in realtime by sliding your finger across or tapping on the screen”much like the innovative Korg KAOSS Pad. Further control is provided by a Motion function that lets you capture and play back your finger moves to shape your sound and performance in unique ways. The screen even changes colors in response to the movement of your finger for visual feedback of your performance.

Eight dynamic, velocity-sensitive pads give you a great way to play drum sounds or up to eight-note chords, either live or as triggers for the powerful KARMA function.

The eight slider/eight switch control surface offers the same multifunctionality as on the OASYS: it can be used as a mixer, a set of expressive sound controls, an editing interface, a realtime KARMA performance interface, or to control external software and hardware synths and effects.

RADIAS inside
You can add an internal RADIAS analog modeling synthesizer sound generator board (one timbre, four parts, up to 24 voices), with onscreen integration of all its parameters and full integration with the M3's effects, control surface and KARMA functionality. The EXB-RADIAS offers the same vocoder as the RADIAS, offering 16 bands with individual control over level and panning. Formant Motion records the formant of a sung or spoken phrase so it can be recreated anytime.

Open Sampling
The M3's Open Sampling System lets you sample and resample in any mode to produce remixed combinations of sounds and effects, or to capture full performances In-Track within the sequencer. Cutting-edge editing tools include Time Slice, Time Stretch, Crossfade Looping, Rate Change and Normalize.

Stock sampling memory is 64MB, and can be increased to 320MB by adding the optional EXB-M256 memory expansion board. Samples in Korg native format, AIFF, WAV, Soundfont V2.0 and AKAI (S-1000/3000 with advanced Program parameter conversion) formats can be used.

Sampling can also be done to attached media, so USB memory sticks and hard drives can be used to extend memory size to resample a complete song as a WAV file to be burned to a USB CD-R/RW as an audio disc, or for moving to a computer for further editing and manipulation.

High-Resolution Sequencer
The sequencer that's at the heart of the M3's song production is an intuitive 16-track design that holds up to 128 songs and 210,000 notes. The high timing resolution of 480 PPQ captures every nuance and detail of your performance. Three-band EQ per track provides detailed sound-shaping, as does the Tone Adjust sound tweaking function.

The Cue List function has been a popular feature ever since the now-classic TRITON series. It lets you create songs in sections, or play back completed songs as a medley. All the now-classic Korg features are included, such as the one-touch Auto Song Setup feature, which takes you from playing a Program or Combination to ready-to-record status in one easy step.

Song Templates contain pre-assigned effect routings and program assignments”the M3 comes with 16 of these Song Templates, plus another 16 you can custom-tailor to your own needs. Each Template Song also provides a number of rhythm patterns”including intro, fills and endings”you can use to instantly create a rhythm track.

Realtime Pattern Play and Record (RPPR) can be used to assign sequenced Patterns to individual keys on the keyboard for an interactive performance, or to quickly build up tracks. You can record controller data, Sys. Ex., or even KARMA phrases and trigger them as you like.

Virtualized hardware
By connecting the M3 to your computer via USB and using the included stand-alone M3 Editor software, you can edit sounds and settings from your computer. A plug-in version of M3 Editor is also provided, so you can use it from within your DAW as a plug-in instrument. The editor runs as a VST, AU or RTAS plug-in for maximum compatibility. For even more complete integration, Korg's new "Virtualized Hardware" concept comes into play. When the optional EXB-FW FireWire board is installed, a single FireWire cable will convey both the M3's MIDI and audio signals to the tracks of your DAW in which the plug-in is running.

Korg Komponent System
The M3 music workstation/sampler introduces the Korg Komponent System, featuring detachable keyboard and sound generator sections. The 61-key model lets you mount a RADIAS-R analog modeling synthesizer instead of the M3-M sound generator, the 73-key model lets you mount the M3-M together with a RADIAS-R analog modeling synthesizer, and the 88-key model supports the combination of M3-M and RADIAS-R or even mounting two M3-M units simultaneously. Of course you can detach the M3-M sound generator and use it as a sound module, giving you great flexibility for constructing the system you need whenever you want.

A rich array of input/output jacks
The M3 offers two analog and two digital (S/P DIF) inputs. In addition to the main two-channel output (L/MONO, R), there are four independent outputs as well as two-channel digital output (24-bit optical S/P DIF). Two USB connectors are provided: a type-B USB connector for connection to your computer as a MIDI interface, and dual type-A connectors for connecting external storage media. USB 2.0 is supported to ensure high-speed transfer of large amounts of data.

The optional EXB-FW adds Firewire ports for conveying both audio and MIDI to your computer, and for daisy-chaining the M3 in your Firewire-based studio setup.

Three pedal inputs are provided, including damper jack support for half-damper sensing. The footswitch and footpedal jacks can be assigned to wide choice of functions including modulation, sostenuto, Program advance, punch-in recording and much more.


  • Keyboard - 88-key weighted action (RH3: Real Weighted Hammer Action 3 keyboard with zone graded action response)
  • Controllers - Joystick, Ribbon Controller, [SW1], [SW2]
  • Interface
  • TO MODULE (for connection to M3-M tone generator module)
  • TO MODULE (second))
  • Display - 5.7 inch color TouchView GUI, 320 x 240 dot, X”Y control function
  • Control Inputs - Damper Pedal (half damper pedaling supported), Assignable Switch, Assignable Pedal
  • Synthesis Technology
  • EDS (Enhanced Definition Synthesis)
  • MMT (Multi Modeling Technology) sound generator can be added by installing the optional EXB-RADIAS
  • Tone Generator
  • 256 Mbyte (when converted to 16-bit linear format)
  • 1,032 Multisamples
  • 1,606 Drum Samples
  • Maximum Polyphony
  • 120 voices, 120 oscillators max, single mode
  • 60 voices, 120 oscillators max, double mode
  • (The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading).
Program Structure (EDS)
  • Oscillator - OSC1 (Single), OSC1+2 (Double)
  • Stereo multisamples are supported
  • 4 velocity zones per oscillator, with switching, crossfades and layers.
  • Filters
  • Four types of filter routing (single, serial, parallel, 24 dB)
  • Two multi-mode filters per voice (low pass, high pass, band pass, band reject)
  • Driver - Per-voice nonlinear driver and low boost
  • EQ - Three bands, with sweepable mid
  • Modulation
  • For each voice: two envelope generators (Filter & Amp)
  • Two LFOs
  • Two key tracking generators (Filter & Amp)
  • Two AMS mixers
  • Pitch EG
  • Common LFO
  • Two common key tracking generators
Combination Structure
  • Up to sixteen timbres
  • For each Timbre: keyboard and velocity split/layer/crossfade
  • INT, OFF, EXT and EX2 MIDI status settings
  • 3-band EQ with sweepable mid
  • Pitch/Transpose
  • Use OSC1, 2 or Both
  • Force Osc Mode (PRG, MONO, LEGATO, POLY)
  • Portamento and Bend range settings
  • Controller filters
  • Modifications to the program settings via the Tone Adjust function
Drum Kit Structure
  • Stereo and mono drum samples
  • 4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer)
  • Exclusive keygroups
  • Per key 3-band EQ, Drive, Lo Boost, filter and level offsets
  • 16-bit, linear, 48 kHz mono/stereo sampling
  • Resampling available (Open Sampling System)
  • 64 Mbyte memory standard (expandable up to 320 Mbyte with EXB-M256 option)
  • Sampling time (RAM)
  • RAM1 (64 Mbytes standard) allows up to approximately 11 minutes 39 seconds of mono sampling or approximately 5 minutes 49 seconds of stereo sampling. 512 bytes are used by the system.
  • RAM2 (256 Mbytes when the EXB-M256 is installed) allows up to approximately 46 minutes 36 seconds of mono sampling or approximately 23 minutes 18 seconds of stereo sampling.
  • RAM1+RAM2 (Total 320 Mbytes) allows up to approximately 58 minutes 15 seconds of mono sampling or approximately 29 minutes 7 seconds of stereo sampling. (Continuous sampling across RAM1 and RAM2 is not possible.)
  • Sampling time (MEDIA)
  • Maximum sampling time to a USB storage device is a maximum of approximately 80 minutes for one sample file, for either mono or stereo. This occupies approximately 440 Mbytes for mono, or 879 Mbytes for stereo.
  • 1,000 Multisamples, 4,000 Samples, 128 indexes per sample
  • Supports Korg format, AIFF, WAV, AKAI S1000/S3000 (with advanced Program conversion), SoundFont 2.0 reading
  • Sample directly from audio CDs (CD-DA)
  • Time Stretch, Time Slice, Crossfade Loop, and other editing features
  • 5 Insert Effects (stereo in/out), 2 Master Effects (stereo in/out), 1 Total Effect (stereo in/out) are available simultaneously
  • 2 effect control busses, 2 effect common LFOs
  • 170 types (can be used for Insert/Master/Total.) Note: double-size effects cannot be used as a Total effect.
  • Effects Presets: Up to 32 per Effect
  • AUX bus: Two internal buses for sampling and routing audio to the EXB-RADIAS
  • 3-band Track EQ (High, low, and sweepable mid band) Per Program in Program Mode, per Timbre in Combination mode (16 total), and per Track in Sequencer mode (16 total)
X-Y control
  • X-Y MODE -The TouchView display can be used as an X-Y controller. Hold function provided.
  • X”Y MOTION function - X”Y Control finger movements can be recorded in realtime, and memorized for each Program, Combination, or Song.
  • Program mode - Oscillator volume, synth parameters, and effect parameters can be controlled.
  • Combination, Sequencer modes - Timbre/track volume, synth parameters, and effect parameters can be controlled.
  • Programs - 1,664 user locations, 640 preloaded (512 EDS+128 RADIAS) (with EXB-RADIAS option installed)
  • Combinations - 1,792 user locations, 384 preloaded
  • Drumkits - 144 user locations, 32 preloaded
  • GM - 256 GM2 programs, 9 GM2 drum kits
  • 16-track MIDI sequencer with 480 ppq resolution
  • 128 Songs, 20 Cue Lists, 210,000 notes (max)
  • Tempo: 40.00 ” 300.00 BPM (1/100 resolution)
  • 16 preset/16 user Template Songs
  • 522 preset patterns, 100 user patterns (per Song)
  • Cue List function: 20 cue lists, Songs can be arranged consecutively or repeatedly in up to 99 steps, A cue list can be converted back into a song
  • Standard MIDI File (SMF) format 0 and 1 available
  • In-Track Sampling function
  • Auto Song Setup function (One Touch Record) for easily going from a Program or Combination into "record-ready" status
RPPR (Realtime Pattern Play/Recording)
  • A set of 100 patterns are available per Song
Drum Track
  • 522 preset patterns/1,000 user patterns
  • Patterns created in Sequencer mode can be converted to drum track user patterns
  • Trigger Mode (Immediate, Wait for Keyboard), Sync (On, Off) and Zone (Key and Velocity) settings can be specified.
  • Program selection, 3-band EQ and effect bussing available
  • One KARMA module available in Program Mode, four KARMA modules available in Combination and Sequencer Modes, plus Master Control module
  • 2,093 preset GEs (Generated Effect)
  • KARMA Wave Sequence, Freeze Randomize, Time Signature Control, Auto RTC (Realtime Control) Setup
  • Control Surface (8 sliders, 8 switches)
  • 8 Switches:
  • EXTERNAL= External MIDI control*
  • TONE ADJUST= Control the Tone Adjust functions
  • KARMA= KARMA control
  • 8 Sliders:
  • MIXER= Volume
  • REALTIME CONTROL= Realtime modulation
  • EXTERNAL= External MIDI control*
  • TONE ADJUST=Control the Tone Adjust functions
  • KARMA= KARMA control
  • * In External mode, the eight sliders, eight switches, and eight pads can be used as MIDI controllers, allowing you to control software synthesizers or DAW software via CC settings. 128 setups can be stored (102 are preloaded).
  • 8 velocity-sensitive drum pads and chord triggers:
  • [PAD MODE] - selects velocity-sensitive or fixed-velocity operation
  • X-Y Control (Display), Hold, Motion
  • Load, Save, Utility, Make Audio CD, Play Audio CD
  • Data Filer functionality (Save and Load MIDI System Exclusive Data)
  • CD-ROM/R/RW (UDF Format read/write), Record & Play audio CDs (CD-DA), ISO9660 Level 1
  • WAVE file editing functionality
  • CD-ROM/R/RW can be used when a commercially-available USB drive is connected.
Audio Outputs
  • L/MONO, R - 1/4" TS (Mono), unbalanced
  • INDIVIDUAL-1, 2, 3, 4 - 1/4" TS (Mono), unbalanced
  • Output Impedance: 1.1k Ohm stereo; 550 Ohms mono (L/Mono only), Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu, Load Impedance: 10 k Ohms or greater, Signal to noise ratio: 90 dBu (typical), Dynamic range: 91 dBu (typical)
  • S/P DIF (optical 24-bit, 48 kHz), S/P DIF IEC60958 EIAJCP-1201, provides igital output of the same signals as AUDIO OUTPUT (MAIN) L/Mono, R
  • (Optional) EXB-FW - 6 channels, 24-bit, 48 kHz Sample rate, provides digital output of the same signals as AUDIO OUTPUT (MAIN) L/Mono, R and AUDIO OUTPUT (INDIVIDUAL) 1”4
  • Headphones - 1/4" TRS (Stereo), Output Impedance: 33 Ohms, Maximum Level: 32+ 32 mW @33 Ohms
Audio Input
  • 1, 2 - 1/4" TS (Mono), unbalanced
  • (level switch (MIC/LINE), level knob) - Input Impedance: 10 k Ohms, Headroom:12 dB, Input level range LINE: ”29 dBu ” +4 dBu or greater (typical),
  • Input level range MIC: ”54 dBu ”17 dBu or greater (typical), Source Impedance: 600 Ohms
  • S/P DIF (optical 24-bit, 48 kHz) IEC60958 EIAJCP-1201
  • (Optional) EXB-FW - 2 channels, 24-bit, 48 kHz Sample rate
  • Computer
  • 2 USB type A hi-speed connectors, supporting 480 Mbps (for storage devices)
  • USB type B connector (for MIDI interface, USB 2.0 supported)
  • 2 FireWire ports (when EXB-FW (separately sold option) installed)
  • Keyboard
  • TO KYBD (for connection to keyboard assembly unit)
Included Accessories
  • AC cord
  • Owner's Manual (M3 Operation Guide)
  • CD-ROM (M3 Parameter Guide (PDF)
  • Voice Name List (PDF)
  • KORG MIDI driver
  • M3 Editor stand alone and plug-in versions
  • Bracket (Module only)
  • Frequency response: 20 Hz”20 kHz, +/-1.0 dB, 10 k Ohms load
  • THD+N: 20 Hz”20 kHz, 0.08 % 10 k Ohms load (typical)
  • Dimensions
  • Module: 26.50"(W) x 7.95"(D) x 3.23"(H)
  • Keyboard and Module:
  • 40"(W) x 14.65"(D) x 4.76"(H) (module down)
  • 40"(W) x 14.65"(D) x 6.73"(H) (module up)
  • Weight: 58.42 lbs (26.5 kg)
  • Current Consumption: 35 Watts
  • System Requirements
    • Computer with the KORG USB-MIDI Driver
    • Windows
    • Microsoft Windows XP Home Edition/Professional Service Pack 2 or later (MIDI Driver for the 64-bit editions is a Beta version), all editions of Microsoft Windows Vista (MIDI Driver for the 64-bit editions is a Beta version), computer supports Windows XP/Vista with USB port (Intel USB Host Controller recommended).
    • Macintosh
    • Mac OS X 10.3.9 or later, Apple Macintosh with USB ports supports Mac OS X 10.3.9 (PowerPC/Intel-based supported).
    • M3 Editor/Plug-In Editor
    • Windows
    • Windows XP Home Edition / Professional Service Pack 2 or later, Intel Pentium III/1 GHz or faster, 512 Mbyte or larger memory (1 Gbyte or larger recommended)
    • Macintosh
    • Mac OS X 10.4 or later, G4/800 MHz or faster (Intel-based Mac supported, G5 and/or Core Duo recommended), 512 Mbyte or larger memory (1 Gbyte or larger recommended)
    • Computer with the EXB-FW
    • Windows
    • Microsoft Windows XP Home Edition / Professional Service Pack 2, computer supports Windows XP with Firewire port.
    • Macintosh
    • Mac OS X 10.4 or later, Apple Macintosh with Firewire ports supports Mac OS X 10.4 (PowerPC/Intel-based supported).
    Pro Coverage
    Manufacturer's Warranty
    USA Warranty Policy

    All Korg products purchased from a Korg USA authorized dealer are warranted to be free from defects in material and workmanship to the original consumer purchaser as listed below:

    Labor: 1 Year
    Parts: 1 Year

    Exceptions: Tubes, AC Adapters, Foot Switches: 90 days

    Warranty Requirements and Limitations:

    -Proof of Warranty - The customer must provide proof of purchase in order to obtain warranty service. The dated sales slip or copy thereof is the only acceptable proof of purchase.

    -The product must be purchased from a Korg USA authorized dealer and have a valid serial number.

    Damage resulting from the following causes are excluded from the warranty set forth above:
    -Misuse, including damage occurring during shipment, damage caused by battery leakage, accident, fire, unauthorized repairs, tampering, cosmetic damage or other types of damage which are the result of improper handling or abuse.
    -The cleaning of controls or contacts due to exposure to dirty, dusty, or otherwise contaminated environment.
    -Damage resulting from modification.
    -Damage to units used for loan or rental.

    Register online and extend your warranty!
    Register your new Korg keyboard, keyboard rack module or digital piano online and receive a certificate that extends the product warranty for an extra year from the date of purchase.

    • Customer Reviews

    Review Snapshot

    by PowerReviews
    KorgM3 88-Key Music Workstation Keyboard

    (based on 4 reviews)

    Ratings Distribution

    • 5 Stars



    • 4 Stars



    • 3 Stars



    • 2 Stars



    • 1 Stars



    Reviewed by 4 customers

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    (73 of 98 customers found this review helpful)



    By John

    from Dallas, TX

    Comments about Korg M3 88-Key Music Workstation Keyboard:

    I got one of these keyboards for Christmas and I absolutely LOVE it. The full-weighted keys feel very realistic on the keyboard so it's worth the extra money for the 88 key version. However, the real magic is in the M3 module. I have barely scratched the surface of all this amazing board as a whole can do.

    (14 of 15 customers found this review helpful)



    By Mark

    from Clinton, Ma

    Comments about Korg M3 88-Key Music Workstation Keyboard:

    After not owning a keyboard for 2 years (Last one was a KorgX5) I decided to treat myself to the M3 88 key version. I can say without a doubt I have absolutely no regrets. If you want the all in one brainstorm-play-sequence-mix-export and repeat until all hours of the night this is the keyboard for you. the GUI is amazing, very easy to use and it all comes together. The weighted keys are WORTH THE MONEY. I looked at the others and went with the best! Go get yours!

    (8 of 9 customers found this review helpful)


    Worth Every Penny

    By Jake Roys

    from Kalamazoo, MI

    Comments about Korg M3 88-Key Music Workstation Keyboard:

    If you've got the money, this keyboard wont disappoint. I've had my M3 for 2 years now, and I haven't even scratched the surface of what it can do. There are endless possibilities. If you're a piano player and are looking for a "real feel" keyboard that mimics a real piano, go for the 88-key version. It's a little more expensive, but it's well worth it. If you're not going to be primarily using this for it's fabulous piano programs, then the 76 or 61 key models are just splendid.


    Best Workstation

    By Joseph Constantine

    from Tampa, FL

    Comments about Korg M3 88-Key Music Workstation Keyboard:

    I like this setup better than Kronos, Krome, or any of the Yamaha boards due to the powerful real time effects, sequencer, big tiltable touch screen, and overall action. The pianos sounds are to me not discernibly different from the higher priced boards. I have tested them all and I have very discriminating, critical ears when it comes to piano sounds as I have played acoustic pianos for over 30 years. I actually like the default effects settings better on the M3 and with some tweaking, they get even better. I feel that the higher priced workstations are mostly hype unless you really need a gazillion presets that cover all the cheesy 80's sounds, etc. For me, those extras are not useable. I could see maybe if you are doing a bunch of 80's music gigs going for the Kronos but if you just want a great master workstation for modern studio work (as I do) it's not worth paying more. It is heavy weight-wise and I don't use at all for live gigs. However, the action is lighter and faster than the Motif and the sequencer is superior on the Korg. For useable drum tracks, kits, voices, and layers that record and mix easily in a hardware setup, you cannot beat the M3. Believe me, I have tried them all.

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