Korg D3200 32-Track Digital Recording Studio

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Manual for Korg D3200 32-Track Digital Recording Studio

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Product Information


Affordable 32-track digital studio delivers professional quality!

KORG's D3200 32-Track Digital Recording Studio provides up to 32 tracks of simultaneous playback and up to 12 tracks of simultaneous analog recording, plus 2 via S/PDIF and 2 using the included interactive Session Drums which allows you to easily create a realistic and natural drum track for your entire song, simply by tweaking a few knobs. The D3200 provides 16- and 24-bit uncompressed 44.1 or 48kHz recording and playback. By taking advantage of the 8 virtual tracks provided for each track, you can record a total of up to 272 tracks. In 24-bit mode, the digital data passing through the fader and EQ is recorded onto the internal 80GB hard drive as 32-bit data, ensuring even higher recording and playback quality. The internal processor uses 64-bit precision (maximum 69-bit), delivering professional-level audio quality.

With Korg's interactive Session Drums, your own studio drummer is always available.

Create dynamic drum tracks quickly and easily with the D3200's built-in Session Drums feature. Using KORG's exclusive Knob Matrix, simply twist the Group and Session knobs to choose the overall musical style and use the Variation knob to select a pattern appropriate for your song. Breathe new life into your drum tracks by tweaking the Shuffle and Humanize knobs to produce subtle variations in the timing, accent, feel, and volume of each drum hit. You can even customize the rhythm sounds themselves. With Session Drums, create and record your original drum tracks without time-consuming programming and step-recording.

Sophisticated and versatile track editing tools.

Perform advanced and non-destructive track editing without impairing the high-quality sound with editing functions such as time expansion/compression, copy, erase, reverse, normalize, and fade. A learning noise reduction feature removes unwanted ambient noise without impairing the original sound!

Versatile input section to accommodate nearly any recording situation — including high channel-count live situations.

12 - 1/4" balanced inputs are teamed with 8 XLR inputs jacks featuring high-quality mic preamps and +48V phantom power. Each of the 8 phantom power supplies can be switched on/off independently, so you can mix and match your favorite condenser and dynamic mics to get the job done. The D3200 also features optical S/PDIF ins and outs and a dedicated guitar jack.

Powerful automated mixer section provides professional features and flexibility.

The D3200's mixer provides a total of 44 input channels (32 recorder channels and 12 sub-mixer channels). Fader, EQ, pan, and effect settings can be stored as a "scene," and up to 100 scenes can be saved and automatically recalled for each song, providing sophisticated automation. In addition, Dynamic Automation records and plays back individual fader and pan movements in real time, providing the freedom you need for creative mixing. Mixer parameters can also be controlled via MIDI.

An enhanced graphic display and interface provide fast, intuitive navigation.

The D3200 brings ease of operation to a new level, with fresh innovations such as the unique Knob Matrix and Korg's exclusive ClickPoint. The Knob Matrix provides 16 realtime control knobs laid out in a 4x4 arrangement that can be used simultaneously to edit a variety of parameters such as the Session Drums or the effect processors. It's a natural, analog-feeling interface. The 3-axis ClickPoint provides fingertip control that is much more immediate and satisfying than using a mouse or a track ball. ClickPoint can also be used as a jog/shuttle function when you're scrubbing through audio. The 320x240 pixel, 4-level grayscale display uses immediately understandable icons and provides visual feedback of the many Knob Matrix functions.

High-quality effects deliver professional sounding results.

The D3200's multiple effect processors use 56-bit internal processing to provide the highest audio quality. Instantly select from 128 effect programs created from 52 different effect algorithms.

Album CD Project and internal CD-RW take your musical ideas to completion.

The D3200's built-in CD-RW drive can be used to backup/restore songs and user data, to import WAV files, or to create finished audio CDs. When creating an audio CD, you can use the Album CD Project function to easily create a production-ready CD that specifies the song order and even the length of the gaps between songs. The internal hard drive can be partitioned so you can work on multiple album CD projects at once.

Computer friendly.

The D3200 automatically allocates part of its internal hard disk as a 2/4/8GB PC (USB) drive. This area can be used to import/export WAV data between the D3200 and a computer DAW program via USB, and can also be used to load system data. D3200 user data transferred to your PC can be easily e-mailed or exchanged over the internet. High-speed USB 2.0 is supported, so even large amounts of data can be transferred smoothly. In addition, back-up data created by other Korg D-series models can also be loaded.

With our Guaranteed Lowest Price, you can be assured of complete satisfaction and the lowest available price, or your money back!

Korg D3200 32-Track Digital Recording Studio Features:

  • 272 tracks including virtual tracks
  • 32 tracks of simultaneous playback
  • 16 tracks of simultaneous recording (12 analog inputs + 2 digital inputs (S/PDIF) + 2 Session Drum tracks)
  • 24-/16-bit, 44.1/48kHz uncompressed recording format
  • Internal 80GB hard drive
  • Internal CDRW drive
  • USB 2.0 connectivity
  • Track and song editing
  • 320x240-pixel backlit LCD display
  • Session Drums let you create a realistic and natural drum track for your entire song
  • REMS modeling effects
  • MIDI functionality: Mixer control, effect control, MMC transmission/reception, MTC transmission/reception, MIDI clock transmission
  • AC cable included

Korg D3200 32-Track Digital Recording Studio Specifications:

  • Recorder Section
  • Number of tracks: 272 (including virtual tracks)
  • Recording format: 24-bit/16-bit uncompressed, 44.1kHz/48kHz
  • Number of recording/playback tracks @ 48kHz/44.1kHz, 16-bit:
  • Simultaneous playback: 32 tracks
  • Simultaneous recording: 16 tracks using 12 analog inputs, S/PDIF inputs and the outputs from Session Drums
  • Number of recording/playback tracks @ 48kHz/44.1kHz, 24-bit:
  • Simultaneous playback: 16 tracks
  • Simultaneous recording: 12 tracks
  • Recording time: 44.1kHz, 16-bit: maximum 119 hours when using a 40GB hard disk
  • Number of Songs: 100 songs per drive
  • Locate points: 4 per song
  • Mark points : 100 per song (marks can be named)
  • Metronome/Drum Patterns: 660
  • MMC functions: Transmitted and received
  • Synchronization: MTC transmission/reception, MIDI clock transmission: Tempo Map (200 events per song), Sync Track (one track per song), Tempo recording
  • CDRW functions: Internal CDRW, audio CD writing (Track At Once, Disc At Once), backup/restore, audio file (WAV format) import (ISO 9660), system load
  • USB functions: Backup/restore, audio file (WAV format) import/export (FAT16/32), system load; USB 2.0 supported PC (USB) Drive Capacity: 2/4/8GB
  • Track editing: Copy (overwrite/insert), erase, delete, swap, reverse, optimize, expand/compress, fade, normalize, erase punch noise, erase silence, noise reduction
  • Song Editing: Copy, move, delete, rename, protect, save now
  • Display format: Calendar time, HDD remaining capacity, scene, mark, tempo map Locate format: Hour/Min/Sec.ms, Hour/Min/Sec.Frame, Measure/Beat/Tick
  • MIDI Functionality: Mixer control, effect control, MMC transmission/reception, MTC transmission/reception, MIDI Clock transmission
  • Mixer Section
  • Internal processing: 64-bit (maximum 69-bit)
  • Inputs: 44 channels (32 recorder channels, 12 sub-in)
  • Buses: 12 buses; 2 Eff Send buses, 2 AUX buses, 2 SOLO buses (stereo), 2 CUE buses (stereo), 2 MASTER buses (stereo), 2 MONITOR buses (stereo)
  • Equalizer: Recorder channels 1-24: 4-band full parametric EQ, Recorder channels 25-32: 2-band shelving EQ, Sub Mixer channels 1-12: 2-band shelving EQ, Master track: 4-band full parametric EQ
  • Scene Memories: 100 scene per song
  • Effect Section
  • Internal processing: 56-bit Structure: 8 Inserts (maximum), 2 Masters (maximum), 1 Final; All usable simultaneously at 44.1kHz/48kHz
  • Programs: 128 presets, 128 users, 32 songs
  • Algorithms: 52
  • General
  • Display: 320x240 pixel, 4-level grayscale movable LCD with backlight
  • Power supply: AC Local Voltage
  • Principal Specifications
  • Frequency Response: 10Hz—20kHz ±: 1 dB @ fs 44.1 kHz, +4dBu, 10 kOhms load: 10Hz—22kHz ±: 1dB @ fs 48kHz, +4 dBu, 10 kOhms load
  • S/N: 103dB (typical)
  • Dynamic range : 103dB (typical) THD+N: 0.02 % (typical) 20Hz — 20kHz, +16 dBu, 10 kOhms load
  • A/D Conversion: 24-bit 64 times oversampling
  • D/A Conversion: 24-bit 128 times oversampling
  • Sampling frequency: Internal 44.1kHz/48kHz, external 44.1kHz ±: 6 %, 48kHz ±: 6 %
  • Record/playback bit: 16-bit, 24-bit
  • Analog/digital I/O specifications
  • INPUT 1 — 8:
  • Connectors: XLR-3-31 type (+48V phantom power, switchable), 1/4" TRS phone jacks (balanced)
  • Input impedance: 4 kOhms (XLR-3-31), 10 kOhms (TRS phone jacks)
  • Nominal level: -60dBu to —22dBu @ TRIM = max. — min. PAD OFF, -34dBu to +14dBu @ TRIM = max. — min. PAD ON
  • Maximum Level: -48dBu to —10dBu @ TRIM = max. — min. PAD OFF, -22dBu to +16dBu @ TRIM = max. — min. PAD ON
  • Source impedance: 600 ohms
  • INPUT 9 — 12:
  • Connectors: 1/4" TRS phone jacks (balanced)
  • Input impedance: 10 kOhms
  • Nominal level: -60dBu to —22dBu @ TRIM = max. — min. PAD OFF, -34dBu to +4dBu @ TRIM = max. — min. PAD ON Maximum Level: -48dBu to —10dBu @ TRIM = max. — min. PAD OFF, -22dBu to +16dBu @ TRIM = max. — min. PAD ON
  • Source impedance: 600 ohms
  • GUITAR INPUT:
  • Connector: 1/4" phone jack (unbalanced)
  • Input impedance: 10 MOhms
  • Nominal level: -60dBu to —22dBu @ TRIM = max. — min. PAD OFF, -34dBu to +4dBu @ TRIM = max. — min. PAD ON
  • Maximum level: -48dBu to —10dBu @ TRIM = max. — min. PAD OFF, -22dBu to +16dBu @ TRIM = max. — min. PAD ON
  • Source impedance: 600 ohms
  • MASTER OUTPUT L/R:
  • Connectors: 1/4" phone jacks (unbalanced)
  • Output impedance: 150 ohms
  • Nominal level: -10dBu
  • Maximum level: +2dBu
  • Load impedance: 10 kOhms or higher
  • MONITOR OUTPUT L/R:
  • Connectors: 1/4" phone jacks (unbalanced)
  • Output impedance: 150 ohms or higher
  • Nominal level: -10dBu
  • Maximum level: +2dBu
  • Load impedance: 10 kOhms or higher
  • AUX OUTPUT 1, 2:
  • Connectors: 1/4" phone jacks (unbalanced)
  • Output impedance: 150 ohms
  • Nominal level: -10dBu
  • Maximum level: +2dBu
  • Load impedance: 10 kOhms or higher
  • PHONES:
  • Connector: 1/4" stereo phone jack
  • Output impedance: 100 ohms
  • Maximum level: 50mW @ 32 ohms
  • S/PDIF I/O:
  • Connectors: optical
  • Format: 24-bit S/PDIF (IEC60958)
  • USB:
  • Connector: Type B
  • Format: Slave, USB 2.0 compliant
  • Supported OS: Windows Me, Windows 2000 or later, Mac OS 9.0.4 or later
  • MIDI IN / OUT:
  • Connectors: DIN 5-pin x 2
  • FOOT SW:
  • Connector: 1/4" phone jack (use separately sold PS-1)
  • EXPRESSION PEDAL:
  • Connector: 1/4" stereo phone jack (use separately sold XVP-10 or EXP-2)
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5 Star Rating

Pro 32 track Studio In A box

Korg has raised the bar on digital home recording studio machines with the 32 track D3200 Recording Studio. No matter what your beat is, it is loaded with everything you?ll ever need to master your own CDs, even live, and with professional record company results. I personally went from a Roland Boss BR-8 to the Korg D3200 and haven?t stopped drooling since. I could go into all of the great features it has but that would take too many words so I recommend downloading the owner?s manual from Korg?s website and check out those impressive features yourself. Here are some things that made me, a 30 year rocker that plays everything drool. 1. Their amp and speaker cabinet modeling and even, get this, room modeling effects blew me away. They sounded real. You can leave the dust covers on those amp heads and cabs, folks! That's right, you can go from single to full stack and you can tweak the sound just like on the actual heads and add effects to boot. Then you can save ?your sound? to a user area. Sweet! 2. The Korg D3200 Digital Recording Studio comes with a built-in EQ library that has EQ programs for individual drums (Studio and live recording), and male and female vocals, among many others. Hang on, wiping drool here. For example I was finishing my final Boss BR-8 tune by recording the vocal track and while getting oriented to the D3200 I used the D3200?s Male Vocal EQ with my studio condenser mic and patched it back into track 8 of my BR-8. My voice never sounded clearer. 3. Since my BR-8 and my new D3200 are both digital recorders I learned that by muting all but the track(s) I want to transfer on the BR-8, I could patch my BR-8 into the D3200?s track inputs one track at a time (or two if a drum track panned in stereo) and essentially transfer tracks from one to the other (Even bounced tracks). Sure, you have to hit the record button on the D3200 and press the play buttons on both recorders simultaneously for each track from beginning to end but I did it successfully. Then you can use the D3200?s effects and EQs and compression, etc., with 56 bit internal processing and master all of your tunes on the one digital recording studio. 4. One of the key questions I asked the salesperson at Guitar Center was, can you record a band with the D3200? He said the D3200 has 8 tracks I can do that with simultaneously and 12 if I use both analog and digital inputs. Let me tell you, when I saw the eight 1/4" jacks and eight balanced XLR jacks, each with independent Phantom Power, padding, and trim knobs, I got excited. Summary: I had originally gone to Guitar Center to see the BR-1600CD Recording Studio as an upgrade option but ended up having the salesperson compare it to the Korg D3200. My conclusion was they are both very fine machines but for musicians like me who want professional studio/radio-ready results and ease of use, The Korg D3200 MORE than fits the bill. And believe me, for all you get, plus 16 more tracks than the BR-1600CD, the price was unbelievably affordable. I just couldn?t pass it up. Another neat feature of the D3200 is the session drums. I played around with them and they are impressive and extremely tweakable. I personally don?t need that feature though. I have a Roland V-Session series drum kit in my studio which requires only 2 tracks on the D3200. In addition, I can plug my various guitars directly into the D3200's dedicated guitar input and take advantage of the D3200's excellent amp and speaker modeling). It didn?t take me long to realize the D3200 is the ultimate home studio recorder for me and I am extremely picky with regard to sound quality. In my opinion, the Korg D3200 Digital Recording Studio may never be topped for what it can do for your sound and mine. I?ll just go wipe my chin now.

Reviewed by Phil See on 10/11/2006 who plays Rock.

95 people found this review helpful.
6 people found this review unhelpful.
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5 Star Rating

An increadible value

This is a incredible unit for the price. The D3200 has 32 tracks of simultaneous playback and it can record up to 12 tracks at one time. This is a serious recording device at a very moderate price. This unit is great for recording live bands and it does it with a great level of quality. The D3200 can record up to 272 tracks but I have never needed that many. The unit has the standard 40GB hard drive so it stores plenty of material. The unit also has session drums but to be honest I did not think they were anything spectacular, they are good for scratch tracks or practicing with. Overall the unit is very simple to use making it a fun unit to work with. I did not experience any problems with the D3200 but I have heard several people complain that they had to send theirs in for repair. Overall I had a very good experience with this unit.

Reviewed by Fuzzball on 10/4/2006 who plays All types.

36 people found this review helpful.
7 people found this review unhelpful.
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5 Star Rating

professional product

This thing is great. I have had one for about a year and have never been disapointed with it. If you know how to use it you can get very proffesional products out of it. My only complaint is that the monitor is a bit small and you cant hook it up to a larger screen but other than that it is great.

Reviewed by Ryan on 10/15/2009 who plays Metal/Rock/Funk/Blues.

1 person found this review helpful.
0 people found this review unhelpful.
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5 Star Rating

These things are junk...

On paper, and in person, the feature set of the KORG D3200 seems impressive, and it is. However, these made in China recording decks are garbage. I bought my from Guitar Center brand new, and the USB connection gave up the ghost just before my warranty expired, according to KORG, due to a bad mother-board. Had my new unit now for about 8 months, and suddenly the headphone jack no longer works, all my peak meters are frozen on, and I can no longer record anything into the unit. I take extremely good care of my equipment, and cover it with a dust cover when not in use. My advice, stay away from these... they look great, but just are not reliable, and its difficult to say the least to get KORG to stand behind their products. My TASCAM 564 had hundreds and hundreds of hours put on it over many years, and worked flawlessly.

Reviewed by C.J. on 6/11/2009 who plays Pop.

2 people found this review helpful.
2 people found this review unhelpful.
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5 Star Rating

Very satisfied

I have no regrets of purchasing the Korg D3200. It has many great features and is very versatile. I would like a larger display and longer faders though. It would be nice to be able to plug in an external monitor. The click point takes a little practice but is adequate. I think it would be good to be able to plug in a regular mouse as an alternative. Overall, I consider it an excellent value.

Reviewed by Jim on 7/31/2008 who plays Gospel, Praise and Worship.

0 people found this review helpful.
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