Practice on your acoustic drum set—quietly.
Neoprene pads lie on the drum head to greatly dampen sound without unduly altering feel. Fits 12', 13', and 16' toms and a 14' snare.
Item # 100239240 | Customer Ratings:
(Based on 2
reviews)


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Blemished items are customer returns, open box, ding n dents and re-stocked items. These items are in great condition and very similar to new, except for packaging that may show wear or may not be original. Not covered by manufacturer warranty, but covered by our 30-Day Satisfaction Guarantee.
Mint Condition: This instrument or product has been carefully played/used and returned to us in virtually new condition, however its packaging may not meet the standards set by the factory. Also, it no longer carries the manufacturer's warranty. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value. We feel so strongly you'll like what you see, we're including our 30-Day Satisfaction Guarantee to this used product making it a no-risk purchase.
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Neoprene pads lie on the drum head to greatly dampen sound without unduly altering feel. Fits 12', 13', and 16' toms and a 14' snare.

I have had these for about a month now, because my parents were getting tired of the constant noise i was making while playing. These have held up well so far, and the level of reduction is impressive. the only reason im giving this a four star rating is because of the snare mute. the tom mutes work exremely well, but the snare isnt muted as much, but that might just be because i have a 6 1/2" snare... this is a great deal, even without the bass mute. if you need significant sound reduction when you're practicing, buy these..for $30 you cant go wrong!
Been practicing with HQ silencer pads on all five drums for the past two months now and have made improvement in my live performances. Main reason I've utilized these during practice isn't because of cutting noise but mainly because of it's "Non-Responsive" surfaces. Being non-responsive requires you to work harder aiming for more precision in developing cleaner chops and rudimental coordination which makes for cleaner execution when playing drums live without them. The results have been improved, 99% better performances in live situations (on the gig). Practicing with non-responsive surfaces allows you to hear where you are weak (weaker hand, foot coordinates and unaware sloppiness) and to strengthen those areas by working harder yet smarter. Practicing on non-responsive surfaces opens the opportunity for improvement and development playing your drums in a live situation - and that's taken it to the stage.
