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Item # H77210 | Customer Ratings: Ratings ( 4 Based on 2 reviews)

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Gretsch Guitars G5435T Electromatic Pro Jet w/Bigsby Electric Guitar
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      Gretsch Guitars G5435T Electromatic Pro Jet w/Bigsby Electric Guitar (H77210)
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More twang and less hum for fewer bucks.

The Electromatic® Pro Jet with Bigsby B50 tailpiece takes on a new identity and voice with hump-block fretboard inlays and "Black Top" Filter'Tron ™ Pickups. The two-tone body color scheme (black or gold top with walnut stained back and sides), fabricated with an arched maple top chambered basswood body resonates true to "That Great Gretsch Sound". Classic appointments such as the Adjustomatic™ Bridge, threaded knurled strap buttons, "G" Arrow Knobs and Gretsch logo on pickguard are proudly featured.

Case sold separately.

Gretsch Guitars G5435T Electromatic Pro Jet w/Bigsby Electric Guitar Features:

  • Body Shape: Jet™
    Body Style: Chambered Single-Cutaway
    Body: Basswood, Gloss Urethane Finish, Arched Maple Top
    Pickguard: White Pearloid w/ Gretsch® Logo
    Body Binding: 1-Ply White
    Neck: Maple, Gloss Urethane Finish
    Frets: 22, Medium Jumbo
    Position Inlays: Pearloid Hump-Block Inlays
    Fingerboard: Rosewood
    Finger Board Radius: 12" Radius (305 mm)
    Nut: Synthetic Bone
    Nut Width: 1.6875" (43 mm)
    Scale Length: 24.6" (62.5 cm)
    Pickups: "Black Top" Filter'Tron™ Bridge Pickup
    "Black Top" Filter'Tron™ Neck Pickup
    Pickup Switching: 3-Position Toggle: Position 1. Bridge Pickup, Position 2. Bridge
    and Neck Pickups, Position 3. Neck Pickup
    Controls: Volume 1. (Neck Pickup), Volume 2. (Bridge Pickup), Master
    Volume, Master Tone
    Bridge: Anchored Adjusto-Matic™ Bridge
    Hardware: Chrome
    Tuning Keys: Enclosed Vintage Style
    Knobs: "G" Arrow Knobs
    Strings: D'Addario® XL110 Regular Light, NPS (.010-.046 Gauges)
    Unique Features: Two-Tone Body Color Scheme, “Black Top” Filter’Tron™
    pickups, Bigsby® Licensed B50 Vibrato Tailpiece




Gretsch Guitars G5435T Electromatic Pro Jet w/Bigsby Electric Guitar

Gretsch® Instrument Limited Lifetime Warranty FMIC warrants your Gretsch brand instrument to be free from defects in materials and workmanship for as long as it is owned by the original retail purchaser, except that pickups, switches, jacks, controls, all other electronic components, tuning machines, hardware, pickguards, plated surfaces, gig bags, cases and case hardware are warranted for a period of one (1) year from the date of original purchase. This warranty applies only to the original retail purchaser when this instrument is purchased from an Authorized Gretsch Dealer and is subject to the limitations set forth herein. IMPORTANT: PLEASE RETAIN YOUR ORIGINAL SALES RECEIPT, AS IT IS YOUR PROOF OF PURCHASE VALIDATING THIS LIMITED WARRANTY. FMIC has established a network of independent Authorized Service Centers for warranty service. The Gretsch Dealer from whom you purchased your instrument may also be authorized for warranty service and should be the first point of contact when service of any kind is required for your Gretsch instrument. To receive warranty service, return the complete instrument to an Authorized Service Center, with your sales receipt as proof of purchase, during the applicable warranty period. Defective components that qualify for coverage under this warranty will be repaired or replaced (at FMIC's discretion) without charge. Remedies beyond normal service repair of any Gretsch instrument require both an evaluation and confirmation of the defect and a direct recommendation to FMIC from an Authorized Service Center for alternative considerations. All transportation, insurance and freight charges associated with warranty service and repairs on Gretsch instruments are the responsibility of the purchaser, as is any service initiated for the purpose of customizing setups or adjustments beyond factory specifications. Initial standard setup and adjustment of the instrument and its components at the time of purchase are considered normal Dealer product preparation, and are not covered by this warranty. See complete details at http://www.gretschguitars.com/resources/warranty.html

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Now you can get added warranty protection for your new gear. Pro Coverage steps in where the manufacturer's "normal wear and tear" ends. Our PRO COVERAGE program offers you UPGRADED COVERAGE if your product ever fails!

Pro Coverage includes:

  • Accidental damage protection (new gear only)
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  • Free Shipping (for returns or repairs)
  • 100% Coverage for Commercial Use
  • Extended Return Period
  • Extended Price Protection
  • No Lemon Guarantee
  • Free Transfer of Coverage to a new owner
  • Repair Costs Covered for up to 3 years from date of purchase
  • Repairs Can Be Authorized Toll-Free by Phone or the via the web
Product Reviews
(Based on 2 reviews)
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Viewing Reviews 1 - 2 of 2 |
  • Gretsch projet goldtop

    As reviewed by jay vinton on 5/17/2013

    I usually will review after a couple of months of ownership. I've had the gold top now for 5 months. I was almost leery to take it out for fear of the bling factor. I'm more of a vanilla strat kind of guy. But to the guitar, it takes a bit of getting used to, especially the control layout, but once you master that, you have a fantastic array of tones to draw from. For an import, this is a very highly crafted guitar. Everything screams quality construction and fit. My only clam was that the input jack was loose upon getting it home. Past that, nothing at all is out of order or out of line in this model. The filtertrons are not single or hummer sounding, somewhere inbetween with fantastic jangle and chime in the bridge and a very nice neck that can jazz it up pretty quick. The Bigsby is an issue however. It is more than slightly unresponsive. The placement puts it too close to the bridge and the break angle from the roller to the bridge is sharp and dampens the movement quite a bit. In future models, if they would use a v style bigsby mounted about 4 inches back, it would greatly enhance the use of the bigsby. The neck is pretty chunky, I have a Wide/fat neck PRS that is very comfortable to play, but this profile is a bit larger and I have trouble making some thumb over chords at different positions. Folks with larger and longer fingers should have no issue however. It states that the back is mahogany with a brown stain, however on the goldtop, it's more black than brown, I would prefer the brown as I have seen it on Powerjets and it's stunning. Overall, for the money you spend, you are not getting an amateur guitar. Through a Hot rod Deluxe, this thing is crushing. It has lots of growl, lots of chime, lots of jangle dependent on where you have the 3 way set and the remainder of the knobs set. The "Tone" knob only seems to affect the bridge pickup and past a certain point lowers volume, a treble bleed circuit would solve that but if you don't like icepick tele style sounding leads, you can quickly dial them out. Overall, it's a beauty, plays fantastic, and with a little practice and study of the layout, you can generate fine tones.

    2 of 2 people found this review helpful.
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  • The honeymoon is over

    As reviewed by jay vinton on 10/21/2013

    I've had a goldtop G-5435T or 38 as the color indicates for 6 months. In that time, several things have come to issue: Tuning stability is iffy. To be expected with a bigsby equipped guitar, but at least one tuner has excess play in it and doesn't give a feeling of secure tuning. Bigsby operation. The B-50 unit is too close to the bridge, the sharp angle from down roller bar to the bridge saddle eliminates most all passive and gentle vibrato due to the tightness and use of a ToM bridge, when it should have a roller or bar bridge. I string mine OVER the down bar to give it a more Bigsby feel and that works while still keeping the strings in the saddles. The guitar does not like Hi Gain, it will buzz like a banshee in an ungrounded, touch the guitar, it goes away type of buzz. Remove the gain and the effect goes away, not much good if you are a gain player. And it tells me that internally, something is amiss. All appears good visually, but that still leaves lots of room for error. Fit and finish are superb. No glue marks, great joint appearance, smooth, nice goldtop finish. The "mahogany" back is almost black, I would have rathered a real mahogany finish that let the grain show through. Output jack continually loosens, not good on an almost 6 bones guitar. Other than that, the guitar is very nice for an import, but they really need to solve several geometric issues such as the Bigsby placement, and use of a ToM bridge with a bigsby. It is very very versatile. The real gems of the guitar are the volume knobs which completely overshadow the almost useless Master tone knob. Using the two very sensitive volume knobs will yield many inbetween and different tones. Overall, a good guitar with still a bit of engineering to be done to be perfect.

    2 of 4 people found this review helpful.
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