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Gibson Les Paul Traditional Pro III Electric Guitar Wine Red

Item #: 
1428332608493   POS #:111260667
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Taking design and visual cues from the Les Paul models of the '80s and '90s, the Les Paul Traditional Pro III features powerful pickups with push/push for coil splits, coil selector and boost circuit,... Click To Read More About This Product

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Taking design and visual cues from the Les Paul models of the '80s and '90s, the Les Paul Traditional Pro III features powerful pickups with push/push for coil splits, coil selector and boost circuit, '60s neck profile, antique binding, period-correct pickguard, vintage Gibson top hat knobs, and the revolutionary Plek set up.

With all the fat, sweet, snarling Les Paul tone that purists love, the Gibson Les Paul Traditional Pro III sports a mahogany body with a thick maple cap for the perfect blend of warmth and clarity. The top is finished in high-gloss lacquer, while the back, sides, and neck have a smooth satin finish that feels great and lets the wood resonate fully. Each Les Paul Traditional also comes with Gibson USA's brown traditional hardshell case and Gibson’s Limited Lifetime Warranty.

Period-Correct Pickguard
The cream-colored pickguard has been a Les Paul staple dating back to the models of the late 1950s and the early 1960s. Many players, however, removed the pickguard from their Les Pauls to show off the beauty of the flame maple tops, prompting Gibson to stop installing the pickguard altogether. During the 1980s and 1990s, Gibson began reinstalling the pickguard in the factory, and the Les Pauls from this era once again arrived in stores bearing the classic, cream-colored pickguard. The Les Paul Traditional Pro III comes equipped with a period-correct pickguard, designed to protect the maple top.

Pickups: Neck - '57 A3R; Bridge - '57 A3T
Specially selected for the Trad Pro III, the new ’57 A3R and ’57 A3T pickups combine the specs of the ’57 Classic pickup with vintage-output alnico III magnets, resulting in the power and warmth of vintage pickups with added articulation and sparkle. These new pickups feature nickel-plated pole pieces, nickel slugs, maple spacers, and 4-conductor braided wiring.

Both pickups offer coil-splitting for single-coil sounds with a coil-selector switch and a boost circuit all activated via push/push switching in the volume and tone controls. The user-adjustable 10dB boost circuit injects added power and frequency range for solos, single-note picking and dirty chording (depending on amp settings) and features true bypass that disengages the boost completely, ensuring pure passive Les Paul tone.

Revolutionary Plek Set Up
The Plek is a German-made, computer-controlled machine that carefully measures each fret, along with the fingerboard height under each string, and then automatically dresses each fret to tolerances within .001”, virtually eliminating string buzz and greatly improving the overall playability of the guitar. This pioneering process does in minutes what it takes a luthier several hours—sometimes even days—to accomplish. Every fret is accurately aligned, and the guitar is properly intonated, leaving the instrument "Plek'd" and amazingly playable.

Antique Binding
To see the process of putting the binding on the Les Paul Traditional is to really appreciate the effort and attention that Gibson puts into each instrument. A lone craftsman will carefully glue and fit 2 pieces of binding around the entire body of a Les Paul. He then winds a single, very long piece of narrow cloth around the entire body until the entire surface is nearly covered. The body is then hung to dry for a full 24 hours before it is unwrapped and moved into the next phase of production. It has been done the same way for over 100 years.

Some question the value of adding binding, but Gibson believes it is a fundamental part of our rich guitar-making history. The binding adds elegance to the Les Paul Standard, and helps protect the edges of the body. The neck binding is installed over the fret ends, which eliminates sharp fret edges and provides for a smooth neck and easier playability.

Check the drop-down menu to the right to select colors and/or other options.


  • Body shape: Single cutaway
  • Body type: Solid body
  • Body material: Solid wood
  • Top wood: Carved maple
  • Body wood: Mahogany
  • Body finish: Gloss top, satin back and sides
  • Orientation: Right handed
  • Neck shape: '60s Slim Taper standard
  • Neck wood: Mahogany
  • Joint: Set-in
  • Scale length: 24.75"
  • Truss rod: Standard
  • Neck finish: Satin
  • Material: Bound rosewood
  • Radius: 12"
  • Fret size: Medium jumbo
  • Number of frets: 22
  • Inlays: Trapezoid
  • Nut width: 1.69" (43mm)
  • Configuration: HH
  • Neck: '57 A3R (DC resistance 8.0k)
  • Middle: Not applicable
  • Bridge: '57 A3T (DC resistance 8.5k)
  • Brand: Gibson
  • Active or passive: Passive
  • Series or parallel: Series
  • Piezo: No
  • Active EQ: No
  • Special electronics: User-adjustable 10dB boost (push/push neck pickup tone pot); coil-splitting (push/push neck and bridge pickup volume pots); coil selector (push/push bridge pickup tone pot)
  • Control layout: Volume 1, volume 2, tone 1, tone 2
  • Pickup switch: 3-way
  • Coil tap or split: Coil split
  • Kill switch: No
  • Bridge type: Fixed
  • Bridge design: Tune-o-matic
  • Tailpiece: Stopbar
  • Tuning machines: Gibson G FORCE
  • Color: Chrome
  • Number of strings: 6-string
  • Special features: Pickups, Tektoid nut
  • Case: Hardshell case
  • Accessories: None
  • Country of origin: United States
Customer Reviews
Questions & Answers View All

Review Snapshot

by PowerReviews
GibsonLes Paul Traditional Pro III Electric Guitar

(based on 4 reviews)

Ratings Distribution

  • 5 Stars



  • 4 Stars



  • 3 Stars



  • 2 Stars



  • 1 Stars




of respondents would recommend this to a friend.

Reviewed by 4 customers

Displaying reviews 1-4

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(7 of 8 customers found this review helpful)


5 Stars only because thats as high as you can fate!

By Craig

from Beaufort, South Carolina



    • G-force Tuning
    • Heavyweight

    Best Uses

      Comments about Gibson Les Paul Traditional Pro III Electric Guitar:

      If you believe in Heaven, when you get there, instead of a harp, they will hand you a Les Paul Traditional. Embodies all that has become classic and treasured from this American icon--craftsmanship of the body, the controls, the mahogany body and neck, the tone, the class, the tradition. No offense to the LPM and Studios (which I went into the store intending to get), but the Tradition is into that platinum class of instrument that you may pick up once or twice in your life. My North Charleston sales associate, Dave, was patient and knowledgeable and assisted with my four trades fairly and with good humor and tact.

      Its not anybody's "first guitar". You can't really learn guitar on a Les Paul have to come to it, it does not come to you or even meet you halfway. It demands a skilled player (beyond my skills, but improving daily), and is "old school" concerning everything but the G-Force tuners. Its actually the most difficult to play of any electric I have had (between its neck, its weight and the wider fretboard), but when you get it all going and you are firing away on all cylinders, the effect can't even be described in words. I feel sorry for those who don't play as they will never know "the feeling".

      Heritage and class----American made. This is as good as it gets, gentlemen!

      (The G-Force tuner had some "wow" factor, but unless I am missing something, you can tune manually much quicker; but it will wind up a new string for you (no wrench needed) and if you are tuning like to an older piano where the pitch has dropped, you can tune one string to that piano and the G-Force will tune all the other strings for you; bottom line, the G-Force is fine, but I wonder if its appropriate in an "homage" model like the Tradition---its so clued in to the past that it didn't have the Les Paul 100 special signature or hologram).

      • Was this a gift?:
      • No

      (4 of 4 customers found this review helpful)


      Only A Gibson Is Good Enough

      By Jerry

      from Grand Blanc, Mi

      About Me Experienced


      • Fun To Play
      • Good Feel
      • Good Pick Up
      • Good Tone
      • Solid Electronics
      • Well Built Guitar


      • Are You Kidding

      Best Uses

      • Jamming
      • Practicing
      • Recording
      • Rock Concerts
      • School Bands
      • Small Venues
      • Songwriting

      Comments about Gibson Les Paul Traditional Pro III Electric Guitar:

      Got this beautiful (honey burst) guitar on clearance because it is last years model and would have paid full price.
      Out of the case, no setup required, intonation is dead on & the action is right where I like it.
      It has everything that I have come to expect in a Gibson Les Paul & then some.
      The one that I purchased has great sustain & the Les Paul snarl that I cannot get enough of and it roars through my Marshall vintage modern.

      The'57 A3R & '57 A3T compliment this guitar perfectly

      My guitar came with Grover locking keystone tuners btw.

      I highly recommend this model & year......... I plan on buying another 2015 Pro 3.

      Thank You GC, Gibson and a big hug goes out to Krista for all her help with my gear needs this year.


      wires wrong

      By Mike

      from undisclosed

      Verified Buyer

      Comments about Gibson Les Paul Traditional Pro III Electric Guitar:

      wires were wrong had to take to repair shop to get straighten out


      Solid,versatile,precise.perfect for the experienced player

      By Vintage player

      from North East Florida

      About Me Experienced


      • Fun To Play
      • Good Feel
      • Good Pick Up
      • Good Tone
      • Solid Electronics
      • Top shelf quality


        Best Uses

        • Jamming
        • Practicing
        • Recording
        • Rock Concerts
        • School Bands
        • Small Venues

        Comments about Gibson Les Paul Traditional Pro III Electric Guitar:

        I purchased mine new 2 years ago, so this review is from personal experience, and since I have been playing for over 45 years and have had lots of guitars, several other Les Pauls included, experience is not just a word here. 1st, I love the heft of a real solid LP, 10lbs plus. 2nd, the neck is perfect. No buzzing, perfect intonation, easy playing. Chords hit true every time and leads run like a marathoner - smooth, fast and fluid. 3rd, the pups, they have a variety of possibilities through the push/push coil tapping and 10db boost features. In single coil mode, you will not get that Fender Strat sound, it is more a mimic of P90s, with alnico 3 magnets and 57 Classic winding specs, these are unique if not vintage sounding. As humbuckers, the 57 A3R has a very warm sound that is great for Blues Riffs and deeper, mellow tones. The 57 A3T, is well suited for crisp, precise, clean playing as well as high gain Rock, power chords and Heavy metal. 4th, The Tuner; as an electronic, computerized and motorized tuner, it is the best that is out there. The downloadable instructions will print you a book of uses and examples, and will take a little getting used to, but it is worth it. Especially if you need to tune in a hurry or drop your tuning, just push one easy access button and strum your strings open a time or two, then it does the rest. Programmable and versatile it saves the need for an external tuner as well. Battery last a good while on a single charge and so far, 2 yrs later, is still doing fine. New ones are very reasonable as well as the individual motors they use for each of the 6 strings.The usual 18:1 ratio for a tuner with the gears and such is replaced with a 40:1 which turns much slower. Restringing takes a bit to get use to, but not too hard. Once you tune your strings, they're pretty much tuned. Quality will vary of course with strings. OVERALL: Home, on stage or recording, this one is a winner you will love.

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