From his scorching playing with Skid Row and Thin Lizzy to his incendiary solo work, Gary Moore produced some of the most powerful guitar performances known to stage and studio from the mid ™70s right... Click To Read More About This Product
From his scorching playing with Skid Row and Thin Lizzy to his incendiary solo work, Gary Moore produced some of the most powerful guitar performances known to stage and studio from the mid ™70s right up until his untimely death in 2011. Throughout his career, Moore virtually defined high-octane blues-rock, coining a signature tone that thousands have sought to emulate. Across three decades of playing, his weapon of choice remained the mighty Les Paul, one of which was the legendary ™59 Burst originally owned by Fleetwood Mac guitarist Peter Green.
Now Gibson USA honors this certified guitar legend with the Gary Moore Les Paul Standard, a first-class Les Paul decked out to this demanding artist' preferred specifications. Many details are reminiscent of the famed œPeter Green Les Paul, formerly played by Gary Moore and now owned by collector Melvyn Franks. From its highly flamed maple top with Lemonburst finish, to its traditional Les Paul Model headstock with signature truss-rod cover, to its mismatched amber and gold top-hat knobs, the Gary Moore Les Paul Standard offers uncompromising looks. Plug in and fire up its BurstBucker Pro humbucking pickups via Orange Drop tone caps, all anchored with a quality TonePros hardware, and it rips it up with a tone fit to carry the name, Gary Moore.
Body and neck
The Gary Moore Les Paul Standard is rooted in Les Paul tradition, with a top carved from figured Grade-AA maple, and a back crafted from Grade-A mahogany. To better show of the luscious nitrocellulose Lemonburst finish, the body carries no binding or pickguard. It is strategically weight-relieved to render this a superbly comfortable guitar. The neck is made from quarter-sawn Grade-A mahogany and carved to a rounded ™50s profile that measures 0.818 at the 1st fret and 0.963 at the 12th. It is topped with an unbound Granadillo fingerboard with 22 medium-jumbo frets and traditional acrylic trapezoid inlays.
Pickups and electronics
The two BurstBucker Pro pickups on the Gary Moore Les Paul Standard blend the best of Gibson' hallowed PAF humbuckers with the versatility required by today' high-gain rockers. These pickups are made with Alnico V magnets and wound with 42 AWG wire”with extra turns in the bridge pickup' coils for a hotter lead sound”but are wax potted to withstand high volume levels without microphonic squeal. The neck pickup is reversed in its mounting, in recognition of a similar modification to Peter Green' Les Paul. The guitar carries the traditional control layout, with Orange Drop tone capacitors, and mismatched amber and gold top hat knobs on the neck and bridge pickup controls respectively.
Hardware and appointments
A TonePros tune-o-matic bridge and stopbar tailpiece with locking mounting hardware partner with TonePros Kluson green-key tuners to comprise a first-class hardware set.
Case and extras
Wrap it up in a vintage-brown Gibson hardshell case with Gary Moore signature, owner' manual and adjustment literature.
Reviewed by 1 customer
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Great Guitar. Very high gloss flame finish. The reverse neck pickup is for show only, not out of phase with the bridge pickup. It's heavy weight wise. The body is 2-1/32" thick at the outer edge of the body, vice the 1-13/16" thickness of my LP Studio. I think it's basically the same specs as the GM Signature guitar from 2000, with the addition of pickup covers and no signed pickguard. The faux binding looks like it was stained with the same stain they used on the mahogany body, so it blends with the body instead of standing out as it should. I'm a bit disappointed with that, my reason for 4 stars instead of 5. I love faux binding, I have it on both my PRS guitars. To make it blend with the body defeats the purpose. The tuners seem to work good and the Tone Pros bridge and tailpiece are a nice upgrade. The Granadillo fingerboard is beautiful, like rosewood, but a deeper shade of reddish-brown with greater clarity. If I didn't know the difference, I'd think it was a higher grade of rosewood. Beats the hell out of baked maple. Sound wise, it sounds great, but nothing special in relation to a LP Standard. It sounds better than my LP Studio, but that's just my opinion.