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Gibson Custom CS356 Figured Top Electric Guitar with Bigsby Faded Cherry Gold Hardware

Item #: 
1274034468692
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Elegant and comfortable 13-3/4" wide body (vs. 16" on a 335) provides the incomparable versatility of a genuine semi-hollow, complete with '57 classic humbuckers. Gorgeous figured solid-maple top join... Read More

Overview

Elegant and comfortable 13-3/4" wide body (vs. 16" on a 335) provides the incomparable versatility of a genuine semi-hollow, complete with '57 classic humbuckers. Gorgeous figured solid-maple top joins to a tonally carved mahogany back, sides, and center block for huge sound in a small package. Sumptuous appointments include big mother-of-pearl inlays on a buttery bound ebony fretboard, 7-ply top and back binding, multi-bound turtle pickguard, and brilliant gold hardware, including the classic Bigsby vibrato.

Features
  • Figured solid maple top
  • Tonally carved mahogany back, centerblock, and sides
  • One-piece mahogany neck
  • Bound ebony fretboard
  • '57 Classic humbuckers
  • Independent volume and tone controls
  • 3-way pickup selector
  • 7-ply top and back binding
  • Gold hardware
  • Bigsby vibrato
  • 1960 slim taper neck profile
  • ABR-1 bridge
  • Pearl block fretboard inlays
  • Vintage tulip tuners
  • 13-3/4"W x 16"L x 1-11/16"D body
  • 24-3/4" scale
  • Customer Reviews
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Review Snapshot

by PowerReviews
Gibson CustomCS356 Figured Top Electric Guitar with Bigsby
 
3.0

(based on 1 review)

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Reviewed by 1 customer

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3.0

Meh

By tommy

from Villa Pk, IL

Comments about Gibson Custom CS356 Figured Top Electric Guitar with Bigsby:

This guitar is very sweet, but I really feel like you pay for the brand name on this one. I don't have any real high-end guitars, so I wanted to get one. However, after getting this, I didn't feel like it was the most economical choice. If you're looking to get a good hollowbody, go for the Epiphone Riviera. It has most of the same nice nice touches as this one, like good p-90 pickups and Bigsby, but it takes a lot less out of your wallet.

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