Focusrite Forte USB Audio Interface  

Item #: 
1343957095413724476
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Taking its name from the original Focusrite console that embodied all the fundamental elements of the renowned Focusrite sound, Forte is a portable professional USB audio interface with two inputs and... Click To Read More About This Product

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Overview

Taking its name from the original Focusrite console that embodied all the fundamental elements of the renowned Focusrite sound, Forte is a portable professional USB audio interface with two inputs and four outputs, housed in a compact, elegant and sturdy aluminum case.

Forte has been designed specifically to provide a compact, rugged and effective input path to your computer with the maximum possible audio quality for mic, line and instrument sources. In particular, Forte delivers class-leading dynamic range and noise floor - both highly significant in today's world of an almost unlimited number of tracks making up a mix - and class-leading conversion performance, ensuring you get the very best quality sound at all times.

Featuring two of the latest design of Focusrite NetPre remote-controlled microphone preamplifiers, as used in Focusrite's flagship RedNet range, Forte connects to both Mac and Windows computers via USB 2.0. It incorporates highest-quality precision 24-bit A-D and D-A converters operating at sample rates up to 192kHz, and the conversion stages have had maximum attention paid to both analogue and digital design to deliver the best possible performance.

Forte includes a color OLED (Organic LED) display to indicate mic, line in, line out and headphone levels, gain structure and other functionality. It features a single, large, smoothly-rotating control knob operated in conjunction with a series of touch-sensitive icons to access preamplifier and output functions - input, monitor, headphone, and control - plus the ability to control DAW functions and act as a remote control for your music software.

In addition to providing the highest quality input preamps and signal path, particular attention has been paid to ergonomic design. A breakout cable with locking connector is used for microphone (XLR) and line/instrument (TRS) inputs, but balanced line and independent headphone outputs are provided on the unit itself, so the breakout cable is not required for playback-only applications. In addition, the fact that the mic and line-level inputs on the breakout cable are separate means that you can keep your inputs connected all the time without having to re-patch when you go from one to the other.

The elegant aluminum case includes non-slip strips on the base to ensure that it is always stable during operation. An external power supply is included with the unit, but this is only necessary if Phantom Power operation is required: otherwise Forte operates solely on bus power.

Included with the unit is Forte Control software application, which allows the configuration of low-latency monitoring, mic pre level adjustment and other features. Also in the box is the classic Focusrite Midnight plugin suite, accurately modeling the classic ISA110 EQ and ISA130 compressor.

Note: Includes the Focusrite Red 2 and Red 3 Plug-In Suite (AAX/AU/VST) upon registration of interface. Accurately modeled on the classic Red 2 EQ and Red 3 Compressor, the Red plug-ins let you exploit the sound of the hardware originals, conveniently from within Pro Tools (10 and above) and other audio software.

Features
  • Two Focusrite NetPre remote-controlled microphone preamps
  • Ultra-high quality A-D and D-A conversion at up to 24-bit/192kHz resolution
  • +48V phantom power, HPF and polarity reverse
  • Mac and Windows compatible
  • Premium aluminum enclosure
  • Connections split between locking breakout cable and the body
  • Touch-sensitive buttons: large control knob
  • Color OLED (Organic LED) metering/display
  • Control and configuration software included, supports leading DAW system
Specifications
  • Hardware Specifications
    2 in / 4 out USB audio interface
    192KHz, 24-bit conversion
    2 Focusrite microphone preamplifiers
    Silver aluminium chassis
    Top panel
    Large multi-function push encoder
    4 touch sensitive mode buttons
    Headphone socket (front panel)
    Rear panel
    2 balanced monitor outputs - ¼" TRS Jack
    Input Loom socket
    Power socket
    USB 2.0 Port
    Kensington Lock slot (rear side)
    Key Performance Figures
    Measured Real World ADC Dynamic Range 117 dB (A-weighted)
    Measured Real World DAC Dynamic Range 118 dB (A-weighted)
    Chipset ADC/DAC Dynamic Range 120 dB (A-weighted)
    Microphone Inputs
    Gain Range 0 - 75dB
    Mic Input RedNet remote controlled pre-amplifier
    Maximum Input level @ Minimum gain for 0 dBFS (Rs = 150 Ohms, without pad) 12dBu +/- 0.5dB
    Minimum Input level @ Maximum gain for 0 dBFS (Rs = 150 Ohms, without pad) -63dBu +/- 0.5dB
    SNR (A-weighted) -117dB (Rs = 150 Ohms)
    Frequency Response (Rs = 150 Ohms) 50Hz - 42kHz +/- 0.1 dB (-0.5dB @ 20Hz)
    THD+N @ -1dBFS: 0.0007% (measured with +11dBu input, minimum gain, 1kHz with a 20Hz/22kHz bandpass filter, Rs = 150 Ohms)
    Noise EIN: 128dB (measured with 60dB of gain with 150 Ohm termination 20Hz/22kHz bandpass filter)
    Input Pad Attenuation 10dB (Rs = 150 Ohms)
    Phantom Power 48V, independently switchable for each channel (only available with external Power Supply connected)
    Line inputs
    Gain Range -12 - 42dB
    Maximum Input level @ Miniumum gain for 0dBFS 20dBu +/- 0.5dB
    Minimum Input level @ Maxiumum gain for 0dBFS -34dBu +/- 0.5dB
    SNR (A-weighted) -116dB
    Frequency Response 20Hz - 20kHz +/- 0.2dB
    THD+N @ -1dBFS: < 0.003% (measured with +19dBu input, minimum gain, 1kHz and 22Hz/22kHz bandpass filter)
    Instument inputs
    Gain Range +14 - 68dB
    Maximum Input Level for 0 dBFS (minimum gain) +10dBu +/- 0.5dB
    Maximum Input Level for 0 dBFS (maximum gain, no pad) -44dBu +/- 0.5dB
    SNR (A-weighted) -111dB
    Frequency Response 20Hz-20kHz +/- 0.2dB
    THD+N @ -1dBFS: < 0.003% (measured with +9dBu input, minimum gain, 1kHz with a 20Hz/22kHz bandpass filter)
    Analog High Pass Filters
    Independently switchable (from control panel) for each input
    -6dB response (referenced to 1kHz) 65Hz +/- 3Hz, roll-off 12dB / octave
    Analog Audio Outputs 1-2 (¼" TRS Balanced) Measurered with PSU connected
    Electronically Balanced Outputs
    SNR (A-weighted) -118 dB
    Frequency Response 20Hz-20kHz +/- 0.1 dB
    Maximum Output Level (0dBFS) +16dBu +/- 0.5dB
    THD+N <0.0008% (-1dBFS input 1kHz, 20Hz/22kHz bandpass filter)
    Headphone Outputs Measurered with PSU connected
    Frequency Response 20Hz-20kHz +/- 0.1 dB
    SNR (A-weighted) -116 dB
    THD+N <0.0008% (-1dBFS input 1kHz, 20Hz/22kHz bandpass filter, 10k load)
    Maximum Output into 10k +9 dBu (+7dBV)
    Maximum Power into 150R 30 mW
    Maximum Power into 32R 27 mW
    Output Impedance < 8 Ohms
    Load Impedance > 24 Ohms
    Crosstalk (measured at 1kHz)
    Input to Input and Output to Output > 90dB
    Input to Output > 90dB
    Additional Conversion Performance
    Clock jitter < 250 picoseconds
    Supported Sample Rates
    44.1kHz / 48kHz / 88.2kHz / 96kHz / 176.4kHz / 192kHz
    Connectivity
    Analog Inputs Wire Loom (Inputs 1-2)
    2 x XLR Mic
    2 x 1/4" TRS for Line / Instrument Inputs
    Software switching of Mic / Line or Instrument Inputs
    Analog Audio Outputs
    2 x TRS Analog outputs (Outputs 1-2)
    1 x TRS stereo headphone output (Outputs 3-4)
    Other I/O
    1 x USB 2.0 compliant USB port
    1 x 5V @ 1A DC Power Input (required for Microphone +48V power)
    In the box
    Focusrite Forte
    Locking breakout cable for inputs
    User Guide UK/F/D
    USB cable
    Power Supply
Warranty
MANUFACTURER'S WARRANTY
All Focusrite products are built to the highest standards and should provide reliable performance for many years, subject to reasonable care, use, transportation and storage.

In the event of a Manufacturing Defect becoming evident within 12 months from date of purchase Focusrite undertakes that the product will be repaired or replaced free of charge if the product is returned to the authorised dealer from whom it was purchased. In these circumstances, or if you need an out-of-warranty repair to your Focusrite product, please contact your local Focusrite distributor in your country of residence or business : Find your local distributor here and you will be advised of the correct return procedure.

Alternatively contact the Focusrite Reseller from which you purchased the product. If you purchase a Focusrite product outside your country of residence or business you will not be entitled to ask your local Focusrite Distributor to honour this Limited Warranty, although you may request a chargeable repair.

Alternatively, the unit may be returned at your cost to the dealer you purchased the unit from so that they can organise a Warranty repair with their Focusrite Distributor.

This Warranty does not include cost of shipping to and from the authorised dealer from whom it was purchased. In every case it will be necessary to provide the original invoice or store receipt to accompany the defective product to the supplying dealer. This Limited Warranty is offered solely to the first purchaser of the product from an Authorised Focusrite Reseller (defined as a reseller which has purchased the Product directly from Focusrite Audio Engineering Ltd. in the UK or its Authorised Distributors outside the U.K,) and is not transferable.

This Warranty is in addition to your Statutory Rights in the country of purchase.

Please note: A Manufacturing Defect is defined as a defect in the performance of the product which may be expected from a reasonable interpretation of the published description and performance specifications as published by Focusrite Audio Engineering Ltd. This does not include damage caused by post-purchase transportation, storage or careless handling, nor damage caused by misuse.

A significant proportion of products returned under Warranty (which are very few in number compared to numbers sold) are found not to exhibit any fault at all. Please check that the mains voltage is correctly set for your local supply and that your connecting cables are in good order and correctly connected.

If in doubt about the product functions please read the user guide and if necessary contact your dealer for advice before returning the product to the supplying dealer. You can also contact the Focusrite Tech Support team at the Focusrite Answerbase for general advice.


  • Customer Reviews
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Review Snapshot

by PowerReviews
FocusriteForte USB Audio Interface
 
5.0

(based on 5 reviews)

Ratings Distribution

  • 5 Stars

     

    (5)

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Reviewed by 5 customers

Displaying reviews 1-5

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5.0

This is the best interface!

By Musicman

from San Diego, CA

About Me Experienced

Pros

  • Clear Sound
  • Compact
  • Durable
  • Easy To Use
  • Lightweight
  • Sound Quality
  • Versatile

Cons

  • Loom Connector

Best Uses

  • Amateur Recording
  • Home Studio
  • Professional Recording

Comments about Focusrite Forte USB Audio Interface:

This is a fantastic interface. Do yourself a favor and get this. The preamps are awesome, the interface is nice, and the design seems space aged. All in all a really great box. Can't think of any bad comments. Some people will suggests the duet but ultimately I don't think its a night and day difference but that imo.

 
5.0

Pretty much a RedNet mini Same Converters/Mic-Pres

By Eman08

from Iowa

About Me Experienced

See all my reviews

Pros

  • Compact
  • Durable
  • High End Converters
  • Prestine Audio Fidelity

Cons

  • Drivers Somewhat Flaky

Best Uses

  • Home Studio
  • Professional Recording

Comments about Focusrite Forte USB Audio Interface:

Its hard not to walk in a Recording studio studio today without a Focusrite rack in the bunch as they are known for their famed pre-amps. The Audio Quality of this interface compared to my old Edirol UA-25EX is Night and Day. I can hear things in my mixes that I never heard before. The Forte is essentially a miniature RedNet as the Forte uses the same components found in Focusrite Top of the Line very high end RedNet Ethernet range. Same Micpres and Circus Logic converters. The only thing is different is how it connects to your computer. This interface directly competes with Apogee and RME. My only issues is the drivers are a little flaky but doesn't get in the way of getting the job done so still give it a 5 starts as they improve the drivers by software updates.

(2 of 3 customers found this review helpful)

 
5.0

Apogee Duet 2- Great.... Focusrite Forte - BETTER!!!!

By JAMES SANMIGUEL

from San Antonio Texas

Comments about Focusrite Forte USB Audio Interface:

I'm a songrwiter thats experimented with a load inerfaces looking for that one that has the most capability to put your recordings on the level of the pros. Before owning the focusrite, I owned the apogee duet 2.That thing sick!!! The pre amps are noticably very high quality, and the converters are truly class leading... It was the best on the market for under a 1,000 bucks. That is until the Forte came out. The pre amps are SLIGHTLY but noticably clearer and silkier. The convertors are slightly cleaner. And the hardwarde functions and capability just shoots it straight to the top. Seriously Highly recommend to the novice or pro!!!

(1 of 3 customers found this review helpful)

 
5.0

Great investment

By JUAN PADILLA

from Chicago, IL

Comments about Focusrite Forte USB Audio Interface:

Nice piece of equipment for the price.

(2 of 3 customers found this review helpful)

 
5.0

True Rock Star

By Jeff Leva

from Dallas Texas

Comments about Focusrite Forte USB Audio Interface:

I just wanted to say that I love my Forte and couldn't be happier with my selection! It wins a 10 with its looks alone and solid feel. The steel case is so cool as well as the entire cosmetics that make up the Forte. As for function, what can I say other than the Forte far exceeded my expectations. For recording and using as my sound card on play back with my MIDI controller I am experiencing the best sound quality for sure! The quality of recording is nothing less than true professional quality! It was a bit of a surprise that something designed to be portable could deliver such a solid and stunning recording but hey who doesn't enjoy a pleasant surprise once and a while!

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