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Clearance 2030 Studio Monitor

Item #: 
1345042264266725900
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Event is a company known for their professionalism and reliability, and with over 15 years of experience, they continue on the tradition with the 2030 studio monitor. The 2030 is Event’s first 3-way m... Read More

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    $499.50 Clearance

    Ships By 9/22/15

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    $499.50 Clearance

    Ships By 9/22/15

Clearance:
$49950
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  • LIST PRICE
    $69950
  • DISCOUNT
    29%
  • SAVINGS
    $20000
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Overview

Event is a company known for their professionalism and reliability, and with over 15 years of experience, they continue on the tradition with the 2030 studio monitor. The 2030 is Event’s first 3-way monitoring system that combines three discrete drivers to allow for incredibly accurate reproduction of the entire audio spectrum. Event monitors have become a staple in most professional and project studios alike.

Three discrete drivers
The Event 2030 is a three-way studio monitoring system that provides unmatched performance in its class. It combines three discrete drivers with precisely engineered acoustic design, signal processing and amplifier technology to provide an incredibly detailed and wide soundstage with a bass response that far exceeds what most would expect from a box this size.

Mid-High assembly
Event's engineers took the three-way concept to a new level, resulting in a class-defining speaker system with compelling audio performance and a physical embodiment that makes it ideal for use in near field applications. A new wave guide assembly was designed to house the speaker's mid-range and high frequency drivers as well as optimize audio dispersion and power response characteristics.

For the critical mid-range application a 3.5-inch cone transducer was engineered using a pressed pulp and polypropylene cone, combined with an optimized magnetic circuit. The driver is loaded onto a shallow wave-guide that results in increased sensitivity and output while generating very low distortion artifacts, giving the 2030 speaker system an incredibly defined, upfront vocal character.

Features
  • 3-Way bass reflex studio monitor
  • Wide frequency response from 38Hz to 22kHz
  • Three discrete drivers with precisely engineered acoustic design
  • 3.5" Cone transducer for critical mid range frequencies
  • Ideal for use in near field applications
Specifications
  • System
  • Type: Three-way, bass reflex
  • Frequency Response: 38Hz - 22kHz
  • Crossover Frequencies: 400Hz & 3kHz
  • Crossover Type
  • Linkwitz-Riley Acoustic -
  • Fourth order for Low/Mid range
  • Event Proprietary Acoustic -
  • Second order for Mid/High range
  • Low Frequency Filter: Butterworth Subsonic Second Order (-3dB at 38Hz)
  • Acoustic Output - SPL @ 1m, Long term (80Hz - 20kHz): 111dB
  • Acoustic Output - SPL @ 1m, Peak (80Hz - 20kHz): 114dB
  • Signal Input: XLR (balanced)
  • AC Input Connector: 3-Pin IEC
  • Average Long Term Power Consumption: 95 watts
  • Quiescent Power Consumption: <10 watts
  • Overdrive Protection: Event proprietary IC based fast limiting with sliding gain
  • Thermal Protection: Thermal cutoff switch, auto reset
  • Low Frequency Transducer
  • Piston Diameter: 180mm (7.1")
  • Voice Coil Diameter: 38mm (1.5")
  • Former Material: Kapton
  • Voice Coil Wire: Copper
  • Magnet Type: Ferrite (fully shielded)
  • Cone Type: Mineral Filled Polypropylene
  • Mid Range Transducer
  • Piston Diameter: 85mm (3.3")
  • Voice Coil Diameter: 25mm (1")
  • Former Material: Glass Fiber
  • Voice Coil Wire: Copper
  • Magnet Type: Ferrite
  • Cone Type: Pressed pulp/Mineral filled polypropylene
  • High Frequency Transducer
  • Piston Diameter: 19mm (0.75")
  • Voice Coil Diameter: 19mm (0.75")
  • Magnet Type: Neodymium (fully shielded)
  • Cone Type: Aluminum alloy with Ferrofluid cooled magnetic gap
  • Low Frequency Amplifier
  • Frequency Response: 20Hz - 40kHz(±0.25dB) (bandwidth limited)
  • Operating Band Pass: 20Hz - 400Hz
  • Total Harmoic Distortion: 0.02% 120 Watts into 4 Ohm Load
  • Long Term Power @ 4 Ohms: 80 Watts
  • Power @ 4 Ohms: 120 Watts
  • Output Topology: Class AB with proprietary soft clipping topology
  • Cooling: Convection - Aluminum Heat Sink
  • High Frequency Amplifier
  • Frequency Response: 20Hz - 40kHz(±0.25dB) (bandwidth limited)
  • Operating Band Pass: 400Hz - 30kHz
  • Total Harmonic Distortion: 0.02% 120 Watts into 4 Ohm Load
  • Long Term Power @ 4 Ohms: 80 Watts
  • Power @ 4 Ohms: 120 Watts
  • Output Topology: Class AB with proprietary soft clipping topology
  • Cooling: Convection - Aluminum Heat Sink
  • Physical
  • Cabinet Construction: Engineered Composite Wood
  • Low Frequency Vent: High "Q" / High Output Rear Firing Port
  • Cabinet Volume: 16 Litres
  • Cabinet Dimensions: 10.2"H x 14.8"W x 12.2"D
  • Cabinet Weight: 14.6kg (32lb)
  • Operating Temperature Range: 5-35 deg C / 40-95 deg F
  • Power Supply
  • Type: Torodial
  • Rating: 270VA
  • AC Mains fuse and AC voltage selector
  • 100V-120V 5 Amp
  • 220V-250V 2.5 Amp
Warranty

GUITAR CENTER'S PRO COVERAGE
Pro Coverage gives you added warranty protection for your new gear. Stepping in where the manufacturer's "normal wear and tear" coverage ends, our Pro Coverage program offers you upgraded coverage if your product ever fails Read More.

Pro Coverage includes
  • Accidental damage protection (new gear only)
  • Expedited repair
  • Free shipping (for returns or repairs)
  • 100% coverage for commercial use
  • Extended return period
  • Extended price protection
  • No lemon guarantee
  • Free transfer of coverage to a new owner
  • Repair costs covered for up to three years from date of purchase
  • Repair authorization-toll-free by phone or via the web
  • Customer Reviews
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REVIEW SNAPSHOT®

by PowerReviews
 
5.0

(based on 1 review)

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(1 of 1 customers found this review helpful)

 
5.0

Awesome for home studio!

By Justin

from Cleburne, TX

Bought some of these for my home studio. I use them at my mixing desk with the Allen & Heath QU32 mixer. I also have a seton a Korg Kronos X. Unbelievable sound reproduction for the price. Warm but overall flat response with good punchy base considering no separate woofer in the floor. I've had the Event Tria system years ago and was never really disappointed but changed over to Blue Sky, then Yamaha, B&W, and now back to Event as my primary desk monitors. Still use the Blue Sky sat 6.5's w/sub on a keyboard and will likely replace with another set of the Event 2030's w/o sub. I'm still a big fan of Yamaha and for the money the HS series are great little desk monitors but currently only use Yamaha DXR series for live gigs. Event will keep it's place at my mixing desk for now.

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