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Event 2030 Studio Monitor
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      Event 2030 Studio Monitor (H89505)

Eventâ??s first 3-way studio monitors.

Event is a company known for their professionalism and reliability, and with over 15 years of experience, they continue on the tradition with the 2030 studio monitor. The 2030 is Eventâ??s first 3-way monitoring system that combines three discrete drivers to allow for incredibly accurate reproduction of the entire audio spectrum. Event monitors have become a staple in most professional and project studios alike.

Three discrete drivers
The Event 2030 is a three-way studio monitoring system that provides unmatched performance in its class. It combines three discrete drivers with precisely engineered acoustic design, signal processing and amplifier technology to provide an incredibly detailed and wide soundstage with a bass response that far exceeds what most would expect from a box this size.

Mid-High assembly
Event's engineers took the three-way concept to a new level, resulting in a class-defining speaker system with compelling audio performance and a physical embodiment that makes it ideal for use in near field applications. A new wave guide assembly was designed to house the speaker's mid-range and high frequency drivers as well as optimize audio dispersion and power response characteristics.

For the critical mid-range application a 3.5-inch cone transducer was engineered using a pressed pulp and polypropylene cone, combined with an optimized magnetic circuit. The driver is loaded onto a shallow wave-guide that results in increased sensitivity and output while generating very low distortion artifacts, giving the 2030 speaker system an incredibly defined, upfront vocal character.

Event 2030 Studio Monitor Features:

  • 3-Way bass reflex studio monitor
    Wide frequency response from 38Hz to 22kHz
    Three discrete drivers with precisely engineered acoustic design
    3.5" Cone transducer for critical mid range frequencies
    Ideal for use in near field applications
    Defined, upfront vocal character

Event 2030 Studio Monitor Specifications:

  • System
    Type: Three-way, bass reflex
    Frequency Response: 38Hz - 22kHz
    Crossover Frequencies: 400Hz & 3kHz
    Crossover Type
    Linkwitz-Riley Acoustic -
    Fourth order for Low/Mid range
    Event Proprietary Acoustic -
    Second order for Mid/High range
    Low Frequency Filter: Butterworth Subsonic Second Order (-3dB at 38Hz)
    Acoustic Output - SPL @ 1m, Long term (80Hz - 20kHz): 111dB
    Acoustic Output - SPL @ 1m, Peak (80Hz - 20kHz): 114dB
    Signal Input: XLR (balanced)
    AC Input Connector: 3-Pin IEC
    Average Long Term Power Consumption: 95 watts
    Quiescent Power Consumption: <10 watts
    Overdrive Protection: Event proprietary IC based fast limiting with sliding gain
    Thermal Protection: Thermal cutoff switch, auto reset
    Low Frequency Transducer
    Piston Diameter: 180mm (7.1")
    Voice Coil Diameter: 38mm (1.5")
    Former Material: Kapton
    Voice Coil Wire: Copper
    Magnet Type: Ferrite (fully shielded)
    Cone Type: Mineral Filled Polypropylene
    Mid Range Transducer
    Piston Diameter: 85mm (3.3")
    Voice Coil Diameter: 25mm (1")
    Former Material: Glass Fiber
    Voice Coil Wire: Copper
    Magnet Type: Ferrite
    Cone Type: Pressed pulp/Mineral filled polypropylene
    High Frequency Transducer
    Piston Diameter: 19mm (0.75")
    Voice Coil Diameter: 19mm (0.75")
    Magnet Type: Neodymium (fully shielded)
    Cone Type: Aluminum alloy with Ferrofluid cooled magnetic gap
    Low Frequency Amplifier
    Frequency Response: 20Hz - 40kHz(±0.25dB) (bandwidth limited)
    Operating Band Pass: 20Hz - 400Hz
    Total Harmoic Distortion: 0.02% 120 Watts into 4 Ohm Load
    Long Term Power @ 4 Ohms: 80 Watts
    Power @ 4 Ohms: 120 Watts
    Output Topology: Class AB with proprietary soft clipping topology
    Cooling: Convection - Aluminum Heat Sink
    High Frequency Amplifier
    Frequency Response: 20Hz - 40kHz(±0.25dB) (bandwidth limited)
    Operating Band Pass: 400Hz - 30kHz
    Total Harmonic Distortion: 0.02% 120 Watts into 4 Ohm Load
    Long Term Power @ 4 Ohms: 80 Watts
    Power @ 4 Ohms: 120 Watts
    Output Topology: Class AB with proprietary soft clipping topology
    Cooling: Convection - Aluminum Heat Sink
    Cabinet Construction: Engineered Composite Wood
    Low Frequency Vent: High "Q" / High Output Rear Firing Port
    Cabinet Volume: 16 Litres
    Cabinet Dimensions: 10.2"H x 14.8"W x 12.2"D
    Cabinet Weight: 14.6kg (32lb)
    Operating Temperature Range: 5-35 deg C / 40-95 deg F
    Power Supply
    Type: Torodial
    Rating: 270VA
    AC Mains fuse and AC voltage selector
    100V-120V 5 Amp
    220V-250V 2.5 Amp

Event 2030 Studio Monitor

90 day parts and labor warranty on TR series.
One year parts and labor warranty on 20/20, Project Studio (PS), and Tria.

Get your gear covered!

Now you can get added warranty protection for your new gear. Pro Coverage steps in where the manufacturer's "normal wear and tear" ends. Our PRO COVERAGE program offers you UPGRADED COVERAGE if your product ever fails!

Pro Coverage includes:

  • Accidental damage protection (new gear only)
  • Expedited Repair
  • Free Shipping (for returns or repairs)
  • 100% Coverage for Commercial Use
  • Extended Return Period
  • Extended Price Protection
  • No Lemon Guarantee
  • Free Transfer of Coverage to a new owner
  • Repair Costs Covered for up to 3 years from date of purchase
  • Repairs Can Be Authorized Toll-Free by Phone or the via the web
Product Reviews
(Based on 1 reviews)
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  • Awesome for home studio!

    As reviewed by Justin on 10/8/2014

    Bought some of these for my home studio. I use them at my mixing desk with the Allen & Heath QU32 mixer. I also have a seton a Korg Kronos X. Unbelievable sound reproduction for the price. Warm but overall flat response with good punchy base considering no separate woofer in the floor. I've had the Event Tria system years ago and was never really disappointed but changed over to Blue Sky, then Yamaha, B&W, and now back to Event as my primary desk monitors. Still use the Blue Sky sat 6.5's w/sub on a keyboard and will likely replace with another set of the Event 2030's w/o sub. I'm still a big fan of Yamaha and for the money the HS series are great little desk monitors but currently only use Yamaha DXR series for live gigs. Event will keep it's place at my mixing desk for now.

    1 of 1 people found this review helpful.
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