The Electro-Voice RE16 microphone is a Variable-D dynamic supercardioid mic designed for the most exacting professional use. The blast filter, an integral part of the EV RE16 mic, permits handheld and... Click To Read More About This Product
The Electro-Voice RE16 microphone is a Variable-D dynamic supercardioid mic designed for the most exacting professional use. The blast filter, an integral part of the EV RE16 mic, permits handheld and outdoor use without "P-pops" or excessive wind noise. Utilizing the Variable-D design the RE16 mic features a directional characteristic independent of frequency. The result is a microphone that generates little off-axis coloration while providing the greatest rejection of unwanted sounds. A supercardioid mic, the Electro-Voice RE16 provides its greatest rejection at 150 off-axis. (Supercardioid microphones provide greatest rejection in the horizontal plane when the microphone is tilted in its most natural position 30 from horizontal, as on a boom or floor stand.)
An easily operated "bass tilt" switch on the RE16 mic corrects spectrum balance for boom use and other longer-reach situations. A hum-bucking coil and screw-machined steel outer casing provides 25 dB of hum rejection. Hum pickup level is -125 dBm (re: .001 gauss field). Using the mechanical nesting concept of design, by means of which the internal transducer parts are nested one within another, the RE16 transducer is a nearly solid mechanical structure that is highly resistant to damage from mechanical shock. The Memraflex grille screen resists deformation. The exclusive nonmetallic Electro-Voice Acoustalloy diaphragm is virtually unaffected by extreme atmospheric conditions. A carefully designed steel outer case provides additional mechanical protection. The finish is non-reflecting fawn beige.
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Reviewed by 1 customer
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Comments about Electro-Voice RE16 Supercardioid Handheld Dynamic Microphone:
I have this mice for over 15 years now. I had to write this review just to let you know how good this mic is. It works well in any club show and I also was very much surprised when I used it for the lead vocalists live while that signal was being recorded on multitrack. This was the best mic I ever used in that situation that covers both live and recording at the same time with very impressive clean smooth results. I use it myself when I play small clubs as backup vocals while playing bass and it out sounds the 58 by a miles. I was pleased to see it here and I may go for another one soon. Now it's up there but like I mentioned, it does do the job very well.
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