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Dynaudio Acoustics BM15A Active Studio Monitor  

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The Dynaudio Acoustics BM15A Active Studio Monitor offers exceptional performance in mid-to-near field monitoring applications. Its full-range response with extended, accurate bass support makes the B... Click To Read More About This Product

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The Dynaudio Acoustics BM15A Active Studio Monitor offers exceptional performance in mid-to-near field monitoring applications. Its full-range response with extended, accurate bass support makes the BM15A an outstanding monitor for commercial studios, project studios, and post production facilities. This 2-way monitor features a 10" woofer, a special version of the Dynaudio ESOTEC soft dome tweeter, and an electronic phase-aligned crossover which feeds dual high-performance discrete MOSFET amplifiers.

The ESOTEC HF driver has a dynamic headroom of 1000W and the LF driver has a 4" aluminium-alloy voice coil which gives it powerful output and punch beyond its size. The electronics also offer complex protection circuitry helping to prevent accidental damage to the drivers while still providing maximum transient response. The cabinet of the BM15A monitor is front ported for powerful and extended low frequency response. The front panel features radiused edges and an elegant matte finish.

  • 2-way active speaker system
  • 10" bass driver with 4" aluminium alloy voice coil
  • Special edition Dynaudio ESOTEC soft dome tweeter
  • Electronic phase-aligned crossover
  • Dual high-performance discrete MOSFET amplifiers
  • Dynamic headroom of 1000W
  • Protection circuitry
  • Radiuses edges on front baffle
  • Front-ported cabinet
  • System: 2-way Active Nearfield Monitor
    Frequency Response (+/-3dB): 30Hz-21kHz
    Max SPL 1m, pair (IEC Long Term): 124dB RMS
    Max SPL 2m, 5.1 (IEC Long Term): 125,5dB RMS
    Input level for 85dB: SPL @ 1m (+4/-10) -18dBu RMS/-34dBu RMS
    Input level for max peak SPL (+4/-10): +16dBu peak/-1dBu peak
    Power consumption: 40W idle/300W max
    Amplifier power: Tweeter 100W/Woofer 200W
    Resonance Frequency: 39Hz
    Internal Cabinet Volume: 27,5 liters
    Bass Principle: Bass reflex
    Crossover Frequencies: 1800Hz
    Crossover Slope: 30dB/oct
    Tweeter: Esotec 28mm soft dome, rear chamber, Magnetic fluid, 4mm die-cast alu front
    Woofer: 24cm, One-piece molded polypropylene cone, 100mm pure alu wire voice coil
    Weight: 18,6 kg
    Dimensions (WxHxL); 290 x 454 x 388 mm

Pro Coverage gives you added warranty protection for your new gear. Stepping in where the manufacturer's "normal wear and tear" coverage ends, our Pro Coverage program offers you upgraded coverage if your product ever fails Read More.

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  • Repair costs covered for up to three years from date of purchase
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  • Customer Reviews

Review Snapshot

by PowerReviews
Dynaudio AcousticsBM15A Active Studio Monitor

(based on 2 reviews)

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Reviewed by 2 customers

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By TJ Covert

from Pittsburgh, PA

Comments about Dynaudio Acoustics BM15A Active Studio Monitor:

Incredibly accurate, mixes translate wonderfully. I do a lot of nitpicking mixing and these guys reveal every little sonic artifact, if it sounds tasteful on these guys, it sounds classy everywhere else. I do want to say this.....if you're spending big money on monitors, please, please please please please make sure you have the proper environment to use them in. The wrong room will always sound like trash. Any monitor in a bad room is as good as your laptop speakers in a public bathroom. If you're serious and in need a great set of monitors, these are the one you want. consistency is key and dynaudio delivers on all fronts.

(5 of 16 customers found this review helpful)


Expensive but worth every penny

By Fuzzball

from Ida, MI

Comments about Dynaudio Acoustics BM15A Active Studio Monitor:

These were very good for the price. When I first tested these I expected a high level of quality since they were expensive monitors. I was amazed at how well they represented the sound. The monitors are very good for project studios but I did find that they were not exactly flat. When using these I had to compensate for a lack of low frequencies in my mix, but once you get used to them you should be able to get good results. I also found that they are more accurate if you take some time to break them in by playing music through them for hours at a low to moderate level. Maybe they will be even better after I break them in more.

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