With version 3, Celemony Melodyne is no longer limited to melodies but offers a unique algorithm that can perform high quality time stretching on full chords and complex audio signals; so now harmonic... Read More
With version 3, Celemony Melodyne is no longer limited to melodies but offers a unique algorithm that can perform high quality time stretching on full chords and complex audio signals; so now harmonic material (such as rhythm guitar or piano parts)”whether homophonic or polyphonic”can be transposed (without altering the tempo), slowed down or sped up (without altering the pitch) and even quantized. What's more, all this can be done in real time with the sound quality for which Melodyne is famous.
Very high quality time stretching and pitch shifting”even for polyphonic and complex audio material
Whether the material contains block chords (homophony) or parts that are melodically and rhythmically independent (polyphony), Melodyne3 is able to apply pitch shifting, time stretching and quantization to it in real time”and the sound quality is all you would expect from Melodyne. This uniquely flexible way of handling audio material will lead to a whole new style of working in the recording studio: with Celemony Melodyne3, the note-based rearrangement and remixing of songs are child's play, offering producers new creative options when dealing with harmonic tracks.
Far more reliable note recognition
The analysis now takes account automatically of the type of audio material, obviating the need for further programming. If you are batch processing a set of files of the same type, you can also create and store your own recognition templates.
Macros for the correction of intonation and timing errors
The macros introduced by Melodyne uno for the swift correction of notes that are out of tune or mistimed as well as for creative requantization are now also available in the multi-track versions.
Simpler arrangement editing
New global tempo parameters in the Transport pane
New intuitive tempo control using the 'Auto-stretch' function
More efficient tempo control making the existing arrangement tools superfluous
Context-sensitive Move Notes tool
Tempo/Time signature changes can be typed in quickly in the Bar/Time ruler
More powerful audio editing functions
When you load a single audio file, the Editor opens automatically
Simpler export of edited audio files”all export parameters are set automatically to the correct values
Efficient combi-tools streamline the editing of pitch, formants, amplitude and time, making the existing tools superfluous
You can now access the commands in the tool-based action menus directly from the Edit menu, without needing to change tools
Blobs can be transposed using Local Sound Synthesis audition control
You can toggle between the two most recently used tools using a user-definable keyboard shortcut
Batch processing in the Melody Manager
Compatibility with Liquid Sounds from Ueberschall
Improvements in the layout and workflow
Navigation and zoom shortcuts in the Arranger and Editor
Grid size for editing can be set quickly in the Bar/Time ruler
Easy scrubbing with the Bar ruler in the Arranger and Editor
Track name boxes can be widened to make them more legible
Menu structure rationalized and expanded
Audio-to-MIDI and Play Algorithm parameters are in clearly laid out inspectors and always visible (if desired)
Improved integration into host sequencers thanks to Bridge and ReWire interfaces
Improved track sorting
Improved plug-in hosting
Improved drag & drop functionality
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