Celemony Melodyne Cre8 3  

Item #: 
1274742047403149744
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Celemony Melodyne Cre8 is a powerful multitrack audio generating, mixing, and editing tool. It includes functions for generating multiple harmony parts from one part; correction of pitch and timing er... Click To Read More About This Product

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Overview

Celemony Melodyne Cre8 is a powerful multitrack audio generating, mixing, and editing tool. It includes functions for generating multiple harmony parts from one part; correction of pitch and timing errors; refashioning of monophonic signals; sound processing; and creation of complete arrangements.

Melodyne is the perfect tool for pitch shifting and time stretching in convincingly natural sound quality, for correcting the intonation and timing of singing, for audio quantization, producing harmonies, and remixing and restructuring the melody, tempo or timing of existing recordings. With Melodyne you can actually do the impossible ” and do it easily.

Reliable note recognition
The analysis takes account automatically of the type of audio material, obviating the need for further programming. If you are batch processing a set of files of the same type, you can also create and store your own recognition templates.

Macros for the correction of intonation and timing errors
The macros introduced by Melodyne for the swift correction of notes that are out of tune or mistimed as well as for creative requantization are now also available in the multi-track versions.

Simpler arrangement editing
Global tempo parameters in the Transport pane
Intuitive tempo control using the 'Auto-stretch' function
More efficient tempo control making the existing arrangement tools superfluous
Context-sensitive Move Notes tool
Tempo/Time signature changes can be typed in quickly in the Bar/Time ruler

More powerful editing functions
When you load a single audio file, the Editor opens automatically
Simpler export of edited audio files ” all export parameters are set automatically to the correct values
Efficient combi-tools streamline the editing of pitch, formants, amplitude and time, making the existing tools superfluous
You can now access the commands in the tool-based action menus directly from the Edit menu, without needing to change tools
Blobs can be transposed using Local Sound Synthesis audition control
You can toggle between the two most recently used tools using a user-definable keyboard shortcut

Data-related improvements
Batch processing in the Melody Manager
Compatibility with Liquid Sounds from Ueberschall

Improvements in layout and workflow
New navigation and zoom shortcuts in the Arranger and Editor
Grid size for editing can be set quickly in the Bar/Time ruler
Easy scrubbing with the Bar ruler in the Arranger and Editor
Track name boxes can be widened to make them more legible
Menu structure rationalized and expanded
Audio-to-MIDI and Play Algorithm parameters are in clearly laid out inspectors and always visible (if desired)

Improvements
Improved integration into host sequencers thanks to new Bridge and ReWire interfaces
Improved track sorting
Improved plug-in hosting
Improved drag & drop functionality

Features
  • Multitrack audio generating, mixing, and editing tool
  • Generate multiple harmony parts from one part
  • Correct pitch and timing errors
  • Refashion monophonic signals
  • Signal processing
  • Create complete arrangements
  • Reliable note recognition
  • Macros for the correction of intonation and timing errors
  • Simpler arrangement editing
  • More powerful editing functions
  • Data-related improvements
  • Improvements in layout and workflow
  • Improved integration into host sequencers thanks to new Bridge and ReWire interfaces
  • Improved track sorting
  • Improved plug-in hosting
Specifications
  • System requirements:

    PIII 1 GHz CPU; at least 512 MB RAM; 32 MB video RAM; around 100 MB of free space on the hard disk; Windows XP Service Pack 2 or higher.


    G3 /G4/G5 or Intel-based Apples; at least 512 MB RAM; around 100 MB of free space on the hard disk; OS 10.3.9 or later.
  • Customer Reviews
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