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Item # 180936 | Customer Ratings: Ratings ( 5 Based on 3 reviews)

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BBE MaxCom Dual-Channel Compressor
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      BBE MaxCom Dual-Channel Compressor (180936)
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      BBE MaxCom Dual-Channel Compressor (180936)
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Adds clean, clear punch to live and recorded mixes.

Much more than a high-quality compressor/limiter, the BBE MaxCom Dual-Channel Compressor is the first signal processor of its kind to feature an onboard BBE Sonic Maximizer for enhanced clarity and definition. Both its compression and gating provide versatility and excellent sonic performance without producing undesirable processing artifacts. Includes 2 independent, full-featured compressor/limiters, with each channel having independent controls for Threshold, Compression Ratio, Attack Time, and Release Time. The stereo link allows for phase-coherent tracking of stereo signals and adjustment from the Channel One controls. Comprehensive metering is achieved via dual bar graph meters on each channel that indicate Input Level and Gain Reduction. Its intuitive design makes the BBE MaxCom easy to operate.

The BBE Process--"What it Is"

Loudspeakers have difficulty working with the electronic signals supplied by an amplifier. These difficulties cause such major phase and amplitude distortion that the sound reproduced by the speaker differs significantly from the sound produced by the original source.
In the past, these problems proved unsolvable and were thus relegated to a position of secondary importance in audio system design. However, phase and amplitude integrity is essential to accurate sound reproduction. Research shows that the information which the listener translates into the recognizable characteristics of a live performance are intimately tied into complex time and amplitude relationships between the fundamental and harmonic components of a given musical note or sound. These relationships define a sound's "sound".
When these complex relationships pass through a speaker, the proper order is lost. The higher frequencies are delayed. A lower frequency may reach the listener's ear first or perhaps simultaneously with that of a higher frequency. In some cases, the fundamental components may be so time-shifted that they reach the listener's ear ahead of some or all of the harmonic components.
This change in the phase and amplitude relationship on the harmonic and fundamental frequencies is technically called "envelope distortion." The listener perceives this loss of sound integrity in the reproduced sound as "muddy" and "smeared." In the extreme, it can become difficult to tell the difference between musical instruments, for example, an oboe and a clarinet.
BBE Sound, Inc. conducted extensive studies of numerous speaker systems over a ten year period. With this knowledge, it became possible to identify the characteristics of an ideal speaker and to distill the corrections necessary to return the fundamental and harmonic frequency structures to their correct order. While there are differences among various speaker designs in the magnitude of their correction, the overall pattern of correction needed is remarkably consistent.
The BBE Process is so unique that 42 patents have been awarded by the U.S. Patent Office.

BBE MaxCom Dual-Channel Compressor Features:

  • 2 channel compressor/expander unit with gate function
    BBE Sonic Maximizer adds clarity and definition
    Auto mode for easy setup
    Dual bar-graph meters for input level and gain reduction
    Stereo link for phase-coherent stereo compression
    Dynamically controlled, program adaptive gate for noiseless and seamless operation
    Peak limiter to protect from clipping
    Inputs and Outputs via balance XLR or unbalanced 1/4" jacks
    Key in and out via 1/4" TRS


BBE MaxCom Dual-Channel Compressor Specifications:

  • Frequency response: 20Hz-20kHz
    THD.: Less than .05%
    S/N ratio: More than 94dB
    Threshold: -40dBu to +20dBu
    Compression ratio: 1:1 to 11:1
    Attack time: 0.1-200ms
    Gate threshold: Off to +10dBu


BBE MaxCom Dual-Channel Compressor

IT IS THE SOLE RESPONSIBILITY OF THE END USER TO PROVIDE THE BILL OF SALE OR OTHER MEANS OF PROOF OF PURCHASE TO VALIDATE THE WARRANTY IF WARRANTY SERVICE IS REQUIRED.

BBE Sound, Inc. products are warranted against defects in material and workmanship for a period of five (5) years from date of purchase from BBE Sound, Inc. or an authorized dealer.

During this period, BBE Sound, Inc. will repair units free of charge providing that they are shipped prepaid to:

BBE Sound, Inc.
5382 Production Drive
Huntington Beach, California 92649

BBE Sound, Inc. will pay return UPS shipping charges within USA. All charges related to non-US shipping, including customs clearance, will be billed. The warranty will be honored for the longer of either 90 days from the date of any service or the remainder of the original 5 year factory warranty.

If a BBE Sound, Inc. product is purchased through an authorized BBE distributor outside the US, contact the distributor to arrange warranty repair.

This warranty will be considered null and void by BBE Sound, Inc. if any of the following is found:

1. The equipment has been physically damaged.
2. The equipment shows signs of abuse
3. The equipment has been electrically damaged by improper connection or attempted repair by the end user or third party.
4. The equipment has been modified without authorization.
5. The bill of sale indicates that the purchase date of the equipment is not within the warranty period.

A copy of the original sales receipt must be provided for service under this warranty.

All non-warranty repairs are warranted for a period of 90 days from the date of service.

BBE Sound, Inc. is NOT LIABLE FOR CONSEQUENTIAL DAMAGES. Should the unit fail to operate for any reason, our sole obligation is to repair the unit as described above.

Get your gear covered!

Now you can get added warranty protection for your new gear. Pro Coverage steps in where the manufacturer's "normal wear and tear" ends. Our PRO COVERAGE program offers you UPGRADED COVERAGE if your product ever fails!

Pro Coverage includes:

  • Accidental damage protection (new gear only)
  • Expedited Repair
  • Free Shipping (for returns or repairs)
  • 100% Coverage for Commercial Use
  • Extended Return Period
  • Extended Price Protection
  • No Lemon Guarantee
  • Free Transfer of Coverage to a new owner
  • Repair Costs Covered for up to 3 years from date of purchase
  • Repairs Can Be Authorized Toll-Free by Phone or the via the web
Product Reviews
(Based on 3 reviews)
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Viewing Reviews 1 - 3 of 3 |
  • Best deal of all Sonic Maximizers

    As reviewed by Andrew on 8/4/2011

    You get 2 maximizers, balanced OR unbalanced I/O and 2 compressors for less than any other BBE product with even 1 of the same functions. Its insane. The SM makes a night and day difference. I use it in my live guitar rig in stereo and when recording vocals and especially bass. This processor is powerful. DO NOT overuse its effect, but with just a dab it brings songs and instruments to new life. Its built like a tank. My only worry might be bumping and breaking a knob, but thats a stretch. Its not a 'lazy EQ'. its not an EQ at all. I WISH I could have gotten this effect with my equalizer. its a new technology. Its the sound of the future. Get a SM, and if possible, the Maxcom is by far the best deal for almost every situation.

    2 of 2 people found this review helpful.
    Was this review helpful?
  • A Great unit and a great deal

    As reviewed by Tim Thomas on 1/10/2007

    Fuzzball, The unit has a built-in BBE Sonic Maximizer. It also runs balanced or unbalanced so, regarding patch capability, it's like having a BBE 882i(249.00), a BBE 482i (179.00) plus a compressor. It's only $199.00. There's no other compressor on the market with a built-in BBE, of any kind. It freed up two slots in my road rack and it takes what ever I throw at it, which is a lot. There is no better deal anywhere. No one should be without this BBE Sonic mazimizer/compressor combo.

    27 of 29 people found this review helpful.
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  • A good unit but a bit expensive compared to others

    As reviewed by Fuzzball on 10/2/2006

    This unit is good for recording and live use. The Maxcom adds punch while using subtle compression. The unit does not color the sound since it provides clear transparent compression. The unit is very easy to use for live applications and studio use. The Maxcom does a good job and it is built well the only problem I have with it is that it does not seem to be any better than several other units on the market that can be purchased at a lower price.

    11 of 19 people found this review helpful.
    Was this review helpful?
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