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Audix OM3 Hypercardioid Vocal Microphone

Item #: 
1273887989276
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The Audix OM3 Hypercardioid Vocal Mic is designed, assembled, and tested by Audix in the USA. The OM3 is a dynamic vocal microphone used for a wide variety of live, studio, and broadcast applications.... Read More

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$12900
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  • LIST PRICE
    $14900
  • DISCOUNT
    13%
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    $2000
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  • Pro Coverage Eligible
    Pro Coverage Eligible Pro Coverage will repair or replace your gear quickly and get you back playing, gigging and recording as fast as possible-even accidental damage from drops or spills is covered.
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    Free Shipping This item qualifies for free ground shipping anywhere within the contiguous United States.
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    Easy Returns If you're not happy with your purchase, we give you 30 days to return it for a full refund or exchange.
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Overview

The Audix OM3 Hypercardioid Vocal Mic is designed, assembled, and tested by Audix in the USA. The OM3 is a dynamic vocal microphone used for a wide variety of live, studio, and broadcast applications. The Audix OM3 mic is known for its clear and accurate sound reproduction, resistance to feedback, and ability to handle very high sound pressure levels without distortion.

The Audix OM3 displays a tight and uniformly controlled hypercardioid polar pattern which helps isolate vocals from the rest of the instruments on stage. With a wide frequency range of 50Hz-18kHz, the OM3 microphone has a VLM (Very Low Mass) diaphragm for clean and natural sound with exceptional transient response.

The Audix OM3 microphone is naturally attenuated in the lower mid-bass frequencies to reduce boominess and handling noise. This, in conjunction with an extremely articulate mid-range, makes the OM3 an excellent microphone for PA systems of all sizes. The durable Audix OM3 is a well-balanced, comfortable to hold mic manufactured with high standards and tight tolerances.

The Audix OM3 microphone's roadworthy construction includes a precision die-cast zinc alloy body, black e-coat finish, laser-etched model and serial number, steel mesh grill, Switchcraft XLR connector, and heavy-duty nylon clip.

Features Applications:
  • Live stage and recording
  • Broadcast
  • Sax, brass, guitar, dobro, flute, percussion, drums
Specifications
  • Type: Dynamic
  • Polar Pattern: Hypercardioid
  • Frequency Response: 50Hz-18kHz
  • Impedance: 250 ohms
  • Sensitivity 1.7mV/Pa @ 1k
Warranty
MANUFACTURER'S WARRANTY
One year parts and labor warranty (if no signs of abuse) on all mics.


GUITAR CENTER'S PRO COVERAGE
Pro Coverage gives you added warranty protection for your new gear. Stepping in where the manufacturer's "normal wear and tear" coverage ends, our Pro Coverage program offers you upgraded coverage if your product ever fails Read More.

Pro Coverage includes
  • Accidental damage protection (new gear only)
  • Expedited repair
  • Free shipping (for returns or repairs)
  • 100% coverage for commercial use
  • Extended return period
  • Extended price protection
  • No lemon guarantee
  • Free transfer of coverage to a new owner
  • Repair costs covered for up to three years from date of purchase
  • Repair authorization-toll-free by phone or via the web
  • Customer Reviews
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REVIEW SNAPSHOT®

by PowerReviews
 
5.0

(based on 2 reviews)

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Reviewed by 2 customers

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(3 of 4 customers found this review helpful)

 
5.0

Awesome, and I can prove it!

By Alex Ramirez

from New York, NY

This mic is excellent. It really shines with female vocals, and offers every bit the ruggedness and reliability of any mic I have ever personally used. I used the mic to record Melaena Cadiz at a show my production company put on (mine was the OM-3xb, but same class, just mine is ancient) and the quality was fantastic. Best of luck at your shows!

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(3 of 4 customers found this review helpful)

 
5.0

Great feedback rejection

By david kennedy

from cleveland, oh

Tight pickup pattern. Great feedback rejection, without alot of off-axis coloration. It seems pretty rugged, I have used it at an open mic for months and it has seen some abuse and shows no wear. I like the sound, it cuts through the mix without making me sound nasally. I prefer it to my Shure SM58!

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