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Item # 277114 | Customer Ratings: Ratings ( 5 Based on 4 reviews)

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Audix DP7 Drum Microphone Pack
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      Audix DP7 Drum Microphone Pack (277114)
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Packaged set of 7 drum mics, aluminum road case, 4 D-Vice gooseneck clips.

This set of Audix DP7 Drum Microphones gives you high-precision instrument mics that fill the needs of artists and engineers in both studio and live applications. Each Audix D series microphone consists of a VLM (very low mass) capsule housed in a precision-machined lightweight aluminum body. The Audix i5 is the ultimate snare microphone, designed for accuracy and durability. The improved D-vice gooseneck allows for quick and easy set up and perfect mic placement. Thanks to Audix you don't need to compromise the sound of your drums. This DP series mic package will reproduce the sound of your drums exactly as you want your audience to hear them.

Details
1 x i5 snare mic: works for snare (top or bottom), toms, hand percussion, guitar cabs, acoustic instruments. Features a protective steel grill, is easy to set up and use, with a clean accurate sound. Dynamic VLM Type B transducer (transformerless). 46Hz — 18kHz frequency response. Cardioid polar pattern, 150 Ohm output, 1.9 mV open circuit sensitivity. No power requirements, maximum SPL of 140 dB, off-axis rejection of >23dB. Cast Zinc Alloy housing with Black E coat. 6.5oz./183 grams.

2 x D2 tom mic: works for rack toms, floor tom, congas. Features a slight mid-bass boost, excellent transient response, and big sound. Dynamic VLM Type B transducer (transformerless). 44Hz — 18kHz frequency response. Hypercardioid polar pattern, 250O output, 2.5 mV open circuit sensitivity. No power requirements, maximum SPL of 144dB, off-axis rejection of >30dB. Machined aluminum housing with black hard coat. 4.5oz./128 grams.

1 x D4 kick / floor tom mic: works for floor tom, djembe. Features extended low end for larger drums, accurate frequency response, natural sound. Dynamic VLM Type D transducer (transformerless). 38Hz — 19kHz frequency response. Hypercardioid polar pattern, 200O output, 2.1 mV open circuit sensitivity. No power requirements, maximum SPL of 144dB, off-axis rejection of >30dB. Machined aluminum housing with black hard coat. 4.5oz./128 grams.

2 x ADX51 — condenser (overhead) mic: works for overheads, cymbals, hi-hat, goodie table. Features excellent performance at affordable pricing, tight pattern, accurate reproduction of high frequency instruments. Condenser transducer type (pre-polarized). 40Hz — 18 kHz frequency response. Cardioid polar pattern, 100O output, 15.9 mV open circuit sensitivity. 9 — 52v phantom power requirement, maximum SPL of >135 dB. Machined brass housing. 5oz./142 grams.

1 x D6 kick mic: works for kick drum, floor tom, djembe, cajon. Features extended low end for larger drums, accurate frequency response, natural sound. Dynamic VLM Type D transducer (transformerless). 30Hz — 15kHz frequency response. Cardioid polar pattern, 200O output, 2.2 mV open circuit sensitivity. No power requirements, maximum SPL of 144dB, off-axis rejection of >20 dB. Machined aluminum housing with black hard coat. 7.7oz./217 grams.

Aluminum Road Case
4 x D-Vice (gooseneck clip)

Audix DP7 Drum Microphone Pack

One year parts and labor warranty (if no signs of abuse) on all mics.

Get your gear covered!

Now you can get added warranty protection for your new gear. Pro Coverage steps in where the manufacturer's "normal wear and tear" ends. Our PRO COVERAGE program offers you UPGRADED COVERAGE if your product ever fails!

Pro Coverage includes:

  • Accidental damage protection (new gear only)
  • Expedited Repair
  • Free Shipping (for returns or repairs)
  • 100% Coverage for Commercial Use
  • Extended Return Period
  • Extended Price Protection
  • No Lemon Guarantee
  • Free Transfer of Coverage to a new owner
  • Repair Costs Covered for up to 3 years from date of purchase
  • Repairs Can Be Authorized Toll-Free by Phone or the via the web
Product Reviews
(Based on 4 reviews)
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Viewing Reviews 1 - 3 of 4 |
  • Audix DP-7 Drum mics

    As reviewed by Salvatore on 7/20/2010

    Excellent microphones for the money! I have used them in studio and live situations and have had great results. Most impressive aspect in my opinion is that they are pretty much ready to go out of the box. Setup and adjust levels with no feedback issues. Very much worth the investment if you want to mike up you kit. D-6 is great for kick and the overheads really pickup cymbals as well as toms quite nicely. Again, very good mic pack for the money!

    7 of 7 people found this review helpful.
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  • The only Drum Mic set you'll ever need

    As reviewed by Adnan on 5/23/2011

    Excellent mics, glad i decided to spend the money and get this set. (rather than buy a cheaper one and them upgrade in a few months). I run all 7 mics through a Zoom R24, to live mic my Tama Starclassic Birch/Bubinga set. I have not had to adjust EQ at all, either in the Zoom r24 channels, or later on in my DAW (Reaper) because the mic'd/ recorded sound is so true. The i5 snare mic , in my opinion seems to have a bit too much punch in the midrange, but i think its my massive 14x6.5 maple snare that just gives such a deep sound. The D2 and D4's are true to the toms and make them sound massive and deep. The condensor mics have the adjustable -10 db switch or the 50hz rolloff, and sound warm enough without sounding too thin and sharp. I did have some trouble with the D-vice gooseneck clips on my overhead toms (since the Tama hardware supports get in the way) but if you go to the audix website they have other clamps that will screw on and will work with Tama drumkits.

    2 of 2 people found this review helpful.
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  • OUTSTANDING CHANGES AUDIX HAS MADE TO THIS MIC KIT

    As reviewed by Bruce Barclay on 10/4/2010

    I picked up 2 Eleate 8 Audix drum mic kits about 6 years ago. Back then the sale price for that mic kit was 2 grand a piece. The diffrence between the Eleate 8 and this mic kit is the overheads. The Eleate 8 had 3 SCX-1 mics per kit. The SCX mics were outstanding sounding but I found them to be way too sensitive. I could hear my neighbors talking in thier front yard across the street with the SCX 1. I used them once during a live band setting on a crowded stage and the soundman gave up trying to use them because too much bass and guitar was getting into the SCX 1. Even set up in my rehersal space the SCX 1 picked up way too much tom tom and kick drum...even they were physically located closer to my cymbals. No matter what I tried to do with positioning I ran in to that same problem. Higher cielings is what I believe the SCX-1 needs and to be used for recording...or a Zepplin style set up...2 overheads...Kick and snare...also a plexiglass shield in front if used in a live setting. I did order a pair of ADX 51's and that was exactally what my rehersal space needed. The 10-db cut switch and low frequency roll off helped to block kick and toms out of the overheads...although it is difficult to completly block the kick and snare out of the overheads...engaging both switches allowed the overheads to hear the cymbals more prodominatly over the rest of the kit. All the other mics are all outstanding. You will find that your soundman will love using these mics...because they will hardly need to mess with any EQ. I found it a lot of fun to move the kick mic around...trying diffrent positions with it...the D-6 is simply the best kick mic I have ever heard. The I-5 is also the best snare mic I have ever heard. The price of this mic kit...is also very reasionable. These mics are excellent for recording studio, rehersals and live gigs. It is the only mic kit drummers will ever need. Also I'd like to point out the Audix's warrenty and repair service is second to NONE. I had trouble with my SCX 1 mics...and they needed to be sent back to Audix 4 times before they finally got those mics RIGHT. They had some design flaws however Audix stood by thier product...and made design upgrades to my 6 mics...for FREE. Now my SCX-1's are very relieable and work as advertised.

    7 of 9 people found this review helpful.
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