Accidental damage, normalNormal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Damage due to unexpected and unintentional spills, drops and impacts
Damage due to normal wear and tear
Damage caused by lightning/power surge
Damage due to dust, internal heat, humidity, heavy usage
No Lemon Policy on merchandise over $200- if it fails for the same reason 3 times, it is replaced on the 4th breakdown
Complete refund in the event of failure or substandard performance on merchandise under $200 (Gift Certificate sent for the full price plus applicable sales tax paid)
Manufacturer's Specs Coverage -- The product does not need to fail to be covered. If the product does not perform as it did the first day you bought it, we will repair or replace it so that it does
Free shipping to and from repair facility
Plans are transferable in the event merchandise is sold
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
The low-profile Audio-Technica AT4022 is an omnidirectional condenser recording mic that is outstanding for piano, acoustic guitar, and other acoustic instruments. With a flat, extended frequency response and wide dynamic range ideal for critical studio and live applications, the AT4022 microphone handles high SPLs with ease. The AT microphone's omnidirectional polar pattern preserves the "sound" of the recording location, delivering flat response and freedom from proximity effect. The Audio-Technica AT4022 mic's low-mass diaphragm improves transient response and reduces handling and mechanical noise transfer. Requires 48V DC phantom power.
High SPL handling and wide dynamic range Flat, extended frequency response Switchable 80 Hz hi-pass filter and 10 dB pad Omnidirectional polar pattern provides maximum ambient pickup Low self noise perfectly suited for digital recording equipment Exceptional reproduction of low frequency sounds Low-mass element for superb transient response
Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Omnidirectional Frequency Response: 20-20,000 Hz Low Frequency Roll-Off: 80 Hz, 12 dB/octave Open Circuit Sensitivity: -34 dB (19.9 mV) re 1V at 1 Pa Impedance: 250 ohms Maximum Input Sound Level: 146 dB SPL, 1 kHz at 1% T.H.D.; 156 dB SPL, with 10 dB pad (nominal) Noise: 13 dB SPL Dynamic Range (Typical): 133 dB, 1 kHz at Max SPL Signal-To-Noise Ratio: 81 dB, 1 kHz at 1 Pa Phantom Power Requirements: 48V DC, 3.0 mA typical Switches: Flat, roll-off; 10 dB pad Weight: 124 g (4.4 oz) Dimensions: 144.0 mm (5.67") long, 21.0 mm (0.83") maximum body diameter Output Connector: Integral 3-pin XLRM-type Accessories Furnished: AT8405a stand clamp for 5/8"-27 threaded stands; windscreen; protective carrying case Audio-Technica Case Style: S1
Now you can get added warranty protection for your new gear. Pro Coverage steps
in where the manufacturer's "normal wear and tear" ends. Our PRO COVERAGE program
offers you UPGRADED COVERAGE if your product ever fails!
Pro Coverage includes:
Accidental damage protection (new gear only)
Expedited Repair
Free Shipping (for returns or repairs)
100% Coverage for Commercial Use
Extended Return Period
Extended Price Protection
No Lemon Guarantee
Free Transfer of Coverage to a new owner
Repair Costs Covered for up to 3 years from date of purchase
Repairs Can Be Authorized Toll-Free by Phone or the via the web
I use this mic with a large diaphragm AT 4033 for recording acoustic guitar. The AT 4022 placed at the neck and the AT 4033 at the bout is the classic method, and the results are consistent and outstanding.
I purchased another AT 4022 for stereo miking and found these small diaphragm omni mics to be accurate and smooth.
A great value for studio and live stereo miking. Far better than the Shure competitors- and not coloured like the Neumann KSM.
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