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  1. Top Seller
    Acoustic Lead Guitar Series G20 20W 1x10 Guitar Combo Amp
    EUR 8119
  2. Top Seller
    Rogue G10 10W 1x5 Guitar Combo Amp
    EUR 3157
  3. On Sale
    Acoustic A20 20W Acoustic Guitar Amplifier
    Was:  EUR 153.37 EUR 11728
  4. Top Rated
    DigiTech FS3X 3-Button Footswitch
    EUR 3439
  5. Top Seller
    Boss Katana KTN-50 50W 1x12 Guitar Combo Amplifier
    EUR 19848
  6. Top Seller
    Boss KTN-MINI Katana Mini Guitar Amplifier
    EUR 9021
  7. On Sale
    Acoustic Lead Guitar Series G10 10W 1x8 Guitar Combo Amp
    Was:  EUR 63.15 EUR 4510
  8. Top Seller
    Ashdown B-Social Stereo 75W 2x5 Bass Combo Amp
    EUR 56840
  9. Top Seller
    Roland GA-FC Guitar Combo Foot Controller for GA-112/GA-212 Amps
    EUR 8932
  10. Top Seller
    Acoustic Lead Guitar Series G35FX 35W 1x12 Guitar Combo Amp
    EUR 10826
  11. Top Seller
    Acoustic B30 30W Bass Combo Amp
    EUR 13533
  12. Top Seller
    Boss Katana KTN-100 100W 1x12 Guitar Combo Amplifier
    EUR 31577
  13. Top Seller
    Behringer Ultrabass 300 Watt 2-Channel 7-Band FBQ Equalizer Bass Amplifier Head
    EUR 13533
    EUR 108.26
  14. Top Seller
    Behringer ULTRATONE K450FX Keyboard Amp/PA System
    EUR 18044
    EUR 153.37
  15. On Sale
    Acoustic B100mkII 100W Bass Combo Amp
    Was:  EUR 270.66 EUR 18044
  16. On Sale
    Acoustic A40 40W Acoustic Guitar Combo Amp
    Was:  EUR 270.66 EUR 18044
  17. Top Seller
    Roland Cube Street EX Battery Powered Stereo Guitar Amplifier
    EUR 45111
  18. Top Seller
    Acoustic Lead Guitar Series G120 DSP 120W Guitar Combo Amp
    EUR 27066
    EUR 216.53
  19. Top Seller
    Acoustic B600HD 600W Bass Amp Head
    EUR 55487
  20. Top Seller
    Boss FS-6 Footswitch
    EUR 5413
Results 1-20 of 339 
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About Amps:

There are two main configurations of guitar amplifiers: combination ("combo") amplifiers, which include an amplifier and anywhere from one to four speakers in a single cabinet; and the stand-alone amplifier (often called a "head" or "amp head"), which does not include a speaker, but rather passes the signal to a separate speaker cab.

While guitar amplifiers from the beginning were used to amplify acoustic guitar, electronic amplification of the guitar was first widely popularized by the 1930s and 1940s craze for Hawaiian music, which extensively employed the amplified lap steel Hawaiian guitar. Tone controls on early guitar amplifiers were very simple and provided a great deal of treble boost, but the limited controls, the loudspeakers used, and the low power of the amplifiers (typically 15 watts or less) gave poor high treble and bass output.

In the 1950s, several guitarists experimented with distortion produced by deliberately overdriving their amplifiers. In the early 1960s, surf rock guitarist Dick Dale worked closely with Fender to produce custom-made amplifiers, including the first 100-watt guitar amplifier. He pushed the limits of electric amplification technology, helping to develop new equipment that was capable of producing thick, clearly defined tones at previously undreamed-of volumes.

Distortion became more popular from the mid-1960s, when Kinks guitarist Dave Davies produced distortion effects by connecting the already distorted output of one amplifier into the input of another. Later, most guitar amps were provided with preamplifier distortion controls, and "fuzz boxes" and other effects units were engineered to safely and reliably produce these sounds. In the 2000s, overdrive and distortion have become an integral part of many styles of electric guitar playing, ranging from blues-rock to heavy metal and hardcore punk.

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