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John Martyn - Sunday's Child

Item #: 
1500000172587
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Release Date:05/12/2017;Notes:Limited 180 gram vinyl LP pressing. 1975 album by the British singer/songwriter and guitarist. John Martyn's follow-up to 1973's Inside Out is a more song-oriented, less ... Click To Read More About This Product

IN STOCK & READY TO SHIP

Gear returned in mint condition. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
Gear returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. It looks and plays like new and may be considered an equivalent to display units found in retail stores.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
Price:
$2498
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Ship to Store Available in: 3-7 Days (estimated) Fairfax, VA (15.38  mi) View More Stores For Availability Store Information


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SAT:10AM-8PM

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  • Not Returnable
Overview

Release Date:05/12/2017;Notes:Limited 180 gram vinyl LP pressing. 1975 album by the British singer/songwriter and guitarist. John Martyn's follow-up to 1973's Inside Out is a more song-oriented, less experimental album. His eighth record, including two with his wife Beverley Martyn, shows the many facets of Martyn's playing, from his effects-driven electric guitar to his acoustic work. This album contains a collection of original songs along with a pair of covers: the traditional British ballad "Spencer the Rover", and the country standard "Satisfied Mind". The song "The Message" features a pair of verses written by Martyn sung in his typical style, alternating with a pair of verses from the Scottish folk ballad "Mairi's Wedding" sung with a Scottish lilt. Over a 40-year career, John Martyn released 21 studio albums, and received frequent critical acclaim. Martyn began his career at age 17 as a key member of the British folk music scene, drawing inspiration from American blues and English traditional music, and signed with Island Records. By the 1970s he had begun incorporating jazz and rock into his sound on albums such as Solid Air (1973) and One World (1977), as well as experimenting with guitar effects and tape delay machines such as Echoplex.

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