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Item # 634108 | Customer Ratings: Ratings ( 5 Based on 4 reviews)

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Allen & Heath GL2400-24 Live Console Mixer
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      Allen & Heath GL2400-24 Live Console Mixer (634108)
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A massively versatile makeover of the popular GL2200.

The Allen & Heath GL2400-24 Live Console Mixer enhances PA systems with its dual-function 24-channels loaded to the teeth with features you need for all kind of live audio mixing applications. The GL2400-24 mixer offers 4 group, 6 aux, and LR mixes, enhanced 7x4 matrix, multi-source stereo channels, and aux-fed subs capability.

Dual Functionality:
When mixing Front-of-House, the monitors can be set pre-insert as well as pre-EQ to prevent your house mix EQ and compression affecting the stage mix. Per channel the 24-channel mixer's aux switching means you can mix pre-fade with post-fade sends such as theatre radio mics and sound effects. As a monitor console, the aux masters have faders, inserts, mutes, meters and balanced XLR drive. You even get a fader controlled engineer' wedge feed. The Groups and LR mixes are still available to create yet more sends. In monitor mode the GL2400 audio mixer can provide up to 10 mixes, for example 6 wedge and 2 stereo IEM.

Performance:
Allen & Heath's mic preamp has an extended 74dB gain range with massive headroom able to deal with the widest range of signals right up to +34dBu. From a low-noise mix amp through responsive 4-band EQ to the differential balanced +26dBu outputs, every stage has been carefully designed to ensure optimum gain structure and the best sonic performance possible.

Third Fader:
There are 3 master faders on the Allen & Heath GL2400 Mixer. A configurable M fader lets you create an LR sum mono fill, an engineers monitor wedge feed, or a dedicated center or sub-bass speaker mix from Aux 6 which means you can dial in exactly what you need from each channel. L, R ,and M each provide a dedicated meter, mute, AFL, and balanced XLR output.

7x4 Matrix:
The mixing console's matrix is a big feature for corporate AV work, specialized recording and broadcast feeds, and personal monitoring. Smart auto-switching of the external inputs lets you add a common mono, stereo, or independent sources to the matrix. Cross patch from the stereo channel mic breakpoints add room ambiance to your recording and IEM feeds.

Dual Stereo Channels:
These 2 multi-function channels provide a mic and 2 stereo line inputs each. Use the channels on this Live Console Mixer as mic inputs while the 4 stereos are independently routed to LR, or combine stereo sources such as backing tracks and reverbs while the mics are patched elsewhere. Or use conventional stereo channels while the second inputs provide additional returns and the mics patch into the matrix for ambiance.

Allen & Heath GL2400-24 Live Console Mixer Features:

  • 24-channel frame
    LR and M main outputs
    4 audio groups with pan control
    6 auxiliary sends with per-channel pre/post fader switching
    2 stereo channels each with mic and dual stereo line inputs
    7x4 Matrix
    Proper dual functionality for front-of-house and/or monitor mixing
    M can be configured as LR sum, wedge, or aux-fed sub or C master
    Recording capable with channel direct outputs
    Matrix external inputs with level trims and common input capability
    Stereo channel line inputs can be independently routed to LR
    Stereo channel mic input breakpoints for cross patching into matrix
    Responsive 4-band, 2-sweep EQ
    100Hz channel high pass filters
    Individual phantom power and polarity switching
    Dedicated channel, master and stereo monitor meters
    Internal jumper plugs for pre/post-EQ aux, direct out and other options
    Mutes, meters and AFL on all fader masters
    Assignable talkback
    1kHz oscillator and pink noise generator
    2-track monitoring and replay to LR
    Headphones and local monitor outputs
    Electronically balanced XLR outputs with +26dBu drive capability
    Preamp +34dBu maximum input capability for mic or line
    Ultra low-noise mix head amp design
    Internal power supply with MPS12 backup supply input
    100mm dust protected faders
    Metal jacks, gold-plated XLRs, sealed pots and switches
    Individual circuit card assembly with nutted pots
    Solid copper bus bar grounding
    Sys-Link V2 console linking option
    4-pin XLR lamp sockets




Allen & Heath GL2400-24 Live Console Mixer

One year parts and labor warranty.

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Pro Coverage includes:

  • Accidental damage protection (new gear only)
  • Expedited Repair
  • Free Shipping (for returns or repairs)
  • 100% Coverage for Commercial Use
  • Extended Return Period
  • Extended Price Protection
  • No Lemon Guarantee
  • Free Transfer of Coverage to a new owner
  • Repair Costs Covered for up to 3 years from date of purchase
  • Repairs Can Be Authorized Toll-Free by Phone or the via the web
Product Reviews
(Based on 4 reviews)
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Viewing Reviews 1 - 3 of 4 |
  • Great Board, Solid Workhorse

    As reviewed by MikeC on 9/1/2006

    This console is a great multifunctional tool, whether as a monitor or FOH board. It is laid out amply but still compact enough for working tech or musician to transport. The sound is pristine and the interface is quite user friendly. I borrowed this board for a show and this was my first use of an AH mixer and I must say I am putting my order in for the GL2400 with 24 channels. Also, this console allows for crystal clear recordings at live shows too, you can't beat it for the money and also the ability tomake live demos which most working bands need nowadays to book at a venue.

    13 of 13 people found this review helpful.
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  • Mobile Workhorse

    As reviewed by Shawn Kahl on 10/18/2006

    My experience with this board has been primarily as a mobile sound console for medium-sized band setups. The features offered have always been adequate to the task, with 4 aux sends accompanying main & secondary outputs for each channel. I've found this unit to be fairly versatile, accomodating a wide range of setups with easy integration of external effects devices. The Mic preamps are of decent quality, with 4 band eq's on each channel strip. All in all, this unit has held up remarkably well under stressful mobile conditions, and I would recommend it for any setup requiring a reliable, mid-sized soundboard with good overall audio quality.

    7 of 7 people found this review helpful.
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  • Equal to the task!

    As reviewed by Paul V of Sound Advice KC on 2/18/2010

    I use this mixer as the main workhorse of my Live Sound and Recording business. It has done every type of band you can name and done them well. Next week we will be doing sound for the TITAN XC (mma) fights at Memorial Hall (some of which will be televised) and this board will handle that as well as it has everything else. 6 aux busses provides a LOT of flexibility. The MATRIX section is PERFECT for sending a discrete mix to the TV people! The preamps are close to studio quality and do VERY well when I use the board to record LIVE at gigs/events. You can't go wrong with this series of AH mixers. Buy with confidence!

    2 of 2 people found this review helpful.
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