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AKG C214 Large Diaphragm Condenser Mic

Item #: 
1273887983733
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AKG's industry-leading C414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected workhorse for independent artists, broadcasting, and on-stage mi... Read More

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$3990.00
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    $4690.00
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Overview

AKG's industry-leading C414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected workhorse for independent artists, broadcasting, and on-stage miking as well.

The new C214 is designed as a cost-effective alternative to the high-end, industry-leading C414 family. It captures sound combining one side of the legendary C414 dual-capsule system and AKG's patented Back-Plate Technology, which results in an outstanding performance very close to the famous C414 B-XLS.

Like the C414 models, the C214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20dB Attenuation pad, 13dB noise floor, and a low cut switch - all in an elegant but rugged package.

Additional features include an integrated suspension, a double mesh grill high RF immunity without affecting acoustics. The circuitry in the C214 provides maximum SPL capability with minimum noise and the gold-plated XLR-type output connector offers loss-free signals.

The C214 comes complete with carrying case, windscreen, and spider suspension mount included.

Features
  • AKG's Legendary 1" Edge-Terminated Large Diaphragm Sound
  • Outstanding Dynamic Range (up to 156dB SPL, Ultra-Low Noise)
  • Roadworthy design
  • Integrated Suspension to reduce mechanical Noise
  • Switchable 20dB Attenuation Pad and Low Cut Switch
  • Rugged double mesh grille for high RF immunity but unaffected Acoustics
  • All-metal Die-cast body with shock- and scratch-resistant Finish
  • Spider-type Shockmount included
  • Metal Carrying case included
  • Designed, Engineered and Build in Vienna, Austria
Specifications
  • Polar pattern: Cardioid
  • Frequency range: 20 to 20,000Hz
  • Sensitivity: 20 mV/Pa (-34 dBV)
  • Max. SPL: 136/156dB SPL (0/-20dB) (for 0.5% THD)
  • Equivalent noise level: 13 dB-A to IEC 60268-4 (A-weighted)
  • Signal/noise ratio (A-weighted): 81dB
  • Preattenuation pad: 0/-20dB (switchable)
  • Bass cut filter slope: 160Hz, 6dB/Octave, switchable
  • Impedance: <=200 ohms
  • Recommended load impedance: >=1000 ohms
  • Supply voltage: 12 to 52 V Phantom power to IEC 61938
  • Current consumption: < 2 mA
  • Dynamic range: 123/143 dB (0/-20 dB) (A-weighted)
  • Connector: IEC standard 3-pin XLR
  • Finish matte: grayish blue
  • Dimensions: 160 x 55mm (6.3" x 2.2")
  • Net weight: 280g (0.62lb.)
  • Shipping weight: 1450g (3.22lb.)
  • Patent(s): Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488)
Warranty
MANUFACTURER'S WARRANTY
AKG Acoustics, U.S. Limited Warranty

Amended July 19, 2005

AKG Acoustics warrants AKG products against defects in material or workmanship for a period of two years from the date of original purchase, and agrees to repair or, at our option replace any defective unit without charge for either parts or labor. AKG grants a three-year warranty covering selected products (C 12 VR, C 414 B-ULS, C 414 B-TLII, C 414 B-XLS, C 414 B-XLII, C 426 B, C 451 B, C 480 B, C 391 B, C 1000 B, C 2000 S, C 3000 B, C 4000 B, C 4500 B, SolidTube) against defects in material and workmanship.

Warranty is valid for AKG products purchased and delivered within the United States for the original purchaser only. The purchaser's Bill of Sale will serve as proof of sale and warranty validity in the U.S. Shipment of defective items to AKG for repair will be at the customer's own risk and expense. AKG will assume the return shipping cost for all items repaired under warranty.

IMPORTANT: This warranty does not cover damage resulting from accident, misuse or abuse, lack of reasonable care, the affixing of any attachment not provided with the product, loss of parts, or connecting the product to any receptacle other than specified.

This warranty is void unless AKG Acoustics, U.S.'s service center performs the repair. No responsibility is assumed for any special, incidental or consequential damages caused by the consumer. However, the limitation of any right or remedy shall not be effective where law prohibits such.


GUITAR CENTER'S PRO COVERAGE
Pro Coverage gives you added warranty protection for your new gear. Stepping in where the manufacturer's "normal wear and tear" coverage ends, our Pro Coverage program offers you upgraded coverage if your product ever fails Read More.

Pro Coverage includes
  • Accidental damage protection (new gear only)
  • Expedited repair
  • Free shipping (for returns or repairs)
  • 100% coverage for commercial use
  • Extended return period
  • Extended price protection
  • No lemon guarantee
  • Free transfer of coverage to a new owner
  • Repair costs covered for up to three years from date of purchase
  • Repair authorization-toll-free by phone or via the web
  • Customer Reviews
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REVIEW SNAPSHOT®

by PowerReviews
 
4.3

(based on 8 reviews)

Ratings Distribution

  • 5 Stars

     

    (5)

  • 4 Stars

     

    (0)

  • 3 Stars

     

    (3)

  • 2 Stars

     

    (0)

  • 1 Stars

     

    (0)

Reviewed by 8 customers

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Displaying reviews 1-8

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(0 of 1 customers found this review helpful)

 
3.0

Save your money and get a 414.

By Karl

from Monroe

Read title, the only exception is if you do spoken word. For some reason this microphone is awesome for just the speaking voice. Peace, Karl

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5.0

Crystal Clear

By Steve Moser

from Roeland Park,Ks

I upgraded my studio microphone from a Behringer B1 mic to a AKG-C214. Wow, what a difference. The Behringer is a good mic for around a $100.00. It's not a AKG by any means.!! The AKG-C214 brings out the back of my voice, with a rich, warm sound with no color added. I don't have to add any graphics to it. I just set it flat. It brings out the top and bottom of my voice as well. Very nice Microphone.!! I would recommend it to anyone!!

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(4 of 4 customers found this review helpful)

 
3.0

Didn't live up to the hype

By Alexander Pollitt

from San Francisco, CA

I bought one of these mics on the recommendation of the sales assistant and having read a lot of positive reviews. My first impression using the mic was that it gave a really lush warm sound to vocals. It has the usual proximity effect so I recorded the vocals at a safe distance of 12-18". At this distance the mic was still overly emphasizing silences which was a bit of a concern. The real problems started when I tried to mix the vocals in to the rest of the track. I had to do some heavy EQing to get the vocals to sit in the mix without sounding too muddy. And then if I tried adding any kind of effects, even the subtlest of reverbs for example, then the vocal ended up muddy again. Overall then, despite many people raving about this mic, for me it was not a winner. I auditioned a couple of other mics and eventually settled on the TLM102. It's not pretty, but it is fairly accurate, requires little EQ to make it sound natural, sits well in the mix, and happily lets me add effects without losing clarity. Your mileage may vary.

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(6 of 6 customers found this review helpful)

 
5.0

Best For Hiphop

By JOHNATHAN ROSALES

from austin tx

best mic iv used for hiphop vocals. iv been rapping for some time now. works well with any vocals really. a little studio foam or blankets and you are set for awesome vocals. awesome prrice. even better mic. iv used audio technica 2020, tlm 103, and nta rode mics along with others. the mic is better than them all in my opinion.

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(6 of 6 customers found this review helpful)

 
5.0

Really Great Sounding Mic - I'm very happy with it

By David Press

from Raleigh NC

I'm using this mic for home studio recordings, mostly vocals. I've only had the mic for a few days but i find other reviews very helpful so i want to make sure to provide my input and if I let to much time go by I'll never get around to writing one myself. To be honest I'm not an expert on mics. I was simply looking for something as an upgrade to the MXL 990 i've been using and this mic was highly recommended from the guy at GC. I had not done a lot of research but since the GC guys had such strong favoritism of this mic over the others and it doesn't cost that much money i figured it was worth a try. Right away i did a side by side comparison with the MXL 990 and yup definitely worth the extra cost. This mic has a very nice clean rich sound. I like the shock mount design with a quick release twist. Seems like a well put together mic. I'm very happy with it.

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(5 of 33 customers found this review helpful)

 
3.0

Not Bad

By Drew

from Seattlle, Wa.

I have used this mic on the road for a good two months and it was okay. We had it on guitars. It is another creature compared to say the KSM32, or AT2500. Yet, some nights you roll in to a venue that has issues with snakes, cables and consoles. I am over the 'got to have the large diaphragm condenser' for guits and drums. Sure in a controlled environment that's perfect. Live, I need something that is reasonably priced and durable. For the price of one C214 you can get two Heil PR 30's. That's my two cents.

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(22 of 23 customers found this review helpful)

 
5.0

Pro sound that won't break your bank!

By DJ Hellfire

from Keyport, NJ

I find it hard to trust reviews because everyone almost always loves their product. But when it comes to the C214, it deserves 5 stars. Upgrading from the Perception 220, which I wasn't really happy with, there is a night and day difference. This mic is so much more crisp on vocals and hardly needs any EQ. I've found a LPF rolloff and slight boost in the highs is all this really needed for me. If you are on a low to mid budget, this is a great choice. I was finally able to capture that professional sounding vocal that I just could not get with my 220.

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(21 of 22 customers found this review helpful)

 
5.0

Best Mic Ever

By Mike

from Greensboro, NC

AKG has set the bar with this microphone. From the moment I hooked it up I couldnt believe my ears. The mic required hardly no EQing and it sounds great for vocals or accoustic instruments. I havent tried it on drums but I have a feeling it would sound good on those as well. Siblances are no longer a problem with this mic. Plosives are not a problem either. Now I know what they mean when people say "You get what you pay for" I will never purchase another microphone below this price rang. PROFESSIONAL STUDIO SOUND QUALITY!

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