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Item # 485770 | Customer Ratings: Ratings ( 5 Based on 9 reviews)

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PreSonus StudioLive 24.4.2 Digital Mixer Blemished - Like New
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      PreSonus StudioLive 24.4.2 Digital Mixer Blemished - Like New (485770)
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A 24 x 4 x 2 performance and recording digital mixer that is as easy to use as a traditional analog mixer.

Once you've used the PreSonus StudioLive 24.4.2 Digital Mixer, you'll never want to go back to an old-school analog mixer. With StudioLive mixer's incredible signal-processing power on every channel, easy store and recall of every setting, and the ability to record it all with just 2 mouse clicks, you'll get spoiled fast. Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, the digital Presonus StudioLive 24.4.2 delivers the most creative environment possible for both live performance and studio music production.

The StudioLive 24.4.2 is a fine choice for those who want to mix small- to medium-sized shows and worship services. It's also a great choice for club systems, corporate applications, educational institutions, or as the hardware core for a project studio.

Inside the StudioLive audio mixer you'll find high-headroom XMAX microphone preamplifiers, a built-in FireWire recording and playback interface, more than 90 signal processors, a big library of DSP effects, 10 aux buses, 4 subgroups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback, and more. Yet, despite its many controls and features, it's compact and easy to transport.

With the StudioLive 24.4.2, you can build live mixes that glisten with clarity and detail, and then record and enhance the performance. Get creative in the studio. Build mixes, loops, sound effects, and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins and completely automate your entire performance. StudioLive 24.4.2 revolutionizes music production, opening endless creative possibilities.

Experience the ease of analog with the power of digital.
When PreSonus designed StudioLive 24.4.2, one of their primary goals was to provide a familiar interface that would keep all critical controls visible and accessible—not buried inside multiple menus.

Sit down at a PreSonus StudioLive 24.4.2, and you see real hardware Mute and Solo buttons, trim controls, and clearly labeled, individual knobs for parametric EQ and dynamics processing. The master section—complete with Talkback, Monitor, Cue, and a choice of headphone sources—looks just like the master section on an analog board but with far more power and flexibility. Aux sends have their own controls. Every channel has a big, bright meter display. Basically, if you've ever used an analog mixer, you'll be right at home with a StudioLive 24.4.2, and even if you've never used a mixer before, you'll quickly be able to create quality mixes and recordings.

The StudioLive 24.4.2 mixer is for those of you who want more than 16 channels but want to keep your system compact. It has more than six auxiliary buses, a fully parametric EQ. You could use an enhanced gate with Key Listen and Key Filter features, and a Threshold control on the limiter would be handy. A stereo graphic EQ on the mains is mandatory but you also want graphic EQ on the subgroups and auxes at times—four dual-mono, 31-band graphic EQs would do the job nicely. No problem! You get all of these enhancements and more with the 24-channel, 10-aux, StudioLive 24.4.2.

A gigantic console in a small package thanks to the Fat Channel
If StudioLive were an analog console, it would have 4-foot-long channel strips packed with knobs and buttons or it would require a massive outboard rack of expensive signal processors. That's because each channel has its own studio-grade compressor, limiter, gate, 4-band parametric equalizer, and high-pass filter. In all, PreSonus packed 43 compressors, 43 limiters, 43 gates, 24 high-pass filters, and more, into one remarkable Fat Channel.

Engaged by pressing any Select button, the PreSonus StudioLive 24.4.2's Fat Channel features extensive EQ and dynamics for every input channel, every aux output (including the two internal FX buses), every subgroup output, and the main outputs.

To let you get the most from all of this processing power without descending into menu purgatory, StudioLive 24.4.2's engineers designed the Fat Channel with clearly labeled physical knobs; an ingenious, multifunction, 16-ladder LED display; an in-your-face Selected Channel display; and even a separate horizontal pan display. It's easy to instantly access any function and get clear, visible feedback.

Not Your Run-of-the-Mill Effects
With StudioLive 24.4.2 you get 2 programmable, 32-bit, stereo DSP effects engines, loaded with 50 reverbs, delays, and time-based effects that you can really use. The reverbs are so rich and detailed that you feel like you're there. Delays are precise. Slap echo sounds like old-school tape effects. All 50 effects have easy-to-use parameter adjustment, tap tempo, store, recall, and Scene selection for ultimate creative flexibility.

The StudioLive 24.4.2's 4 dual, 31-band graphic equalizers can be applied to the main, subgroup, and aux outputs so you can compensate for room acoustics, speaker response, and much more.

All of these features add up to a lot of settings to remember and reset at every performance. That's where the power of digital comes in: StudioLive lets you save all of your digital settings for quick setup and recall. Save Scenes that include every setting on the mixer or save just the Fat Channel settings. Copy-and-paste settings across multiple channels. Save individual DSP effects for ultimate ease, speed, and control. This means that for fixed applications like clubs, churches, and auditoriums, you can always count on the same sound and can fine-tune Scenes for different songs—calling them up instantly. Even rank amateur volunteers can successfully operate the StudioLive 24.4.2.

PreSonus has included a whole library of individual channel settings as starting points for optimizing the sound of instruments, vocals, and spoken word. An AutoStore feature regularly saves your current settings in case the power fails.

Recording made easy
If you have a computer with 6-pin FireWire, you have a 26-track digital recorder instantly ready to capture your gig, church service, or presentation. Just two mouse clicks engages Capture recording software. Studio One Artist digital audio workstation lets you edit and enhance to your heart's content.

StudioLive 24.4.2 features a tightly integrated FireWire interface that delivers up to 32 channels of recording and up to 26 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre- or post-Fat Channel signal processing, delivering total flexibility and power.

Because StudioLive 24.4.2 can so easily return FireWire playback channels from your computer, you can pull off nifty tricks. You can soundcheck your band and fine-tune the PA in a new venue, even when the band's not there yet. Or create backing tracks at your studio and seamlessly blend them with live performances.

Inside, it's pure PreSonus
Ease of use and powerful features only count if the sound quality is equally impressive. After all, it really comes down to how good those microphone preamps are, how clean the signal path is, and how well the algorithms perform. PreSonus is a company already famous for its analog mic preamps, pristine digital interfaces, and well-regarded signal processors, and the StudioLIve 24.4.2 is sure to keep with this trend.

Its XMAX Class A preamplifiers deliver more headroom, deeper lows, smoother highs, and a richer overall sound than the preamps found in other mixers. Ultra-high-headroom, 32-bit floating-point processing is used for all digital mixing. All analog inputs and outputs use the highest quality digital converters available. Synchronization to your computer is stable and robust, thanks to JetPLL synchronization technology, resulting in great stereo separation and clear, transparent audio.

StudioLive expands with your input needs
Need more than 24 channels for mixing live shows and don't need to record? Daisy-chain two StudioLive 24.4.2s via their FireWire ports to get up to 48 input channels and 8 submix buses. If you need more than 24 channels for recording, and you don't need a full channel strip for the additional inputs, you can daisy-chain a StudioLive 24.4.2 with a PreSonus FireStudio Project, FireStudio Tube, or FireStudio Mobile interface. It could not be simpler.

VSL Control Software
The optional PreSonus Virtual StudioLive software for Mac and Windows, which is offered as a free download, provides bidirectional control of the StudioLive 24.4.2 digital mixer. Now you can see and control the most-used mixer parameters onscreen, including channel, subgroup, aux send, and main levels, as well as Fat Channel, effects, and graphic EQ settings.

Control the mixer with a mouse or watch VSL update when you adjust the hardware. Drag Fat Channel presets onto all 16 channels in seconds. Mute or solo every channel with a sweep of the mouse. Apply a new Scene to the whole mixer just by dragging it on VSL from a list you see at all times, or collect and trade Scenes with other StudioLive users.

Wirelessly control auxiliary mixes with QMix.
With QMix, you can enjoy wireless remote control of any PreSonus StudioLive mixer's aux sends from up to ten Apple iPhones or iPod touches! Let performers create their monitor mixes from individual iPhones. With the Wheel of Me, you can select multiple “Me” channels and control their levels simultaneously. Requires a Mac or PC running PreSonus Virtual StudioLive. Available free from the Apple App Store.

PreSonus StudioLive 24.4.2 Digital Mixer Features:

  • 24 mic/line inputs with high-headroom Class A XMAX mic preamplifiers
    4 subgroups
    Stereo/mono main out
    10 auxiliary mixes
    32-in/26-out FireWire digital recording interface (24-bit/44.1kHz and 48kHz)
    Studio One Artist Digital Audio Workstation software for Mac and PC
    Capture 1.1 recording software for Mac and PC
    Direct recording interface compatible with Logic, Nuendo, Cubase, Sonar, Digital Performer, Ableton Live, and more
    24-channel strips
    Trim control with -20 to +20dBV line/-15 to +65dBu mic gain range (80dB)
    +48V phantom power switch for condenser microphones
    FireWire Input Select
    100mm precision faders
    Lighted Solo and Mute buttons
    Access to Fat Channel functions
    15-LED ladder metering + clip LED
    Analog 1/4" insert (rear panel)

    4 subgroup buses, each with:
    Solo
    Mute
    Access to Fat Channel functions (except high-pass filter and phase reverse)

    10 aux sends, each with
    Solo
    Pre/post-fader send
    Output-level control
    Access to Fat Channel functions (except phase reverse)
    Mix and Mix/Pan Fat Channel metering
    Available sources: 24 input channels, Aux A and B, Tape Input, Talkback

    2 internal effects sends, each with:
    Mute
    Pre/post-fader send
    Output-level control
    Access to Fat Channel (except phase reverse)
    Effects-send Select for Fat Channel metering
    Mix button for aux-bus mixing and Fat Channel metering

    Master Section
    Aux Input A and B
    Level Control and Select (Fat Channel metering) switch
    Access to all Fat Channel functions (except phase reverse)

    Talkback System
    Mic Level control
    Output Select (Aux 1-2, 3-6, 7-10, Main)
    Talk button
    Rear-panel XLR mic input with level control and continuous 48V phantom power

    2 Track In
    Level control
    Tape Input to Mains button
    FireWire source on/off

    Solo Bus
    Cue Mix volume control
    PFL/AFL and Solo In Place (SIP) buttons

    Monitor Bus
    Headphone-output level control
    Control-room monitor-level control
    Solo Bus to Monitor button
    Tape Input to Monitor button
    Main L/R FireWire Return to Monitor button
    Main Mix to Monitor button

    Fat Channel with rotary encoders:
    Pan with dedicated 15-LED display
    Stereo link for input channels, aux buses, and subgroups
    Phase reverse (main channels only)
    High-pass filter: 6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)
    Gate: Threshold: 0 to -84dB, Attack: 0.02 to 500ms, Release: 0.05 to 2 sec, Bandpass Key Filter: 40Hz to 16kHz, second-order resonant bandpass filter Q (0.7) with Key Listen function
    Compressor: Threshold,-56 to 0dB; Ratio 1:1 to 14:1, LIM=8:1; Attack 0.2 to 150ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28dB; Soft Knee switch; Auto Mode with 10ms Attack and 150ms release
    Limiter: variable Threshold -28 dBfs to 0, 8:1 Ratio
    Output Assign: 4 subgroups and main with post-EQ/post-dynamics option
    All settings can be copied among channels and saved as user presets
    50 channel-strip presets for drums, bass, guitars, keyboards, and vocals

    4-band fully parametric equalizer:
    Low EQ: sweepable from 36Hz to 465Hz, ±15dB, switchable shelf or peaking
    Low Mid EQ: sweepable from 90Hz to 1.2kHz, ±15dB, variable Q 0.1 to 4.0
    High Mid EQ: sweepable from 380Hz to 5kHz, ±15 dB, variable Q 0.1 to 4.0
    High EQ: sweepable from 1.4kHz to 18kHz, ±15dB, switchable shelf or peaking
    Master EQ On/Off button

    2 internal digital effects-processors, each with 50 customizable reverb and delay presets
    31-band graphic equalizers:
    Assignable in four stereo pairs
    Mono or stereo operation
    Main outputs, aux outputs, subgroup outputs

    Global Scene Storage: all current StudioLive settings:
    Up to 80 at a time

    Individual channel-strip Scene storage
    Up to 48 at a time, plus
    50 factory presets for instruments and vocal

    Scene, Store, and Recall
    Automatic Global AutoStore
    Copy and Paste between channels
    Customizable naming (for example, "Saturday Gig" or "Main Worship Service")
    Lockout mode to keep inspired amateurs from changing your settings

    Metering/Displays
    24 x 16-LED Fat Channel matrix:
    Pre-dynamics/pre-fader input
    Post-dynamics/post-fader output
    Gain reduction
    Aux 1-10 and EFX A/B output
    Fader-position recall

    8 x 15-LED main meter bank:
    Selected channel level
    Selected channel gain reduction
    Sub buses 1 to 4
    Main stereo outputs

    15-LED horizontal Pan/Balance display

    64 x 194 LCD matrix:
    Effects parameters
    Scene creation, storage, and recall
    System menus
    2-digit channel selected display

    Input/Output
    24 main inputs, each with XLR mic, 1/4" line, and 1/4" inserts
    2 1/4" stereo (L/R) aux inputs
    1 XLR talkback mic input with phantom power and level control
    Unbalanced RCA stereo (L/R) tape inputs and outputs
    XLR stereo (L/R) main outputs with level control
    1/4" stereo (L/R) main outputs
    XLR mono output with level control
    1/4" stereo (L/R) control-room outputs
    1/4" headphone output
    4 1/4" subgroup outputs
    10 1/4" aux outputs
    24 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 (DB25 sockets) S/PDIF digital out
    2 FireWire 400 ports

    Digitalia
    High-definition analog-to-digital converters (118dB dynamic range)
    Unlimited-headroom, 32-bit floating point, digital mixing, and effects processing
    Internal sample frequency: 44.1kHz and 48kHz

    Physical
    Rugged, non-flex steel chassis
    100mm long-throw faders
    Military-grade, quick-touch buttons
    BNC 12V lamp socket
    Optional dust covers available

    Optional VSL Control Software
    Easy drag-and-drop workflow
    Drag presets directly to channels
    Drag parts of presets directly to components in the Fat Channel
    Adjust the Fat Channel gate, compressor, and EQ plus the graphic EQ and effects
    Quickly drop entire Scenes to the mixer to instantly load all channel, effects, and graphic EQ settings
    Load effects quickly by simply dragging presets into the GUI
    Use the mouse to quickly assign channels to multiple buses, mute, solo, etc.
    Store and organize presets on your computer, then transfer them to your mixer for that night's gig
    Create presets on the road, store them to the mixer, then drag them to your preset pool the next time you're connected to the computer
    Reorder presets in mixer memory and in the software to best fit your workflow for each gig
    Share presets with friends; drag presets out of the browser and email, IM, or disk-swap presets with other StudioLive owners
    See all of the most-used parameters on the mixer at once
    See the state of all Fat Channel settings at once
    See all aux mixes at once
    See the current effects and other parameter settings
    View and graphically edit all parametric EQ and compression curves
    View and graphically edit all graphic equalizer settings
    Do time-stamped backups of the entire mixer
    Wirelessly control aux mixes with free QMix wireless-control software available at the Apple App Store


PreSonus StudioLive 24.4.2 Digital Mixer Specifications:

  • Dimensions (WxDxH): 25.19" x 21.31" x 1.89"-7.02" (back is angled up)
    639.80mm x 541.27mm x 178.21-47.95mm (back is angled up)
    Weight: 45lb.


PreSonus StudioLive 24.4.2 Digital Mixer Blemished - Like New

One year parts and labor warranty.

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Pro Coverage includes:

  • Accidental damage protection (new gear only)
  • Expedited Repair
  • Free Shipping (for returns or repairs)
  • 100% Coverage for Commercial Use
  • Extended Return Period
  • Extended Price Protection
  • No Lemon Guarantee
  • Free Transfer of Coverage to a new owner
  • Repair Costs Covered for up to 3 years from date of purchase
  • Repairs Can Be Authorized Toll-Free by Phone or the via the web
Product Reviews
(Based on 9 reviews)
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  • PreSonus Does it again!!

    As reviewed by Joseph Park on 5/27/2010

    I come to love this company more and more with its ease of use products and great sounding equipment. They won me over with the FireStudio and now they've buttered me up with the StudioLive. I got rid of my old control board from Tascam just so I could get one of these! I cannot get over the precision and beauty of the StudioLive! I use the mapping that PreSonus provided for Apple's Logic and it works wonderfully.

    18 of 18 people found this review helpful.
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  • A Must Buy

    As reviewed by Big Daddy on 7/17/2010

    This a great product for the money. Although it does not have automatic faders, I would highly recommend because of the fader recall feature. Pre-fader recording is awesome! Love the fat channel. Does have limited effects processing. However, really works great in the live venue setting. And comes with a load of software. Overall, it's well worth it. Great Job Presonus!

    16 of 16 people found this review helpful.
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  • First Digital Board

    As reviewed by Scott McCourt on 9/28/2010

    Wow this board is great! Our Church got struck by lightening - it got the usual stuff: phones, air conditioner, TV. It also got into our sound equipment. Killing our 24ch EV mixer, 3 condenser mics, computer UPS. We decided to upgrade to the PreSonus StudioLive 24.4.2 for a few reasons. First, the settings recall. ? In a church it is very possible that someone could/will play with the settings. Second, the individual channel outputs for recording, very nice. Third, the all-in-one simplicity. Fourth, the size, it is deeper than our old mixer but about half the width. Once it is setup, it is as simple to operate as an analog mixer. It looks intimidating, all the buttons, but it is very straight forward to use. Add bonus: it is quite pretty when it is powered on. I would highly recommend this mixer.

    11 of 11 people found this review helpful.
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